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collage

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Published: 01 March 2016
Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
Image
Published: 01 March 2016
Figure 5 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
Image
Published: 01 March 2016
Figure 9 Green Men: Griffin , 2011. Hand-painted acrylic on paper collage. 8 × 18 in. More
Image
Published: 01 March 2016
Figure 10 Green Men: Tony Hayward, BP , 2010. Hand-painted acrylic on paper collage. 26 × 18 in. More
Image
Published: 01 March 2018
Figure 1 L.Y.M. #1–151 , photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan More
Journal Article
Cultural Politics (2007) 3 (2): 203–222.
Published: 01 July 2007
... of traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, collage, and pastiche – thus derives from the undermining of authority within certain limits. The second half of the article analyzes...
Journal Article
Cultural Politics (2016) 12 (1): 98–109.
Published: 01 March 2016
...Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. ...
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Journal Article
Cultural Politics (2018) 14 (1): 40–50.
Published: 01 March 2018
...Figure 1 L.Y.M. #1–151 , photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan ...
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Journal Article
Cultural Politics (2020) 16 (1): 111–122.
Published: 01 March 2020
...—proposed building a collaborative antiwar project in the devastated neighborhood of Watts, the LA Peace Tower . In February 1966, the huge collaged LA Peace Tower rose as an international symbol of protest and outrage, with over four hundred artists contributing artwork. Spero’s contribution...
Journal Article
Cultural Politics (2009) 5 (1): 118–132.
Published: 01 March 2009
... collections: Hours of the Night (1974) at the Whitney Museum of American Art and Notes in Time (1979) at the Museum of Modern Art. In addition The Hours of the Night II (2001), lent from the collection of Ulrich and Harriett Meyer, Chicago, was featured in the exhibition Collage: The Unmonumental...
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Image
Published: 01 March 2016
Figure 7 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. More
Image
Published: 01 March 2016
Figure 8 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. More
Image
Published: 01 March 2023
Figure 7 Ravi Agarwal, Ambient Seas Diary , Else All Will Be Still series (2015). Photo collage. More
Journal Article
Cultural Politics (2023) 19 (1): 77–85.
Published: 01 March 2023
...Figure 7 Ravi Agarwal, Ambient Seas Diary , Else All Will Be Still series (2015). Photo collage. ...
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Image
Published: 01 March 2016
Figure 2 Moral Hazard: The Low Road (Spitzer) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
Image
Published: 01 March 2016
Figure 3 Moral Hazard: The Low Road (Edwards) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
Image
Published: 01 July 2018
Figure 3 Athena with a Criolla Mask, Mulata Body (Statue of the Republic with Original Models Superimposed) , author’s collage, 2017 More
Image
Published: 01 March 2016
Figure 1 Creeping Ornamentalism: Vermont Covered Bridge , 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. More
Journal Article
Cultural Politics (2012) 8 (3): 489–494.
Published: 01 November 2012
... war art violence horsepower empathic unsettlement restitution Persian miniature Khamsa Shahnameh digital collage rubble out of rubble car bomb While the automobile and its many-wheeled cousins were instrumental to the industrial transformation of the twentieth century, their role...
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Journal Article
Cultural Politics (2015) 11 (3): 426–429.
Published: 01 November 2015
... thought on this significant question. These concepts of scar, collage, dance, and dissensus help us to see Denis’s experiments in “formlessness” as ways of imagining new modes of relationality involving “a movement of approach rather than appropriation,” which McMahon likens to “Emmanuel Levinas’s...