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Image
Published: 01 July 2014
Figure 2 New-build suburbia, on the site of Colossus facilities, Bletchley Park. Photo: Gair Dunlop Figure 2. New-build suburbia, on the site of Colossus facilities, Bletchley Park. Photo: Gair Dunlop More
Image
Published: 01 July 2014
Figure 3 More new-build suburbia; ultra was the code word for intelligence material from Bletchley Park. Photo: Gair Dunlop Figure 3. More new-build suburbia; ultra was the code word for intelligence material from Bletchley Park. Photo: Gair Dunlop More
Image
Published: 01 July 2016
Figure 9 Protest Crowd, Occupy New York . Ink on paper, 40 × 58 cm, 2013. Image courtesy the artist and Anne Sophie Moors Figure 9. Protest Crowd, Occupy New York. Ink on paper, 40 × 58 cm, 2013. Image courtesy the artist and Anne Sophie Moors More
Image
Published: 01 November 2017
Figure 1 Builder Levy, Building Trades Union Workers at the New York City Women’s March 1/21/17 , 2017. Gold-tone gelatin silver print, 11 × 14 in. Courtesy of the artist Figure 1. Builder Levy, Building Trades Union Workers at the New York City Women’s March 1/21/17, 2017. Gold-tone gelatin More
Image
Published: 01 November 2017
Figure 2 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable Figure 2. Deborah Frizzell, Women’s March in New York, 2017. Digital photograph, dimensions variable More
Image
Published: 01 November 2017
Figure 3 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable Figure 3. Deborah Frizzell, Women’s March in New York, 2017. Digital photograph, dimensions variable More
Image
Published: 01 November 2017
Figure 4 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable Figure 4. Deborah Frizzell, Women’s March in New York, 2017. Digital photograph, dimensions variable More
Image
Published: 01 March 2009
Studio of Nancy Spero and Leon Golub, Greenwich Village, New York, 2007, with mock-up for Spero’s Maypole/Take No Prisoners , courtesy of Galerie Lelong, New York, and Golub’s Gigantomachy II (1965), courtesy of Ronald Feldman Fine Arts. Photograph by Samm Kunce. Studio of Nancy Spero and Leon More
Image
Published: 01 November 2009
Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 July 2010
Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #26, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #26, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #15, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #15, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #25 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #25 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #22, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #22, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 November 2013
Figure 1   Robert M. Bednar, Sign/shrine, NM-518 North, near Las Vegas, New Mexico, USA, December 2010. Photograph courtesy of the author Figure 1 . Robert M. Bednar, Sign/shrine, NM-518 North, near Las Vegas, New Mexico, USA, December 2010. Photograph courtesy of the author More
Journal Article
Cultural Politics (1 July 2005) 1 (2): 139–164.
Published: 01 July 2005
... breathed new life into the authoritarian right, using the power of their historical bloc to wage an intense battle to weaken labor unions, dismantle the welfare state, eliminate the Department of Education, support right-wing contras in Nicaragua, and increasingly make use of the state to contain and...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
... posed an imagined “America” against “the world.” This article argues that Black Hawk Down is not about sovereignty as traditionally conceived, that is about national interest shaping global affairs. Rather, Black Hawk Down articulates, and is articulated by, a new and emerging global order that operates...
Journal Article
Cultural Politics (1 November 2006) 2 (3): 359–380.
Published: 01 November 2006
...Priya Kurian; Debashish Munshi Immigration and genetic modification (GM) are two contentious sociocultural issues that have attracted considerable academic, political, and public attention in New Zealand. Although seemingly disparate, the discourses around the two issues share common anxieties...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 202–226.
Published: 01 July 2017
... performances that explicitly address the lower classes—the Jakarta-based rock band Slank and the Balinese solo performer Nanoe Biroe—the author traces the increasing recognition of pop idols as politically authoritative figures and the emergence of a new form of corporatized associational life (the fan group...
Journal Article
Cultural Politics (1 November 2017) 13 (3): 370–390.
Published: 01 November 2017
... philanthropy appears in Tony Bennett, Lawrence Grossberg, and Meaghan Morris’s New Keywords: A Revised Vocabulary of Culture and Society (2005), published the same year as Time magazine bestowed the title of Persons of the Year on the “Good Samaritans” Bill Gates, Melinda Gates, and Bono ( Gibbs 2005...