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Journal Article
Cultural Politics (1 July 2018) 14 (2): 263–273.
Published: 01 July 2018
... Marcel Mauss. He came to know Marcel Griaule, a young pilot in the French Air Force who now devoted himself to anthropology and had obtained diplomas in two Abyssinian languages. In 1931 Griaule organized a twenty-one-month expedition traversing Africa from Dakar to Djibouti. Leiris joined the expedition...
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Published: 01 March 2018
Figure 3 Pill Spill , blown glass, more than one hundred unique elements, each installation varies, 2011. Toledo Museum of Art, Glass Pavilion, July 15–September 30, 2011. Courtesy of the artist Figure 3. Pill Spill, blown glass, more than one hundred unique elements, each installation varies More
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Published: 01 March 2013
Figure 1   Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 ×  1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York Figure 1 . Claudia Hart, The Swing, 2006. Three-channel animation, one of three More
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Published: 01 November 2013
Figure 14   Flag suspended from car on the freeway out of Kochi. Kerala is one of the most politicized states in India, with some of the most politically aware and active citizens. It was the first Indian state to vote for the Communist Party, and while the Communist Party was toppled in 2011 for More
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Published: 01 March 2012
Ceca, Sydney, 2010. Photo courtesy of Dragana Marinković—One Love Photography Ceca, Sydney, 2010. Photo courtesy of Dragana Marinković—One Love Photography More
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Published: 01 July 2016
Figure 3 One of the first stairways in Admiralty, October 2014. Photo by Brother Four (Sigor), provided by Brother Four (Sigor) Figure 3. One of the first stairways in Admiralty, October 2014. Photo by Brother Four (Sigor), provided by Brother Four (Sigor) More
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Published: 01 March 2015
Figure 6 Eternal Return 11 , 2014. Acrylic on paper panels on canvas, acrylic on canvas, 50 × 120 in. Courtesy of the artist Figure 6. Eternal Return 11, 2014. Acrylic on paper panels on canvas, acrylic on canvas, 50 × 120 in. Courtesy of the artist More
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Published: 01 November 2012
Figure 3   Roam: Riding on Remorse , 2008. Gouache on archival digital print on Hahnemühle paper, 6 × 10 in. Collection of Mary Lou Arscott, Pittsburgh. (Camels based on illustration by Bihzâd for Nizâmî's Layli and Manjûn in 1493 Khamsa , British Library.) Image courtesy of the artist More
Journal Article
Cultural Politics (1 November 2006) 2 (3): 281–298.
Published: 01 November 2006
... on theology, but rather on philosophical anthropology and idealist epistemology. Hegel’s approach to history as the result of human actions that are never irrational but in principle always rational helps us to understand the historical process. This theory is specifically useful in understanding the...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 359–384.
Published: 01 November 2009
...Tania Roy This paper examines the installation work of Vivan Sundaram, one of India's foremost contemporary artists, as an aesthetic response to the rapid political and cultural transformations that marked the 1990s. At this time, Sundaram turned definitively from an established body of figurative...
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Published: 01 July 2018
Figure 4 Two on a Match , 2017. Acrylic on canvas, 84 × 115 in. Courtesy of the artist Figure 4. Two on a Match, 2017. Acrylic on canvas, 84 × 115 in. Courtesy of the artist More
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Published: 01 March 2015
Figure 4 Next in Line , 2014. Pen-and-ink drawings on paper, mounted on canvas, 50 × 60 in. Courtesy of the artist Figure 4. Next in Line, 2014. Pen-and-ink drawings on paper, mounted on canvas, 50 × 60 in. Courtesy of the artist More
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Published: 01 March 2015
Figure 5 Next in Line (detail), 2014. Pen-and-ink drawings on paper, mounted on canvas. Courtesy of the artist Figure 5. Next in Line (detail), 2014. Pen-and-ink drawings on paper, mounted on canvas. Courtesy of the artist More
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Published: 01 November 2014
Figure 4 Mira Schor, Fallow Field 2 , 2012. Oil and ink on gesso on linen, 14 × 18 in. Figure 4. Mira Schor, Fallow Field 2, 2012. Oil and ink on gesso on linen, 14 × 18 in. More
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Published: 01 November 2014
Figure 9 Mira Schor, Reversible Painting: Map , 2013. Ink and oil on gesso on linen, 28 × 24 in. Figure 9. Mira Schor, Reversible Painting: Map, 2013. Ink and oil on gesso on linen, 28 × 24 in. More
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Published: 01 November 2014
Figure 10 Mira Schor, Reversible Time , 2013. Ink and oil on gesso on linen, 28 × 24 in. Figure 10. Mira Schor, Reversible Time, 2013. Ink and oil on gesso on linen, 28 × 24 in. More
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Published: 01 November 2014
Figure 11 Mira Schor, Morning in America , 2013. Ink and oil on gesso on linen 24 × 45 in. Figure 11. Mira Schor, Morning in America, 2013. Ink and oil on gesso on linen 24 × 45 in. More
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Published: 01 July 2016
Figure 5 Protest Crowd, Rio de Janeiro (2013) . Ink on paper mounted on aluminum, 55 × 43 cm, 2015. Image courtesy the artist and Adrian O’Carroll Figure 5. Protest Crowd, Rio de Janeiro (2013). Ink on paper mounted on aluminum, 55 × 43 cm, 2015. Image courtesy the artist and Adrian O’Carroll More
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Published: 01 November 2012
Figure 2   Stretch , 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist More
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Published: 01 November 2012
Figure 4   Headlong , 2009. Gouache on archival digital print on Hahnemühle paper, 15 × 24 in. (Horsemen based on Firdawsī's Book of Kings manuscript copied in Tabriz for the Mongol íl Khân Abû-Sa‘id [r. 1317–35], Antiquités orientales, section islamique no. 7095, Musée du Louvre, Paris More