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nancy

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Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. More
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. More
Journal Article
Cultural Politics (1 March 2009) 5 (1): 118–132.
Published: 01 March 2009
...Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. ...
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail) in situ , 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Nancy Spero, Maypole/Take No Prisoners (detail) in situ, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. More
Image
Published: 01 March 2009
Studio of Nancy Spero and Leon Golub, Greenwich Village, New York, 2007, with mock-up for Spero’s Maypole/Take No Prisoners , courtesy of Galerie Lelong, New York, and Golub’s Gigantomachy II (1965), courtesy of Ronald Feldman Fine Arts. Photograph by Samm Kunce. Studio of Nancy Spero and Leon More
Image
Published: 01 March 2009
Nancy Spero, Nightmare Figures II (1961). Oil on canvas. 51 × 63 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. Nancy Spero, Nightmare Figures II (1961). Oil on canvas. 51 × 63 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. More
Image
Published: 01 March 2009
Nancy Spero, Female Bomb (1966). From War Series . Gouache on paper. 34 × 27 in. University Art Collection, New School University, New York. Photograph by David Reynolds. Nancy Spero, Female Bomb (1966). From War Series. Gouache on paper. 34 × 27 in. University Art Collection, New School More
Image
Published: 01 March 2009
Nancy Spero, Male Bomb (1966). From War Series . Gouache and ink on paper. 36 × 24 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. Nancy Spero, Male Bomb (1966). From War Series. Gouache and ink on paper. 36 × 24 in. Courtesy of Galerie Lelong, New York. Photograph by More
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail), Italian Pavilion, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Nancy Spero, Maypole/Take No Prisoners (detail), Italian Pavilion, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. More
Journal Article
Cultural Politics (1 July 2016) 12 (2): 253–258.
Published: 01 July 2016
...Irving Goh After Fukushima: The Equivalence of Catastrophes , by Nancy Jean-Luc , translated by Mandell Charlotte , New York : Fordham University Press , 2014 , 72 pp, $16.00 , ISBN 978-0-82326-339-4 © 2016 Duke University Press 2016 Jean-Luc Nancy is one of today’s most...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 421–425.
Published: 01 November 2015
..., Jean-Luc Nancy lamented what he saw as a return of the subject within contemporary philosophical and theoretical discourse. This return of the subject could be discerned most clearly in Lacanian psychoanalysis but also more generally in the way philosophy was borrowing from nonphilosophical, largely...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 426–429.
Published: 01 November 2015
... togetherness” (176), arguing that in Beau Travail , as the French legionnaires dance with African females, the “uniform(ed) queer body of the Legion is shown to be dispersed by the racial and sexual difference of the Djiboutian women” in an exhibition of Jean-Luc Nancy’s concept of “ being-with —that is, a...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 346–360.
Published: 01 November 2015
.... Longnecker Krista Redmond Molly C. . 2011 . “ Fate of Dispersants Associated with the Deepwater Horizon Oil Spill .” Environmental Science and Technology 45 ( 4 ): 1298 – 1306 . Rabalais Nancy N. 2011 . “ Troubled Waters of the Gulf of Mexico .” Oceanography 24 ( 2 ): 200...
Journal Article
Cultural Politics (1 November 2010) 6 (3): 303–318.
Published: 01 November 2010
... Nancy (1991: 6–7, 20–1) . 12. For a similar description, see Savells (1986) . 13. Bonner (1990) also reports and reacts to what is clearly the same phenomenon. 14. It seems to me that, instead of resisting this student mentality, a common academic tactic at the time was to redefine the teacher's...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 203–211.
Published: 01 July 2013
... the beginning of chapter 10 ( Lyotard 1984 ). 4. See Lyotard's objections ( Lyotard 1986 : 11) to Jean-Luc Nancy and Philippe Lacoue-Labarthe's appeal to the concept of “mother” in their introduction to the Rejouer le politique ( Replaying the Political ) volume ( Lacoue-Labarthe and Nancy 1981...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 273–282.
Published: 01 July 2012
... Perfect Mother-Worker .” Signs: Journal of Women and Culture in Society 35 , no. 4 : 969 – 92 . Scheper-Hughes Nancy . 2005 . “ Bodies for Sale—Whole or in Parts .” In Commodifying Bodies , edited by Scheper-Hughes Nancy Wacquant Loïc . 1 – 8 . Thousand Oaks, CA : Sage...
Journal Article
Cultural Politics (1 March 2006) 2 (1): 97–114.
Published: 01 March 2006
... nineteenth-century flâneur as a dated figure, one that needs its contemporary counterpart. Perhaps one may think Nancy's passerby, which is not foreign to the French sense of pas – “step” (a forwarding presence or mark of presence) and “not” (negation) at the same time: “A passerby, each time, and each...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 163–183.
Published: 01 July 2015
...-enveloping, nonlinear time-space conjunctions in Nancy Spero’s signature large-scale scroll works, such as Torture of Women (1976) or Notes on Time on Women (1979). It also recalls Nalini Malani’s multimedia installations and her recent project In Search of Vanished Blood (2012), an evocation of the...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 259–262.
Published: 01 July 2017
... set of materials broken down into sections of varying lengths. The first is an introduction that stakes out an avowedly metaphysical claim about the medium. This is followed by readings of five theorists—Walter Benjamin, Jean-Luc Nancy, Michel Serres, Régis Debray, and John Durham Peters—that are used...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 339–354.
Published: 01 November 2016
... “nonhuman.” Instead of simply adapting, as those in power tell us to, we should look carefully at what is happening to us and be wary of the current equivalence of all things into exchange value that makes the creation of other values so difficult ( Nancy 2015a , 2015b ). If we think of the Anthropocene...