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Journal Article
Cultural Politics (2020) 16 (2): 233–252.
Published: 01 July 2020
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Published: 01 July 2008
Gash: from the Liz Taylor Series (Ash Wednesday) . Acrylic, gauze, paper on canvas. 90 × 60 inches, 2004. More
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Published: 01 March 2009
Nancy Spero, Female Bomb (1966). From War Series . Gouache on paper. 34 × 27 in. University Art Collection, New School University, New York. Photograph by David Reynolds. More
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Published: 01 March 2014
Figure 1 Woman with Ecstatic Hair , 2012, pen, ink, and pencil on paper, 22 × 30 inches More
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Published: 01 March 2014
Figure 2 Mayflower series: October 21, 1620 , 2010, ink and pencil on paper (detail) More
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Published: 01 March 2014
Figure 5 Mayflower series: November 9, 1620 , 2010, ink and pencil on paper, 22 × 30 inches More
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Published: 01 March 2015
Figure 1 The FBI Files 56 , 2003. Acrylic, Polaroids, and paper on canvas, 14 × 22 in. Collection of Glenn and Trish Zelniker, Gainesville, Florida More
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Published: 01 March 2015
Figure 2 The FBI Files 31 , 2002. Acrylic and paper on canvas, 14 ¾ × 20 ¾ in. Courtesy of the artist More
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Published: 01 March 2015
Figure 3 The FBI Files 28 , 2002. Acrylic and paper on canvas, 15 × 21 ¼ in. Collection of John McCall, Austin, Texas More
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Published: 01 March 2015
Figure 4 Next in Line , 2014. Pen-and-ink drawings on paper, mounted on canvas, 50 × 60 in. Courtesy of the artist More
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Published: 01 March 2015
Figure 5 Next in Line (detail), 2014. Pen-and-ink drawings on paper, mounted on canvas. Courtesy of the artist More
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Published: 01 March 2015
Figure 6 Eternal Return 11 , 2014. Acrylic on paper panels on canvas, acrylic on canvas, 50 × 120 in. Courtesy of the artist More
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Published: 01 November 2014
Figure 2 Mira Schor, The Ground , 2013. Ink and gesso on tracing paper, 18 × 30 in. More
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Published: 01 November 2014
Figure 5 Mira Schor, Flower versus Doxa , 2013. Ink and gesso on tracing paper, 28 × 24 in. More
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Published: 01 November 2012
Figure 1   Recall , 2012. Archival digital print on Hahnemühle paper, 11.5 × 15.25 in. (Landscape based on The Hero Rustam Slays the Witch of the Cosmic Illusion , an illustration attributed to Qadîmî by S. C. Welch, from Firdawsī's Book of Kings , copied in Tabriz from Shâh Tahmâsp between More
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Published: 01 November 2012
Figure 2   Stretch , 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist More
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Published: 01 November 2012
Figure 4   Headlong , 2009. Gouache on archival digital print on Hahnemühle paper, 15 × 24 in. (Horsemen based on Firdawsī's Book of Kings manuscript copied in Tabriz for the Mongol íl Khân Abû-Sa‘id [r. 1317–35], Antiquités orientales, section islamique no. 7095, Musée du Louvre, Paris More
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Published: 01 November 2012
Figure 5   Replenish , 2010. Gouache on archival digital print on Hahnemühle paper, 10 × 14 in. (Horse based on Khusraw Discovers Shirin Bathing in a Pool , from a Khamsa by Nizâmî, mid-sixteenth-century Safavid dynasty from Shiraz, Iran. Altered photograph of a bridge in Mosul, Iraq.) Image More
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Published: 01 November 2012
Figure 6   Rocking Horse , 2010. Gouache on archival digital print on Hahnemühle paper, 12 × 13.5 in. (Horseman drawn from Horseman and Groom , attributable to Qadîmî Qazvin, c. 1560, Arthur M. Sackler Museum, Harvard University, no. 1958.62.2. Altered photograph of southern Iraq.) Image More
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Published: 01 July 2016
Figure 5 Protest Crowd, Rio de Janeiro (2013) . Ink on paper mounted on aluminum, 55 × 43 cm, 2015. Image courtesy the artist and Adrian O’Carroll More