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painting

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Image
Published: 01 November 2008
Eisenhower painting. Dwight D. Eisenhower Library, Abilene, Kansas. More
Image
Published: 01 November 2014
Figure 6 Mira Schor, Reversible Painting: Theory/Visual Pleasure , 2013. Ink and oil on gesso on linen, 28 × 24 in. More
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Published: 01 November 2014
Figure 9 Mira Schor, Reversible Painting: Map , 2013. Ink and oil on gesso on linen, 28 × 24 in. More
Image
Published: 01 July 2017
Figure 1 Rhunhattan Tearoom , September 2015, installation with acrylic painting and decal collage on ceramics, ink on paper, scent. Dimensions variable. This was a sensory feast of sight and smell referencing seventeenth-century spice wars. Botanical, cartographic, and archival imagery More
Image
Published: 01 November 2017
Figure 2 A student protester throws a painting by Keresemose Baholo on a burning pile of other artworks at the University of Capetown on February 16, 2016. Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) More
Journal Article
Cultural Politics (2013) 9 (2): 212–218.
Published: 01 July 2013
...Jean-François Lyotard In this interview, originally given in 1988, Jean-François Lyotard discusses his then recently published book, Que Peindre? Adami, Arakawa, Buren ( What to Paint?: Adami, Arakawa, Buren ), situating it in the context of his broader interest in art and in terms of his...
Journal Article
Cultural Politics (2013) 9 (2): 219–226.
Published: 01 July 2013
...Leon Phillips © 2013 Duke University Press 2013 I recently experienced a difficult creative block, which led me to switch my painting medium from acrylic to watercolor. For many years I had poured acrylic paint as part of a process-oriented method of making paintings. That is to say...
FIGURES | View All (4)
Journal Article
Cultural Politics (2013) 9 (3): 357–370.
Published: 01 November 2013
... principles of postwar council estate planning and the later negative social and aesthetic stereotyping of these estates. Next, it discusses how Shaw's paintings appear to cope with this struggle by “spectrally wavering” between a visualization of Tile Hill as remembered from his childhood and as it is in its...
FIGURES | View All (4)
Image
Published: 01 July 2008
Figure 1 Murals in the 41 Squadron hangar, Coltishall. These were painted for a “welcome home” ball after the first Gulf War of 1991. Exhausted cartoon aircraft chase moustachioed missiles across rusting steel doors. More
Image
Published: 01 November 2013
Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More
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Published: 01 November 2013
Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered More
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Published: 01 March 2016
Figure 1 Creeping Ornamentalism: Vermont Covered Bridge , 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. More
Image
Published: 01 July 2019
Figure 1 Mladen Miljanović, Strike 1 , 2017. Engraved drawing and paint on granite. Museum of Contemporary Art of Republic Srpska, Banja Luka. Photograph by Drago Vejnović. Courtesy the artist. More
Image
Published: 01 November 2013
Figure 4   Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif More
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Published: 01 March 2016
Figure 2 Moral Hazard: The Low Road (Spitzer) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
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Published: 01 March 2016
Figure 3 Moral Hazard: The Low Road (Edwards) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
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Published: 01 March 2016
Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
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Published: 01 March 2016
Figure 5 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
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Published: 01 March 2018
Figure 5 Untitled (Alcoholism) , urethane paint on wood, 44 × 39 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More
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Published: 01 March 2018
Figure 6 Untitled (Anxiety) , urethane paint on wood, 47 × 126 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More