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Published: 01 November 2013
Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More
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Published: 01 March 2016
Figure 1 Creeping Ornamentalism: Vermont Covered Bridge , 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. More
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Published: 01 March 2016
Figure 2 Moral Hazard: The Low Road (Spitzer) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
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Published: 01 March 2016
Figure 3 Moral Hazard: The Low Road (Edwards) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
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Published: 01 March 2016
Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
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Published: 01 March 2016
Figure 5 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
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Published: 01 March 2016
Figure 7 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. More
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Published: 01 March 2016
Figure 8 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. More
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Published: 01 March 2016
Figure 9 Green Men: Griffin , 2011. Hand-painted acrylic on paper collage. 8 × 18 in. More
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Published: 01 March 2016
Figure 10 Green Men: Tony Hayward, BP , 2010. Hand-painted acrylic on paper collage. 26 × 18 in. More
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Published: 01 July 2023
Figure 14 Wang Da Hong, hand-made poster of Selene: Monument to Man's Conquest of the Moon (1965–80) (1969). 173 × 105 cm. Private collection. More
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Published: 01 November 2023
Figure 6 Hand-drawn copy of the Coffee and Forest Arrangement Experimental Plot Chart. More
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Published: 01 March 2024
Figure 4 “Truth to Nature.” Hand-drawn moth based on NHM Collections. Tufted with neon wool and illuminated using ultraviolet lights. More
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Published: 01 March 2024
Figure 5 “Truth to Nature.” Hand-drawn moth in wool depicted using pixelstick and the open camera shutter. More
Journal Article
Cultural Politics (2012) 8 (1): 157–162.
Published: 01 March 2012
...Ingrid Hoofd @ Is for Activism: Dissent, Resistance, and Rebellion in a Digital Culture , by Hands Joss , London : Pluto , 2010 224 pages , $96.00/£60.00 (hardcover), $30.00/£17.99 (paperback) , ISBN 978-0-7453-2701-2, 978-0-7453-2700-6 © 2012 Duke University Press 2012...
Journal Article
Cultural Politics (2005) 1 (1): 135–138.
Published: 01 March 2005
...Joss Hands Democracy and New Media , edited by Jenkins Henry Thorburn David , Cambridge, MA : MIT Press , 2003 , 385 pages, $39.95 / £25.95 HB 0–262-10101–7. © BERG 2005 PRINTED IN THE UK 2005 The terrain where politics meets new media has come to be conceived by many...
Journal Article
Cultural Politics (2006) 2 (3): 359–380.
Published: 01 November 2006
... about the protection and breaching of a range of boundaries, particularly national, cultural, political, and genetic ones. This article argues that the issues of immigration and GM epitomize the struggles over the politics of recognition and redistribution. On the one hand, these issues are steeped...
Journal Article
Cultural Politics (2009) 5 (1): 27–62.
Published: 01 March 2009
...-fashioning on the one hand, and on the other hand changing symbolic and social orders. © BERG 2009 PRINTED IN THE UK 2009 cartoons transnational circuitry public spheres civil societies media Europeans have used tolerance as an excuse for not confronting intolerance. Bassam Tibi...
Journal Article
Cultural Politics (2023) 19 (2): 241–260.
Published: 01 July 2023
.... The outraged reaction exhibited by politicians, audiences, and the national media reveal an unexplored archive of exchanges, miscommunications, and negotiations between, on one hand, a long list of hip-hop household names—including Jay-Z, Nas, Kanye West, Lil Wayne, and many others—who have incorporated...
Journal Article
Cultural Politics (2010) 6 (2): 181–199.
Published: 01 July 2010
... suggest, however, that neither reading is ultimately convincing for the critical-philosophical purpose in hand. For, they do not provide the non -technological detail and distinctions needed to further transformative reflection on our contemporary economic condition. Without such distinctions, Stiegler's...