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Journal Article
Cultural Politics (2024) 20 (1): 136–154.
Published: 01 March 2024
...Ryan Bishop; Daniel Cid Abstract This visual essay explores the Catalan exhibition Following the Fish/Toppi jën wi at the Venice Architecture Biennale (2023). The exhibition concentrates on the various geopolitical, economic, and historical forces that have driven many sub-Saharan migrants to flee...
FIGURES | View All (19)
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Published: 01 July 2022
Figure 2 Mei (2019). Natural rubber and food coloring, 240 × 60 cm each. Exhibition view at the solo show Clara and Other Specimens , Salzburg Stadgalerie, Salzburg, 2021. More
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Published: 01 November 2022
Figure 2 Rumah 1 (first house of ruangrupa), solo exhibition by street artist Bujangan Urban, 2001. More
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Published: 01 March 2023
Figure 6 Janet Laurence, detail from After Eden exhibition (2011). Altered image from John Gollings original mine photograph. More
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Published: 01 July 2023
Figure 13 The Southeast Asian Rehabilitation and Trade Development Exhibition, June 25–29, 1956, the International Housewares Show in New York City's Coliseum, hosted by Russel Wright Associates (RWA) and Southeast Asia Rehabilitation and Trade Development. The exhibition presented items from More
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Published: 01 November 2023
Figure 3 Portrait of an aged Mark Zuckerberg in Chatonsky's Dysnovation exhibition (2022) at the Cité des Sciences in Paris. Courtesy of the artist. More
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Published: 01 March 2024
Figure 1 Exhibition seen from the fondamenta . Courtesy of Flavio Coddou / IRL. More
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Published: 01 March 2024
Figure 2 Blankets are the support and the image of the exhibition, each one articulated and connected to the others through the wooden slats. Courtesy of Flavio Coddou /IRL. More
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Published: 01 March 2024
Figure 6 First element of the exhibition, fragment of the curatorial text printed on a blanket. Written in four languages: Catalan, English, Italian, and Wolof. Courtesy of Flavio Coddou / IRL. More
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Published: 01 March 2024
Figure 19 Floor plan of the exhibition space with the distribution of the blankets, the students’ work, and the big final screen. Courtesy of Leve. More
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Published: 01 March 2024
Figure 2 Measurement of lighting around the exhibition Perfect Nature , using handheld sensors. Glazen Huis, Amstelpark, May 2023. More
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Published: 01 July 2024
Figure 1 Exhibition view of section 2 (“The Salon as Academy”) of “Je suis inculte!” Photograph by Walid Rashid. Courtesy of Sursock Museum. More
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Published: 01 July 2024
Figure 10 Exhibition view of section 5 (“The Salon in Protracted Crisis”) of “Je suis inculte!” Photograph by Walid Rashid. Courtesy of Sursock Museum. More
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Published: 01 July 2024
Figure 3 Curated exhibition at the People's History Museum. Photograph by the author. More
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Published: 01 November 2007
Carrie Moyer, “Shared Women,” 2007. Screenprint. 24 × 18 inches. Exhibition poster for “Shared Women” at Los Angeles Contemporary Exhibitions (LACE), February - April 2007. More
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Published: 01 July 2018
Figure 3 “Transtlantic Slave Trade” exhibit More
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Published: 01 November 2022
Figures 17–19 An Exile Revisits the City was first exhibited at The Substation Gallery (Singapore) in 2011, reexhibited at the Foundation Cinema Oasis (Bangkok) in 2019, and reworked for Notes for the Future exhibition in 2021. The series consists of fifteen photographs that depict More
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Published: 01 November 2022
Figures 11–13 Malayan Exchange , first exhibited at The Arts House (Singapore) as a complete series and later shown at Valentine Willie Fine Art (Kuala Lumpur) in 2011, is a project that seeks to examine the construction of national narratives through reimagining sets of alternative currency More
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Published: 01 November 2022
Figures 5–7 Mirrors within Mirrors (left) is a video installation first exhibited at Chan + Hori Contemporary (Singapore) in 2018. It is the first stage of a larger work in progress and is inspired by Akira Kurosawa's Rashomon. It employs a multiple-narrative structure that provides More
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Published: 01 November 2022
Figures 8–10 Chinese School Lessons , first exhibited at Chan Hampe Galleries (Singapore) in 2012, is a series that takes as its focus the Chinese school students’ activism and the educational reforms affecting Chinese medium schools in Singapore during the 1950s and 1960s. Courtesy More