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contemporary art
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Journal Article
Cultural Politics (2018) 14 (1): 135–137.
Published: 01 March 2018
...Rafal Niemojewski India’s Biennale Effect: A Politics of Contemporary Art , edited by D’Souza Robert E. Manghani Sunil , London : Routledge , 2017 , 277 pages, ₹1050 (hardback), ISBN 978-1-138-28133-2 © 2018 Duke University Press 2018 In the recent ArtReview.com op...
Journal Article
Cultural Politics (2019) 15 (2): 223–243.
Published: 01 July 2019
...Uroš Čvoro; Chrisoula Lionis This article examines the use of humor in contemporary art from two nations understood as “peripheral” states within Europe: Greece and Bosnia and Herzegovina (BiH). Focusing on the concepts of “locality” and “visibility,” this article makes clear the way artists from...
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Journal Article
Cultural Politics (2011) 7 (1): 79–102.
Published: 01 March 2011
...John Beck The defensive systems of fortified bunkers built during the twentieth century have become, especially since the end of the Cold War, objects of troubled fascination for artists, architects, and archaeologists. Images of bunkers proliferate in contemporary art and photography...
Journal Article
Cultural Politics (2018) 14 (2): 225–243.
Published: 01 July 2018
... short-lived and the targets of considerable criticism, not least because of their connections with military and corporate clients, in the twenty-first century the legacies of CAVS and A&T have been unproblematically reclaimed. Contemporary art and tech projects, we argue, are in danger of succumbing...
Journal Article
Cultural Politics (2020) 16 (2): 192–213.
Published: 01 July 2020
... in “digital realty” uses dematerialization to solicit urgent realizations about the relationships between the contemporary art market, mass migration, and geopolitical reality. New Eelam’s “chic international relativement standardisé” ( Launay 2016 ) is an aesthetic that derives from a line of inference...
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in When the Periphery Laughs: Humor and Locality in Contemporary Art from Greece and Bosnia and Herzegovina
> Cultural Politics
Published: 01 July 2019
Figure 3 Mladen Miljanović, The Black Hole , 2016. Plaster objects. Museum of Contemporary Art of Republic Srpska, Banja Luka. Photograph by Drago Vejnović. Courtesy the artist.
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in When the Periphery Laughs: Humor and Locality in Contemporary Art from Greece and Bosnia and Herzegovina
> Cultural Politics
Published: 01 July 2019
Figure 1 Mladen Miljanović, Strike 1 , 2017. Engraved drawing and paint on granite. Museum of Contemporary Art of Republic Srpska, Banja Luka. Photograph by Drago Vejnović. Courtesy the artist.
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 3 Christopher Kulendran Thomas, New Eelam , 2018, in collaboration with Annika Kuhlmann; installation view: “I Was Raised on the Internet,” Museum of Contemporary Art, Chicago. Courtesy the artist.
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Journal Article
Cultural Politics (2017) 13 (1): 101–123.
Published: 01 March 2017
...Hanan Toukan This article studies the Picasso in Palestine exhibit in light of what it means to be a modern and resistant Palestinian colonial subject, living in a sovereign state-to-be in our contemporary global world. By drawing on theories of the imagination, resistance studies, art...
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Journal Article
Cultural Politics (2017) 13 (3): 326–347.
Published: 01 November 2017
... of the others or enemies of art in Theodor Adorno’s work on aesthetics, as well as Jameson’s redemptive reading of Adorno and Max Horkheimer’s analysis of the anti-Semite qua philistine. It uses the latter to argue that philistine acts committed by contemporary decolonial cultural activists are not entirely...
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in Not / A: Fragments of History, Memories, and (Geo)Politics in the Works of Green Zeng
> Cultural Politics
Published: 01 November 2022
Figures 1–4 “Public Assembly” (right and previous pages) is an ongoing research project first conceptualized in 2020 as part of a residency program at the NTU Centre for Contemporary Art (Singapore) and presented in the group exhibition RECAST curated by Berny Tan at Starch Gallery (Singapore
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in Not / A: Fragments of History, Memories, and (Geo)Politics in the Works of Green Zeng
> Cultural Politics
Published: 01 November 2022
Figures 1–4 “Public Assembly” (right and previous pages) is an ongoing research project first conceptualized in 2020 as part of a residency program at the NTU Centre for Contemporary Art (Singapore) and presented in the group exhibition RECAST curated by Berny Tan at Starch Gallery (Singapore
More
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in Not / A: Fragments of History, Memories, and (Geo)Politics in the Works of Green Zeng
> Cultural Politics
Published: 01 November 2022
Figures 1–4 “Public Assembly” (right and previous pages) is an ongoing research project first conceptualized in 2020 as part of a residency program at the NTU Centre for Contemporary Art (Singapore) and presented in the group exhibition RECAST curated by Berny Tan at Starch Gallery (Singapore
More
Journal Article
Cultural Politics (2017) 13 (1): 58–80.
Published: 01 March 2017
... , anticipate the contemporary public recalibration of ideas of intimacy as associated with social media, tally with contested ideas of the sexualization of female empowerment as associated with contested elements of third wave feminism, and can be read as a contemporary phase of Antonio Negri’s theory of art...
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Journal Article
Cultural Politics (2014) 10 (2): 239–249.
Published: 01 July 2014
...). In the crack, as it were, a reimagination of the world is possible. © 2014 Duke University Press 2014 revolution contemporary art modernism Standing in one of the largest slate quarries in England, at Bayston Hill in Shropshire, facing the dark water that fills its depths, Andy Hewitt, Mel...
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Published: 01 November 2013
Figure 4 Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif
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Journal Article
Cultural Politics (2008) 4 (1): 25–46.
Published: 01 March 2008
...-as-usual that creates the endless stream of art products. Every day, the galleries of Chelsea, Bergamot, or other art world venues display image commodities that vie for celebrity status in the high-stakes gamble of a rarified market. In that scene, the contemporary artist’s dilemma is usually to establish...
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Journal Article
Cultural Politics (2018) 14 (1): 20–39.
Published: 01 March 2018
...Jenny Stümer The escalating death tolls of migrants seeking to enter Europe are a dramatic testimony to the cynical, dehumanizing, and violent fortification of the European Union, whereby refugees and asylum seekers have become the emblematic figures of contemporary political exclusion. Rather than...
Journal Article
Cultural Politics (2013) 9 (2): 227–232.
Published: 01 July 2013
...Keith Crome Writings on Contemporary Art and Artists , vols. 1–6, by Lyotard Jean-François , Leuven : Leuven University Press , 2009–13 , $388.00/€297.00 (hardcover) , ISBN 978905867881x © 2013 Duke University Press 2013 What the work of art demands is that philosophers...
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Published: 01 July 2017
Figure 1 Parmigianino, Self-Portrait in a Convex Mirror , c. 1524. Oil on convex panel, 24.4 cm diameter. Kunsthistorisches Museum. Source: Art Gallery of New South Wales, Sydney, and the National Portrait Gallery, London, Self Portrait: Renaissance to Contemporary , edited by Anthony Bond
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