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graphical communication

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Journal Article
Cultural Politics (1 March 2017) 13 (1): 81–100.
Published: 01 March 2017
... and opposed to the restrictions of communicative capitalism. Taking the cultural battle between Universal Pictures’ Minions and Pepe the Frog as their primary example, the authors argue that some forms of graphical representation and display produce an anticapitalist concept of rarity when they...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 202–226.
Published: 01 July 2017
... critical forms of belonging within a neoliberal communicative environment–especially Jodi Dean’s writings on communicative capitalism. It examines the vulnerabilities and possibilities of lower-class performances and solidarities and brings to light the broader media infrastructures that enable them...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 5–20.
Published: 01 March 2007
... directed toward the production of hybridity. Further, and despite the continuing presence of an official policy of multiculturalism, these developments have highlighted the highly provisionalized forms of national belonging now available to Australian citizens in certain immigrant communities, particularly...
Journal Article
Cultural Politics (1 July 2006) 2 (2): 193–212.
Published: 01 July 2006
... a global political community as one of a plurality situated at different geo graphical scales according to the issue in question ( Held 2003 : 195). Human rights are a resource for cosmopolitan democracy because, although human rights are more commonly associated in the West with individual civil...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 189–218.
Published: 01 July 2011
... Cuban cultural theory and practices in the national, popular, and expressive arts domains. This process strikingly sustains the revolution's goals to bring about an equal and unified national community, a radical anti-imperialist, internationalist political ethos, and a deeply rooted universal arts...
Journal Article
Cultural Politics (1 November 2007) 3 (3): 381–392.
Published: 01 November 2007
.... I still have my copy of Mao’s “Little Red Book,” given to me at the local film co-op by some creepy, stringy man who distributed them like candy to all the young girls. As a painter, graphic designer and all-around purveyor of agitprop, I know full well that the best way to connect with a viewer is...
Journal Article
Cultural Politics (1 March 2009) 5 (1): 118–132.
Published: 01 March 2009
... down to form a scallop of gravity before ascending upward to be caught by monofilament attached to the ceiling; on the descending ribbon ends were tied graphically hand-printed cut-out paper heads, severed and still screaming. Some of the double-sided heads were mask-like profiles howling with...
Journal Article
Cultural Politics (1 July 2018) 14 (2): 216–224.
Published: 01 July 2018
...Jerry Kearns © 2018 Duke University Press 2018 In the early 1980s, when I returned to painting and studio art after five years as a cultural activist in communities throughout New York City, I was preoccupied with studying the construction of our definitions of self: Who we think we are is...
Journal Article
Cultural Politics (1 March 2013) 9 (1): 86–94.
Published: 01 March 2013
... instructor at Brooklyn's Pratt Institute in a department then called Computer Graphics and Interactive Media. Although Pratt is a serious fine arts school, at that time its computer art department was “production oriented” and more or less an extension of global engineering culture. I began to understand the...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 193–214.
Published: 01 July 2005
... Distribution is the core process in which economic and political moments of human communication take center stage. The management of product, payment and data flows between producers and audiences have however rarely been addressed in media studies terms other than regulation and control, with other aspects...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 144–157.
Published: 01 July 2013
... between the signs. Because a pragmatics of communication directs their course, the lines constituting the letters are arranged as to maintain the clarity of reading. On the other hand, graphic signs can also employ a line that unfolds a libidinal energy that appeals to a desiring eye, an energy that is...
Journal Article
Cultural Politics (1 March 2012) 8 (1): 79–95.
Published: 01 March 2012
...” (W. H. Auden ). These two statements depict our concern, as an artist and as a historian, respectively, about being members of an elite intellectual community in an era of totalitarian ideologies. In Muqaddimah , we wanted to avoid a central story line. We wanted to expose cultural subplots that...
Journal Article
Cultural Politics (1 March 2018) 14 (1): 55–62.
Published: 01 March 2018
... now producing 3 million ounces a year. The process generates by-products like mercury and arsenic. Mine waste flows into waterways that are the only source of water for several campesino communities. An investigation into the water quality in the mine area’s rivers and streams found that the mine...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 395–399.
Published: 01 November 2018
..., Trumper provides keen insight into the ways in which ephemeral “political things” such as murals, posters, and placards were “both a vehicle of and a metaphor for the fluid, relentless political exchanges that characterized” Allende’s government (94). The Chilean graphic designer Waldo González Hervé...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 310–331.
Published: 01 November 2016
... disparate disciplinary knowledges that are bound together here. Media scholars, for example, can learn to read their histories in archaeological ruins, and urban historians and archaeologists can better appreciate the centrality of communication and media history to their own fields. Thinking these...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 289–303.
Published: 01 November 2018
... usually goes by the name of “playbour” ( Kücklich 2005 ). Minecraft ’s retro-building block aesthetic, which required no special artistic or graphical skills, in combination with the relative extensibility of the Java code, and the game’s vast and relatively diverse player communities, yielded player...
Journal Article
Cultural Politics (1 July 2006) 2 (2): 245–254.
Published: 01 July 2006
... change. However, Protesting Cartography attempts to do just that by illuminating US foreign policy, by making it visually accessible and by graphically revealing its part in the dire situation in which we find ourselves today. As an interdisciplinary artist, studio art professor, activist, and an...
Journal Article
Cultural Politics (1 November 2012) 8 (3): 443–464.
Published: 01 November 2012
... knowledge. There is, of course, another name in wide use today for this in-between status, especially with regard to communication: mediation . Friedrich Kittler (2009: 26) makes this connection clear when he states, considering the oft-claimed absence of mediation as a concept in classical Greek...
Journal Article
Cultural Politics (1 March 2010) 6 (1): 49–64.
Published: 01 March 2010
... more recently the Internet and other digital communication technologies – has done much to promote and circulate public knowledge of celebrities during the last 100 years. The presence of multi-channel digital television, radio, and the World Wide Web in Western households at the turn of the twenty...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 359–384.
Published: 01 November 2009
... and of victimized communities. 14 Record of both empirical and symbolic violence, the videotaped reference to arson indicts its own graphic self-evidence, implicating the image in the writing of official histories of sectarian violence. Sundaram installs his reference to the rationalized...