Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space. More

Cockteaser: from the Liz Taylor Series (Giant) . Acrylic, rope, digital inkjet print, composition leaf, rope, sandpaper, decorative paper on canvas. 102 × 78 inches, 2006. More

Figure 1 Safe from Harm , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More

Figure 2 Suspicious Minds , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More

Figure 3 Wrap Your Troubles in Dreams , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More

Figure 7 Protection , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More

Figure 8 Untitled Transient , 2012, digital c-print. Dimensions variable. © Richard Mosse. Courtesy of the artist and Jack Shainman Gallery, New York More

Figure 1   Recall , 2012. Archival digital print on Hahnemühle paper, 11.5 × 15.25 in. (Landscape based on The Hero Rustam Slays the Witch of the Cosmic Illusion , an illustration attributed to Qadîmî by S. C. Welch, from Firdawsī's Book of Kings , copied in Tabriz from Shâh Tahmâsp between More

Figure 2   Stretch , 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist More

Figure 3   Roam: Riding on Remorse , 2008. Gouache on archival digital print on Hahnemühle paper, 6 × 10 in. Collection of Mary Lou Arscott, Pittsburgh. (Camels based on illustration by Bihzâd for Nizâmî's Layli and Manjûn in 1493 Khamsa , British Library.) Image courtesy of the artist More

Figure 4   Headlong , 2009. Gouache on archival digital print on Hahnemühle paper, 15 × 24 in. (Horsemen based on Firdawsī's Book of Kings manuscript copied in Tabriz for the Mongol íl Khân Abû-Sa‘id [r. 1317–35], Antiquités orientales, section islamique no. 7095, Musée du Louvre, Paris More

Figure 5   Replenish , 2010. Gouache on archival digital print on Hahnemühle paper, 10 × 14 in. (Horse based on Khusraw Discovers Shirin Bathing in a Pool , from a Khamsa by Nizâmî, mid-sixteenth-century Safavid dynasty from Shiraz, Iran. Altered photograph of a bridge in Mosul, Iraq.) Image More

Figure 6   Rocking Horse , 2010. Gouache on archival digital print on Hahnemühle paper, 12 × 13.5 in. (Horseman drawn from Horseman and Groom , attributable to Qadîmî Qazvin, c. 1560, Arthur M. Sackler Museum, Harvard University, no. 1958.62.2. Altered photograph of southern Iraq.) Image More

Figure 6   Ben Carney, Untitled(threshold01) , 2010. Digital print, 25 × 20 in. (dimensions variable). Courtesy of the artist More

Figure 2 Deborah Frizzell, Women’s March in New York , 2017. Digital photograph, dimensions variable More