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film
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Journal Article
Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... on the part of the local Jewish community. A similar controversy sparked off by the film adaptation of the play Shadow of Angels by Daniel Schmid. During the film’s screening at the Cannes Film Festival the Israeli delegation walked out, while there was also rumor of censorship in France. Gilles Deleuze wrote...
Journal Article
Cultural Politics (2009) 5 (1): 139–144.
Published: 01 March 2009
...Michael H. Goldhaber Beller does clearly articulate one key point: Paying attention (to films, e.g.) is not passive, but rather is a form of work. (It takes effort and energy.) Where he goes wrong, though, is in asserting that this is “value-productive labor,” for he uses these terms...
Journal Article
Cultural Politics (2009) 5 (3): 299–324.
Published: 01 November 2009
...Matthew Flisfeder In the following, I argue against cognitivist film scholars, such as David Bordwell and Noël Carroll, for the relevance of Slavoj Žižek in the field of film criticism and theory. I argue that Žižek's work presents a wholly new mode of criticism which focuses on the ideological...
Journal Article
Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
...Rebecca Dyer; François Mulot Focusing on two films by Jean-Luc Godard that feature the work of the Palestinian poet Mahmoud Darwish, this essay analyzes the rhetorical effects of Godard’s choice to subtitle, translate, or speak over Arabic speech and highlights Godard’s decades-long working...
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Journal Article
Cultural Politics (2005) 1 (3): 279–294.
Published: 01 November 2005
...David Clarke This article examines a number of recent European films that tackle the issue of migration from former communist countries to Western Europe. The key films discussed in the article all seek to show how the West is constructed as an object of desire for the inhabitants of the former...
Image
Published: 01 July 2015
Figures 4–6 Installation views, The Enclave , 2012–13. 16 mm infrared film transferred to HD video. 39 minutes, 25 seconds. Produced in eastern Democratic Republic of Congo. Director and producer, Richard Mosse; cinematographer and editor, Trevor Tweeten; composer and sound designer, Ben Frost
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Published: 01 March 2017
Figure 1 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York
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Image
Published: 01 March 2017
Figure 3 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York
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Image
Published: 01 July 2024
Figure 5 Yo Mama (2003). Ink, mica flakes, acrylic, pressure-sensitive film, cut-and-pasted printed paper, and painted paper on paper, 150.2 × 215.9 cm.
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Image
Published: 01 July 2014
Figure 4 Submarine model, built for the film Enigma (2001) . Photo: Gair Dunlop
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in When the Periphery Laughs: Humor and Locality in Contemporary Art from Greece and Bosnia and Herzegovina
> Cultural Politics
Published: 01 July 2019
Figure 4 Stefanos Tsivopoulos, History Zero , 2013. A film in three episodes, 2K, color, 5:1 surround sound, 34 min. Commissioned for the Greek Pavilion at the 55th Venice Biennale. Courtesy the artist.
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Image
Published: 01 November 2016
Figure 4 Baotou, China, 2014: film still from Rare Earthenware (2014) showing Unknown Fields collecting radioactive mud from the tailings lake at the outflow of Baogang Iron and Steel Corporation. The mud was used to craft the set of three ceramic vessels.
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Journal Article
Cultural Politics (2011) 7 (2): 289–310.
Published: 01 July 2011
...Leong Yew Little has been written about Asian spy films and their relationship with Cold War cultural studies. While their Anglo-American counterparts could be discursively analyzed for the way they portrayed Western anxieties about communism, constructed own identities as opposed to the alterity...
Journal Article
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018
...Rob Coley The formerly dissident status of the essay film has, in recent years, been exchanged for a great deal of favorable attention both inside and outside academia. In the more overly moralistic commentary on the form, the contemporary essay film is submitted as a tactical response to a surfeit...
Journal Article
Cultural Politics (2005) 1 (2): 165–192.
Published: 01 July 2005
...Debbie Lisle; Andrew Pepper This article uses Ridley Scott's 2001 blockbuster film Black Hawk Down to examine the claim that popular film is the “newest component of sovereignty.” While the topic of the film – the 1993 UN/US intervention in Somalia – lends itself to straightforward politicization...
Journal Article
Cultural Politics (2017) 13 (2): 177–193.
Published: 01 July 2017
...Nouri Gana This article examines the cultural politics of bastardy in the films of Tunisian filmmaker Nouri Bouzid at a time when questions of national and cultural identity have come to the fore in Tunisia in the wake of the Revolution of Freedom and Dignity. Nouri Bouzid is the doyen of Tunisian...
FIGURES
Journal Article
Cultural Politics (2007) 3 (1): 35–50.
Published: 01 March 2007
..., and perspective. It explores the compression of time through the acceleration of movement and measures the velocity of a counterculture that has “hopped up” the machinery of repression as it approaches final impact. This essay discusses the film in the context of issues surrounding individual liberty and national...
Journal Article
Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
...Bruce Bennett; Bülent Diken The article approaches The Hurt Locker , an enthusiastically received “critical” film, as a symptom of today's prevailing cultural and political codes. First we dwell on the homologies between the state of exception and the narrative logic of the film, including its...
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