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Cultural Politics (2012) 8 (3): 489–494.
Published: 01 November 2012
... war art violence horsepower empathic unsettlement restitution Persian miniature Khamsa Shahnameh digital collage rubble out of rubble car bomb While the automobile and its many-wheeled cousins were instrumental to the industrial transformation of the twentieth century, their role...
Cultural Politics (2007) 3 (3): 381–392.
Published: 01 November 2007
... of reading an image, turning it instead into a humdrum game of cut and paste. Carrie Moyer, digital collage combining various 1970s graphic sources, including the masthead of “Off Our Backs!,” a lesbian-feminist newspaper. Carrie Moyer, digital collage combining various 1970s graphic sources, including...
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Cultural Politics (2020) 16 (1): 45–49.
Published: 01 March 2020
... sports a large sign with “The Bee Kingdom” written in big block letters. Two of the women face the camera, smiling. There is nothing but greenery for miles. Many thanks to Jim Blasi for the preliminary design. Digital collages by Joy Garnett, 2019. Dimensions variable. Courtesy...
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Cultural Politics (2005) 1 (1): 119–134.
Published: 01 March 2005
...” and making protest art from it – digital collage, interactive net.art, ASCII art, software animations, etc. Various web logs and online bulletin boards posted links to the agitprop and summaries of our discussions, enjoining readers to appropriate “Molotov” and make art based on it. In the space of a few...
Cultural Politics (2017) 13 (2): 194–201.
Published: 01 July 2017
... violence and smell are invisible yet omnipresent. Figure 1 Rhunhattan Tearoom , September 2015, installation with acrylic painting and decal collage on ceramics, ink on paper, scent. Dimensions variable. This was a sensory feast of sight and smell referencing seventeenth-century spice wars...
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Cultural Politics (2008) 4 (2): 222–230.
Published: 01 July 2008
..., and a social critique, the work blurs portraiture with self-portraiture and public with private in a visual subversion, disrupting traditional representational painting through its combination of pop stylization, image and text, performative process, and the use of humor and collage. It deconstructs...
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Cultural Politics (2015) 11 (2): 163–183.
Published: 01 July 2015
... to the imagination rather than to empirical certitude. As viewers, we are forced to ask ourselves just what we are looking at and what meanings accrue to these images, especially in a digital world shaped by new methods of editing, morphing, and remixing. By deploying photography and collaborative media to create...
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018
... of audiovisual media, to an era in which most of us have become both consumers and producers of a digital deluge. The work of Adam Curtis is notably absent from these ongoing debates. Yet Curtis is far from an underground figure—he has been making essayistic films for the BBC for more than twenty years...
Cultural Politics (2017) 13 (1): 19–33.
Published: 01 March 2017
... be used in both digital and analog electronic media, and by extension to describe dust and scratches on a film, stains on a cinema screen, or an imperfection in a lens. Most writing on glitches comes from electronic engineers seeking ways to remedy them. Many artists, among them noted net.artists Jodi...
Cultural Politics (2007) 3 (2): 203–222.
Published: 01 July 2007
... of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, collage, and pastiche – thus derives from the undermining of authority within certain limits. The second half of the article analyzes...
Cultural Politics (2012) 8 (1): 97–119.
Published: 01 March 2012
... and their health is central to understanding the operation of digital-era media and the ambiguous benefits of Web 2.0 services, but it can also help us understand how to defend against the new “beasts.” WikiLeaks' own response to the attacks demonstrated an ecological perspective as it continually moved its...
Cultural Politics (2005) 1 (3): 365–378.
Published: 01 November 2005
... has increased the tempo of his writing manifold. His last books ( Virilio 1998 ; 1999 ) on the adverse impact of information read more like a collage of hastily jotted observations he punctuates with quotations from his earlier texts, along with excerpts from newspaper articles and various kinds...
Cultural Politics (2021) 17 (3): 302–313.
Published: 01 November 2021
... on a digital network. The two main figures are of the same identity but shown in two different states. Both contain the same flower pattern, one with a darkened dress and the other with reds. The same flowers spread over the panels, both as flowers and as a pattern, emphasizing the painting's flat picture...
Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
... political message (speaks about itself) to one that provides viewers with the occasion to explore their own ideas and problems that the film brings to mind (returning each person to their specific problems). Indeed, even early in Godard’s radical phase, his use of collage and juxtaposition is so...
Cultural Politics (2022) 18 (1): 64–78.
Published: 01 March 2022
... obvious. Emotional complexity is thus reflected in musical complexity. This is to some extent also a comparison between music that was played on musical instruments and music that is digitally crafted from samples and fragments, voices enhanced by technology. The former involves more musical effort...
Cultural Politics (2018) 14 (2): 174–197.
Published: 01 July 2018
... Superimposed) , author’s collage, 2017 Figure 3. Athena with a Criolla Mask, Mulata Body (Statue of the Republic with Original Models Superimposed), author’s collage, 2017 The statue was first hailed in the 1920s as a sign of modernity and nationhood, coinciding with the emergence of Cuba as a young...
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