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Journal Article
Cultural Politics (1 July 2013) 9 (2): 219–226.
Published: 01 July 2013
...Leon Phillips © 2013 Duke University Press 2013 I recently experienced a difficult creative block, which led me to switch my painting medium from acrylic to watercolor. For many years I had poured acrylic paint as part of a process-oriented method of making paintings. That is to say, the use of...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 212–218.
Published: 01 July 2013
...Jean-François Lyotard In this interview, originally given in 1988, Jean-François Lyotard discusses his then recently published book, Que Peindre? Adami, Arakawa, Buren ( What to Paint?: Adami, Arakawa, Buren ), situating it in the context of his broader interest in art and in terms of his...
Image
Published: 01 March 2018
Figure 5 Untitled (Alcoholism) , urethane paint on wood, 44 × 39 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick Figure 5. Untitled (Alcoholism), urethane paint on wood, 44 × 39 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More
Image
Published: 01 March 2018
Figure 6 Untitled (Anxiety) , urethane paint on wood, 47 × 126 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick Figure 6. Untitled (Anxiety), urethane paint on wood, 47 × 126 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More
Journal Article
Cultural Politics (1 November 2013) 9 (3): 357–370.
Published: 01 November 2013
... principles of postwar council estate planning and the later negative social and aesthetic stereotyping of these estates. Next, it discusses how Shaw's paintings appear to cope with this struggle by “spectrally wavering” between a visualization of Tile Hill as remembered from his childhood and as it is in its...
Journal Article
Cultural Politics (1 November 2012) 8 (3): 489–494.
Published: 01 November 2012
...Susanne Slavick Horsepower Hubris presents hand-painted digital prints that examine vehicles as both weapons and targets of war. Painted motifs and passages borrowed primarily from Persian miniatures combine with contemporary media images of wartime destruction, exposing what has been lost...
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Published: 01 July 2008
Figure 1 Murals in the 41 Squadron hangar, Coltishall. These were painted for a “welcome home” ball after the first Gulf War of 1991. Exhausted cartoon aircraft chase moustachioed missiles across rusting steel doors. Figure 1. Murals in the 41 Squadron hangar, Coltishall. These were painted for More
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Published: 01 November 2008
David Humphrey: Ike Paints from Life , 2006, acrylic on canvas, 60 × 72 inches. Courtesy of Sikkema Jenkins & Co., New York, NY. David Humphrey: Ike Paints from Life, 2006, acrylic on canvas, 60 × 72 inches. Courtesy of Sikkema Jenkins & Co., New York, NY. More
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Published: 01 November 2008
Eisenhower painting. Dwight D. Eisenhower Library, Abilene, Kansas. Eisenhower painting. Dwight D. Eisenhower Library, Abilene, Kansas. More
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Published: 01 November 2014
Figure 6 Mira Schor, Reversible Painting: Theory/Visual Pleasure , 2013. Ink and oil on gesso on linen, 28 × 24 in. Figure 6. Mira Schor, Reversible Painting: Theory/Visual Pleasure, 2013. Ink and oil on gesso on linen, 28 × 24 in. More
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Published: 01 November 2014
Figure 9 Mira Schor, Reversible Painting: Map , 2013. Ink and oil on gesso on linen, 28 × 24 in. Figure 9. Mira Schor, Reversible Painting: Map, 2013. Ink and oil on gesso on linen, 28 × 24 in. More
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Published: 01 November 2013
Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered More
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Published: 01 November 2013
Figure 4   Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif More
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Published: 01 November 2013
Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More
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Published: 01 July 2017
Figure 1 Rhunhattan Tearoom , September 2015, installation with acrylic painting and decal collage on ceramics, ink on paper, scent. Dimensions variable. This was a sensory feast of sight and smell referencing seventeenth-century spice wars. Botanical, cartographic, and archival imagery More
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Published: 01 November 2017
Figure 2 A student protester throws a painting by Keresemose Baholo on a burning pile of other artworks at the University of Capetown on February 16, 2016. Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) Figure 2. A student protester throws a painting by Keresemose Baholo on a burning More
Journal Article
Cultural Politics (1 July 2013) 9 (2): 144–157.
Published: 01 July 2013
... figural is the matrix of Lyotard's broader notion of philosophy but also the sign of Gilles Deleuze's conception of painting and Paul Valéry's essays on drawing. In this sense, the figural is a generic concept applicable to all reflection on the sensible that temporarily abandons the structuring power of...
Journal Article
Cultural Politics (1 July 2008) 4 (2): 231–248.
Published: 01 July 2008
... paint for us an accurate picture of what a contemporary anti-utopian looks like. For Gray’s position, it appears, is that utopian beliefs lead to ridicule at best and totalitarian violence at worst. In this essay I shall argue that this position ignores many nuances of utopian thought that operate today...
Journal Article
Cultural Politics (1 March 2005) 1 (1): 119–134.
Published: 01 March 2005
... infringement regarding a sampled image). Garnett explains her sense of the continued relevance and critical potential of art in light of these challenges, specifically the uses of painting in an age of mass production and digital technology. © BERG 2005 PRINTED IN THE UK 2005 I am crazy for images. I spend...
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Published: 01 November 2007
Carrie Moyer, “Façade Project,” 2004. Wheatpasted silk-screened posters, unique painting on plywood. 9 × 18 feet total. Installed at Triple Candie, Harlem, NY. February - August 2004. Referring to the long history of the political murals that dot the urban landscape of New York City, “Façade More