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Journal Article
Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
.... This article seeks to unsettle Bazin's reputation as the patron saint of analogue recording by exploring the ontological implications of the concept of sense in Bazin's writings on neorealism. Placing Bazin's writings into dialogue with a selection of critiques that find the digital image to be lacking...
Journal Article
Cultural Politics (2022) 18 (1): 28–43.
Published: 01 March 2022
...Beatriz Polivanov; Fernanda Carrera Abstract The quest for the so-called perfect body has been an issue in Brazilian society for a long time, especially for women. A number of “digital influencers” perform a fitness lifestyle, producing subjectivities entangled with an idea of success and “well...
Journal Article
Cultural Politics (2017) 13 (3): 391–393.
Published: 01 November 2017
... meaning, thoughts, and feelings are essential to living a fully human life, and today more information is shared than at any other time in history, often in the form of a “digital exhaust” of which we may be only dimly aware. Might this communication be damaging to our physical, mental, and social lives...
Journal Article
Cultural Politics (2022) 18 (3): 473–479.
Published: 01 November 2022
...Josh Bowsher Joshua.Bowsher@brunel.ac.uk The Digitally Disposed: Racial Capitalism and the Informatics of Value , by Seb Franklin , Minneapolis : University of Minnesota Press , 2021 , 280 pages, $108 (hardcover) ISBN: 978-1-5179-0714-3 , $27 (paperback), ISBN: 978-1-5179...
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Published: 01 November 2017
Figure 3 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable More
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Published: 01 November 2017
Figure 4 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable More
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Published: 01 November 2017
Fig. 5 Eleanor Anderson, Sinead , 2017. Digital photograph, dimensions variable. Courtesy of the artist More
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Published: 01 July 2008
Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space. More
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Published: 01 July 2008
Cockteaser: from the Liz Taylor Series (Giant) . Acrylic, rope, digital inkjet print, composition leaf, rope, sandpaper, decorative paper on canvas. 102 × 78 inches, 2006. More
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Published: 01 July 2015
Figure 1 Safe from Harm , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More
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Published: 01 July 2015
Figure 2 Suspicious Minds , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More
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Published: 01 July 2015
Figure 3 Wrap Your Troubles in Dreams , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More
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Published: 01 July 2015
Figure 7 Protection , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More
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Published: 01 July 2015
Figure 8 Untitled Transient , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More
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Published: 01 November 2012
Figure 1   Recall , 2012. Archival digital print on Hahnemühle paper, 11.5 × 15.25 in. (Landscape based on The Hero Rustam Slays the Witch of the Cosmic Illusion , an illustration attributed to Qadîmî by S. C. Welch, from Firdawsī's Book of Kings , copied in Tabriz from Shâh Tahmâsp between More
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Published: 01 November 2012
Figure 2   Stretch , 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist More
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Published: 01 November 2012
Figure 3   Roam: Riding on Remorse , 2008. Gouache on archival digital print on Hahnemühle paper, 6 × 10 in. Collection of Mary Lou Arscott, Pittsburgh. (Camels based on illustration by Bihzâd for Nizâmî's Layli and Manjûn in 1493 Khamsa , British Library.) Image courtesy of the artist More
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Published: 01 November 2012
Figure 4   Headlong , 2009. Gouache on archival digital print on Hahnemühle paper, 15 × 24 in. (Horsemen based on Firdawsī's Book of Kings manuscript copied in Tabriz for the Mongol íl Khân Abû-Sa‘id [r. 1317–35], Antiquités orientales, section islamique no. 7095, Musée du Louvre, Paris More
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Published: 01 November 2012
Figure 5   Replenish , 2010. Gouache on archival digital print on Hahnemühle paper, 10 × 14 in. (Horse based on Khusraw Discovers Shirin Bathing in a Pool , from a Khamsa by Nizâmî, mid-sixteenth-century Safavid dynasty from Shiraz, Iran. Altered photograph of a bridge in Mosul, Iraq.) Image More
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Published: 01 November 2012
Figure 6   Rocking Horse , 2010. Gouache on archival digital print on Hahnemühle paper, 12 × 13.5 in. (Horseman drawn from Horseman and Groom , attributable to Qadîmî Qazvin, c. 1560, Arthur M. Sackler Museum, Harvard University, no. 1958.62.2. Altered photograph of southern Iraq.) Image More