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Journal Article
Cultural Politics (2022) 18 (1): 95–115.
Published: 01 March 2022
...Ace Lehner Abstract This article explores potentialities for experiencing trans joy via creative praxis, which the author coins “trans failure.” As the author defines it, trans failure builds on examples set by queer failure, such as casting off limiting cultural norms (like binary gender...
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Journal Article
Cultural Politics (2011) 7 (1): 59–78.
Published: 01 March 2011
...John Armitage © BERG 2011 PRINTED IN THE UK 2011 Joy Garnett is an American painter who lives and works in New York City. Garnett's work is associated with what she calls the “apocalyptic sublime,” a metaphysical condition of combined astonishment and terror in the presence of huge natural...
Journal Article
Cultural Politics (2022) 18 (3): 351–366.
Published: 01 November 2022
... by these thinkers prevent them from engaging with what Nancy called the “sense of the world.” The article concludes with a reflection on the place of joy in the text of Nancy to which all three of these thinkers make reference: The Creation of the World or Globalization . cory.stockwell@gmail.com Copyright...
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Published: 01 March 2015
Figure 1 Joy Garnett, Crepuscular Dawn , 2014. Oil on canvas, 11 ×14 in. Courtesy the artist More
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Published: 01 March 2015
Figure 2 Joy Garnett, Shade , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More
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Published: 01 March 2015
Figure 3 Joy Garnett, Beacon , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More
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Published: 01 March 2015
Figure 4 Joy Garnett, Arbor , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More
Journal Article
Cultural Politics (2012) 8 (1): 73–78.
Published: 01 March 2012
... not stand out like a sore thumb. This article is a translation by Chris Turner of François Cusset, “Baudrillard Seriously, Les joies du quiproquo ” © L'Herne, 2004, www.lherne.com . References Poster, Mark, ed. and trans 1988 . Introduction to Jean Baudrillard: Selected Writings...
Journal Article
Cultural Politics (2005) 1 (1): 119–134.
Published: 01 March 2005
...Joy Garnett New York artist Joy Garnett outlines her methods as a painter who works from sampled or found images. She discusses her relationship to her sources, which have included science photographs, declassified military and news media imagery. She describes the challenges she has encountered...
Journal Article
Cultural Politics (2015) 11 (1): 126–133.
Published: 01 March 2015
...Figure 1 Joy Garnett, Crepuscular Dawn , 2014. Oil on canvas, 11 ×14 in. Courtesy the artist ...
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Journal Article
Cultural Politics (2016) 12 (2): 190–201.
Published: 01 July 2016
...Joy Gerrard © 2016 Duke University Press 2016 A solid block of black ink is left to soak in water. It becomes softer and easier to grind. It is Japanese sumi, an intense black ink made from soot and glue and used for calligraphy. It is ground with a pestle and mortar, or perhaps a shallow...
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Journal Article
Cultural Politics (2020) 16 (1): 45–49.
Published: 01 March 2020
...Joy Garnett I studied classical Arabic in Montreal at McGill’s Institute of Islamic Studies. I wasn’t any good at it, but neither was anyone else. Each semester, the class got smaller as people dropped out. It was torture but addictive, and I stuck with it to the end like my grandmother...
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Journal Article
Cultural Politics (2022) 18 (1): 12–27.
Published: 01 March 2022
...Srila Roy Abstract Young urban Indian women have made women's rights to seek pleasure and have fun, especially in public, central to a new repertoire of feminist resistance and also as a way of demarcating themselves from “joyless” feminisms of the past. Concerns around pleasure, fun, and joy...
Journal Article
Cultural Politics (2022) 18 (1): 28–43.
Published: 01 March 2022
... managing oneself.” However, as happiness is constructed as a mandatory “individual engineering project,” more recently, female influencers have emerged who go against standards of beauty taken as oppressive. They embrace other physiques as forms of self-expression and finding joy, mostly the “big” body...
Journal Article
Cultural Politics (2017) 13 (1): 34–47.
Published: 01 March 2017
... that in the face of totalitarianism, a literature of intimacy opens a realm of human experience that is outside the control of the regime. Because it carries a memory of joy, it is radically other to the ethos of the regime. Later, in The Aesthetic Dimension (1978), Marcuse returns to the role of aesthetics when...
Journal Article
Cultural Politics (2022) 18 (1): 1–11.
Published: 01 March 2022
... to be critiqued as a tool of domination. Reaching for joy, and being joyful, can be emancipatory and as such has potential for deeply meaningful political agency. As Srila Roy shows, young rural women in India find and take opportunities to exercise independence through the acquisition of consumer items...
Journal Article
Cultural Politics (2022) 18 (1): 79–94.
Published: 01 March 2022
... to the project of transcending gross materialism while simultaneously using material cues to communicate that joyful transcendence. mehita.iqani@wits.ac.za Copyright © 2022 by Duke University Press 2022 success celebrity wealth luxury race gender South Africa Visual expression, self...
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Journal Article
Cultural Politics (2020) 16 (1): 135–137.
Published: 01 March 2020
... of the contradictions of late capitalism and a recovery of a latent memory of joy that refracts the subject’s perception of the world, not as object or mere resource, hence expendable, but as a realm of mutuality: an ecology. Reitz summarizes Marcuse’s philosophical development from his doctoral thesis...
Journal Article
Cultural Politics (2005) 1 (1): 1–4.
Published: 01 March 2005
... writers and artists Jean Baudrillard, Jodi Dean, Richard Kahn, Joy Garnett and Joss Hands. As a result, this issue is replete with innovative contributions and distinguished contributors, a condition we aim to sustain in all future editions as Cultural Politics maps new-found borderlands of theory...
Journal Article
Cultural Politics (2022) 18 (1): 64–78.
Published: 01 March 2022
... together, I will begin to understand what these self-portraits, from two corners of the world, are doing to reinvest joy in Black masculine subjectivity. There are times when we doubt our songs. —Richard Wright, 12 Million Black Voices: A Folk History of the Negro in the United States...
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