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nancy

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Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. More
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. More
Journal Article
Cultural Politics (1 March 2009) 5 (1): 118–132.
Published: 01 March 2009
...Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. Nancy Spero, Maypole/Take No Prisoners in progress, studio of Nancy Spero, 2007. Photograph by Deborah Frizzell. ...
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail) in situ , 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Nancy Spero, Maypole/Take No Prisoners (detail) in situ, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. More
Image
Published: 01 March 2009
Studio of Nancy Spero and Leon Golub, Greenwich Village, New York, 2007, with mock-up for Spero’s Maypole/Take No Prisoners , courtesy of Galerie Lelong, New York, and Golub’s Gigantomachy II (1965), courtesy of Ronald Feldman Fine Arts. Photograph by Samm Kunce. Studio of Nancy Spero and Leon More
Image
Published: 01 March 2009
Nancy Spero, Nightmare Figures II (1961). Oil on canvas. 51 × 63 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. Nancy Spero, Nightmare Figures II (1961). Oil on canvas. 51 × 63 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. More
Image
Published: 01 March 2009
Nancy Spero, Female Bomb (1966). From War Series . Gouache on paper. 34 × 27 in. University Art Collection, New School University, New York. Photograph by David Reynolds. Nancy Spero, Female Bomb (1966). From War Series. Gouache on paper. 34 × 27 in. University Art Collection, New School More
Image
Published: 01 March 2009
Nancy Spero, Male Bomb (1966). From War Series . Gouache and ink on paper. 36 × 24 in. Courtesy of Galerie Lelong, New York. Photograph by David Reynolds. Nancy Spero, Male Bomb (1966). From War Series. Gouache and ink on paper. 36 × 24 in. Courtesy of Galerie Lelong, New York. Photograph by More
Image
Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail), Italian Pavilion, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Nancy Spero, Maypole/Take No Prisoners (detail), Italian Pavilion, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. More
Journal Article
Cultural Politics (1 July 2016) 12 (2): 253–258.
Published: 01 July 2016
...Irving Goh After Fukushima: The Equivalence of Catastrophes , by Nancy Jean-Luc , translated by Mandell Charlotte , New York : Fordham University Press , 2014 , 72 pp, $16.00 , ISBN 978-0-82326-339-4 © 2016 Duke University Press 2016 Jean-Luc Nancy is one of today’s...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 421–425.
Published: 01 November 2015
... in 1979, Jean-Luc Nancy lamented what he saw as a return of the subject within contemporary philosophical and theoretical discourse. This return of the subject could be discerned most clearly in Lacanian psychoanalysis but also more generally in the way philosophy was borrowing from nonphilosophical...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 426–429.
Published: 01 November 2015
... syncopated togetherness” (176), arguing that in Beau Travail , as the French legionnaires dance with African females, the “uniform(ed) queer body of the Legion is shown to be dispersed by the racial and sexual difference of the Djiboutian women” in an exhibition of Jean-Luc Nancy’s concept of “ being-with...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 346–360.
Published: 01 November 2015
... Nancy N. 2011 . “ Troubled Waters of the Gulf of Mexico .” Oceanography 24 ( 2 ): 200 . Ramseur Jonathan L. 2010 . Deepwater Horizon Oil Spill: The Fate of the Oil . CRS Report No. R41531. December 16 . Washington, DC : Congressional Research Service . Ramseur Jonathan L...
Journal Article
Cultural Politics (1 November 2010) 6 (3): 303–318.
Published: 01 November 2010
.... It should be noted that Bataille, in turn, credits Mauss as the foremost observer of the potlatch. See Mauss (1969) . 11. For a further explication of the theme of ecstasy in Bataille, see Nancy (1991: 6–7, 20–1) . 12. For a similar description, see Savells (1986) . 13...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 203–211.
Published: 01 July 2013
... for historical causations near the beginning of chapter 10 ( Lyotard 1984 ). 4. See Lyotard's objections ( Lyotard 1986 : 11) to Jean-Luc Nancy and Philippe Lacoue-Labarthe's appeal to the concept of “mother” in their introduction to the Rejouer le politique ( Replaying the Political...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 273–282.
Published: 01 July 2012
... Press . Pande Amrita . 2010 . “ Commercial Surrogacy in India: Manufacturing a Perfect Mother-Worker .” Signs: Journal of Women and Culture in Society 35 , no. 4 : 969 – 92 . Scheper-Hughes Nancy . 2005 . “ Bodies for Sale—Whole or in Parts .” In Commodifying Bodies...
Journal Article
Cultural Politics (1 March 2006) 2 (1): 97–114.
Published: 01 March 2006
... one may think Nancy's passerby, which is not foreign to the French sense of pas – “step” (a forwarding presence or mark of presence) and “not” (negation) at the same time: “A passerby, each time, and each time anyone whatsoever – not that the passerby is anonymous, but his or her vestige does not...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 163–183.
Published: 01 July 2015
... enter Mosse’s unfurling visual-audio epic at any point during its looped progression is reminiscent of the all-enveloping, nonlinear time-space conjunctions in Nancy Spero’s signature large-scale scroll works, such as Torture of Women (1976) or Notes on Time on Women (1979). It also recalls Nalini...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 259–262.
Published: 01 July 2017
... a typical monograph, Krämer presents us with a varied set of materials broken down into sections of varying lengths. The first is an introduction that stakes out an avowedly metaphysical claim about the medium. This is followed by readings of five theorists—Walter Benjamin, Jean-Luc Nancy, Michel...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 339–354.
Published: 01 November 2016
... that makes the creation of other values so difficult ( Nancy 2015a , 2015b ). If we think of the Anthropocene together with the depletion of resources and climate change, we also have to care about the demands that humans make on the earth ( Haraway 2015) . Developing his aestheticoethical paradigm...