Figure 5 Untitled (Alcoholism) , urethane paint on wood, 44 × 39 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More

Figure 6 Untitled (Anxiety) , urethane paint on wood, 47 × 126 × 2 in., 2017. Courtesy of the artist and Kavi Gupta Gallery. Photo by PD Rearick More

Figure 1 Mladen Miljanović, Strike 1 , 2017. Engraved drawing and paint on granite. Museum of Contemporary Art of Republic Srpska, Banja Luka. Photograph by Drago Vejnović. Courtesy the artist. More

Figure 19 Film screen facing the painting above. More

Figure 1 Rhunhattan Tearoom , September 2015, installation with acrylic painting and decal collage on ceramics, ink on paper, scent. Dimensions variable. This was a sensory feast of sight and smell referencing seventeenth-century spice wars. Botanical, cartographic, and archival imagery More

Figure 1 Murals in the 41 Squadron hangar, Coltishall. These were painted for a “welcome home” ball after the first Gulf War of 1991. Exhausted cartoon aircraft chase moustachioed missiles across rusting steel doors. More

Eisenhower painting. Dwight D. Eisenhower Library, Abilene, Kansas. More

Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More

Figure 2 A student protester throws a painting by Keresemose Baholo on a burning pile of other artworks at the University of Capetown on February 16, 2016. Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) More

Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered More

Figure 1 Creeping Ornamentalism: Vermont Covered Bridge , 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. More

Figure 6 Mira Schor, Reversible Painting: Theory/Visual Pleasure , 2013. Ink and oil on gesso on linen, 28 × 24 in. More

Figure 9 Mira Schor, Reversible Painting: Map , 2013. Ink and oil on gesso on linen, 28 × 24 in. More

Figure 4   Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif More

Figure 2 Moral Hazard: The Low Road (Spitzer) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More

Figure 3 Moral Hazard: The Low Road (Edwards) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More

Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More