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Image
Published: 01 November 2021
Figure 3 Osama bin Laden Watching Himself on TV . Panel 8 of Eternal War Series #6 On Message (2016). Oil on eleven gesso panels, 12 × 12 in. each. Photograph by Jeanette May. Courtesy of the artist.
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Image
Published: 01 November 2021
Figure 4 Love and Ammunition II (2016). Oil on gesso panel, 48 × 36 in. Photograph by Jeanette May. Courtesy of the artist.
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Image
Published: 01 November 2021
Figure 6 Turbulence #1: Alone Together (2020). Oil on gesso panel, 18 × 24 in. Photograph by Jeanette May. Courtesy of the artist.
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Image
Published: 01 March 2015
Figure 6 Eternal Return 11 , 2014. Acrylic on paper panels on canvas, acrylic on canvas, 50 × 120 in. Courtesy of the artist
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Image
Published: 01 November 2021
Figure 2 Eternal War Series #6 On Message (2016). Oil on eleven gesso panels, 12 × 12 in. each. Photograph by Jeanette May. Courtesy of the artist.
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Image
Published: 01 July 2019
Figure 2 Andrew Ellis Johnson, Futures , 2005–9. Acrylic on five panels, 80 × 180 in. Courtesy of the artist.
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Journal Article
Cultural Politics (2009) 5 (2): 229–236.
Published: 01 July 2009
... on panel, 60 × 40 inches. opposite: Lake Vostok with Two Olympias, 2007, acrylic on panel, 60 × 40 inches. Typing a phrase into Google Image Search instantly results in pages of visuals that share connotations with that phrase – results not generated by one individual or entity, but by millions...
Journal Article
Cultural Politics (2021) 17 (3): 302–313.
Published: 01 November 2021
...Figure 3 Osama bin Laden Watching Himself on TV . Panel 8 of Eternal War Series #6 On Message (2016). Oil on eleven gesso panels, 12 × 12 in. each. Photograph by Jeanette May. Courtesy of the artist. ...
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Journal Article
Cultural Politics (2016) 12 (1): 98–109.
Published: 01 March 2016
.... Wall 1: Industry , 2012. Hand-painted acrylic on paper collage, mounted on foam board. 95 × 171 in. Left and right panels: the Koch brothers; center panel: Massachusetts house destroyed by Hurricane Irene. Figure 6. Creeping Ornamentalism, 2012, detail, installation shot. Visual Arts Center of New...
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Journal Article
Cultural Politics (2005) 1 (2): 215–232.
Published: 01 July 2005
... in the process, and who are keen to invest the prize with a different rhetoric. Here the story is one of a passionate engagement that defies the rational, the random and the corrupt. Simon Frith, chair of the Mercury Music Prize panel, remarked: “… once you get in that [jury] room and start fighting it out, you...
Journal Article
Cultural Politics (2018) 14 (3): 327–343.
Published: 01 November 2018
... that the panels in Rothko’s Chapel could be read as the law, now vacated in Lucifer’s Age of Light. In this reading the panels also include such theologies as those that profess equality, fairness, and justice. Van den Berg may have been inconsolable about the fact that this particular set of theologies had...
Journal Article
Cultural Politics (2015) 11 (1): 36–52.
Published: 01 March 2015
...Figure 6 Eternal Return 11 , 2014. Acrylic on paper panels on canvas, acrylic on canvas, 50 × 120 in. Courtesy of the artist ...
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Image
Published: 01 March 2016
Figure 6 Creeping Ornamentalism , 2012, detail, installation shot. Visual Arts Center of New Jersey, Summit, NJ, September–December 2012. Wall 1: Industry , 2012. Hand-painted acrylic on paper collage, mounted on foam board. 95 × 171 in. Left and right panels: the Koch brothers; center panel
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Journal Article
Cultural Politics (2012) 8 (3): 489–494.
Published: 01 November 2012
... in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist Figure 2 . Stretch, 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six...
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Image
Published: 01 March 2018
Figure 2 Dividose: N.S.P ., enamel on polished stainless steel, 63 × 84 in. (three panels), 2011. Courtesy of the artist and Kavi Gupta Gallery
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Journal Article
Cultural Politics (2018) 14 (1): 40–50.
Published: 01 March 2018
...Figure 2 Dividose: N.S.P ., enamel on polished stainless steel, 63 × 84 in. (three panels), 2011. Courtesy of the artist and Kavi Gupta Gallery ...
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Journal Article
Cultural Politics (2019) 15 (2): 244–251.
Published: 01 July 2019
...Figure 2 Andrew Ellis Johnson, Futures , 2005–9. Acrylic on five panels, 80 × 180 in. Courtesy of the artist. ...
FIGURES
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Image
Published: 01 November 2021
Figure 1 Garden of Eternal Return; Valley of the Shadow (2019). Oil on two gesso panels, 48 × 72 in. Collection of Naghmeh Shirkhan. Photograph by Jeanette May. Courtesy of the artist and Naghmeh Shirkan.
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Journal Article
Cultural Politics (2019) 15 (2): 223–243.
Published: 01 July 2019
... granite panels with engraved tombstone drawings found in parts of BiH, featuring images of deceased people accompanied by precious objects. The choice of subject matter in the work carried a heavy symbolic burden because it was the first in a decade to represent BiH at the international event...
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Journal Article
Cultural Politics (2014) 10 (3): 275–286.
Published: 01 November 2014
... of history and utopia, in the distant background of the eighth panel can be descried the death of Captain Cook on Hawai‘i, portrayed according to the much-debated John Gore and James King accounts of the third and final voyage. The tragedy of the Sauvages , its yearning for a colonial idyll made...
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