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film

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Image
Published: 01 July 2014
Figure 4 Submarine model, built for the film Enigma (2001) . Photo: Gair Dunlop Figure 4. Submarine model, built for the film Enigma (2001). Photo: Gair Dunlop More
Image
Published: 01 March 2017
Figure 1 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York Figure 1. A Brief History of Collapses, film still, 2 channel HD video with 7.1 channel sound, RT 22:30 More
Image
Published: 01 March 2017
Figure 3 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York Figure 3. A Brief History of Collapses, film still, 2 channel HD video with 7.1 channel sound, RT 22:30 More
Image
Published: 01 November 2016
Figure 4 Baotou, China, 2014: film still from Rare Earthenware (2014) showing Unknown Fields collecting radioactive mud from the tailings lake at the outflow of Baogang Iron and Steel Corporation. The mud was used to craft the set of three ceramic vessels. Figure 4. Baotou, China, 2014: film More
Image
Published: 01 July 2015
Figures 4–6 Installation views, The Enclave , 2012–13. 16 mm infrared film transferred to HD video. 39 minutes, 25 seconds. Produced in eastern Democratic Republic of Congo. Director and producer, Richard Mosse; cinematographer and editor, Trevor Tweeten; composer and sound designer, Ben Frost More
Image
Published: 01 July 2019
Figure 4 Stefanos Tsivopoulos, History Zero , 2013. A film in three episodes, 2K, color, 5:1 surround sound, 34 min. Commissioned for the Greek Pavilion at the 55th Venice Biennale. Courtesy the artist. Figure 4. Stefanos Tsivopoulos, History Zero, 2013. A film in three episodes, 2K, color, 5 More
Journal Article
Cultural Politics (1 March 2009) 5 (1): 139–144.
Published: 01 March 2009
...Michael H. Goldhaber Chapter 1 takes up Man with a Movie Camera by the early, idealistic Soviet director Dziga Vertov. It follows a cameraman (Vertov’s brother) through a daily cycle of filming ordinary life (and tram traffic) in a couple of newly Soviet cities. Wildly, Beller interprets this...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 70–91.
Published: 01 March 2014
...Rebecca Dyer; François Mulot Focusing on two films by Jean-Luc Godard that feature the work of the Palestinian poet Mahmoud Darwish, this essay analyzes the rhetorical effects of Godard’s choice to subtitle, translate, or speak over Arabic speech and highlights Godard’s decades-long working...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 299–324.
Published: 01 November 2009
...Matthew Flisfeder In the following, I argue against cognitivist film scholars, such as David Bordwell and Noël Carroll, for the relevance of Slavoj Žižek in the field of film criticism and theory. I argue that Žižek's work presents a wholly new mode of criticism which focuses on the ideological...
Journal Article
Cultural Politics (1 November 2005) 1 (3): 279–294.
Published: 01 November 2005
...David Clarke This article examines a number of recent European films that tackle the issue of migration from former communist countries to Western Europe. The key films discussed in the article all seek to show how the West is constructed as an object of desire for the inhabitants of the former...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 304–326.
Published: 01 November 2018
...Rob Coley The formerly dissident status of the essay film has, in recent years, been exchanged for a great deal of favorable attention both inside and outside academia. In the more overly moralistic commentary on the form, the contemporary essay film is submitted as a tactical response to a surfeit...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 289–310.
Published: 01 July 2011
...Leong Yew Little has been written about Asian spy films and their relationship with Cold War cultural studies. While their Anglo-American counterparts could be discursively analyzed for the way they portrayed Western anxieties about communism, constructed own identities as opposed to the alterity...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
...Debbie Lisle; Andrew Pepper This article uses Ridley Scott's 2001 blockbuster film Black Hawk Down to examine the claim that popular film is the “newest component of sovereignty.” While the topic of the film – the 1993 UN/US intervention in Somalia – lends itself to straightforward politicization...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 177–193.
Published: 01 July 2017
...Nouri Gana This article examines the cultural politics of bastardy in the films of Tunisian filmmaker Nouri Bouzid at a time when questions of national and cultural identity have come to the fore in Tunisia in the wake of the Revolution of Freedom and Dignity. Nouri Bouzid is the doyen of Tunisian...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 35–50.
Published: 01 March 2007
... perspective. It explores the compression of time through the acceleration of movement and measures the velocity of a counterculture that has “hopped up” the machinery of repression as it approaches final impact. This essay discusses the film in the context of issues surrounding individual liberty and national...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 165–188.
Published: 01 July 2011
...Bruce Bennett; Bülent Diken The article approaches The Hurt Locker , an enthusiastically received “critical” film, as a symptom of today's prevailing cultural and political codes. First we dwell on the homologies between the state of exception and the narrative logic of the film, including its...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 263–278.
Published: 01 November 2016
...Daniele Rugo A recurring feature of Patrick Keiller’s work is the lack of human presence and activity. Throughout his films, Keiller delivers a vision of England as a desert island, depopulated and unoccupied. Scrutinizing Keiller’s early shorts and feature-length films, this article argues that...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed and...
Journal Article
Cultural Politics (1 November 2008) 4 (3): 375–390.
Published: 01 November 2008
...Steven Morrison Filmed in Shepperton by a director from New York, shaped by a novel by a British author at its inception and influenced by the work of a British cast and crew during its production, Stanley Kubrick’s Dr. Strangelove is explored in this essay as a British–American hybrid. Kubrick’s...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 234–245.
Published: 01 July 2015
...Brian Sudlow José Padilha’s new RoboCop (2014) film can be read in the light of Paul Virilio’s theoretical work, notably Desert Screen . RoboCop serves as the city’s warrior but also as a munition in the hands of global media forces. Still, even if the film presents the fallibility of robotic...