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collage

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Published: 01 March 2018
Figure 1 L.Y.M. #1–151 , photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan Figure 1. L.Y.M. #1–151, photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan More
Image
Published: 01 March 2016
Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. Figure 4. Moral Hazard: The Cons, 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
Image
Published: 01 March 2016
Figure 5 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. Figure 5. Moral Hazard: The Cons, 2009. Hand-painted acrylic on paper collage. 72 × 28 in. More
Image
Published: 01 March 2016
Figure 9 Green Men: Griffin , 2011. Hand-painted acrylic on paper collage. 8 × 18 in. Figure 9. Green Men: Griffin, 2011. Hand-painted acrylic on paper collage. 8 × 18 in. More
Image
Published: 01 March 2016
Figure 10 Green Men: Tony Hayward, BP , 2010. Hand-painted acrylic on paper collage. 26 × 18 in. Figure 10. Green Men: Tony Hayward, BP, 2010. Hand-painted acrylic on paper collage. 26 × 18 in. More
Journal Article
Cultural Politics (1 July 2007) 3 (2): 203–222.
Published: 01 July 2007
... traditional canons, including their underlying aesthetics, morality, and cultural codes. The productive pleasure of Canon-Mocking Literature – that is of parody, collage, and pastiche – thus derives from the undermining of authority within certain limits. The second half of the article analyzes the...
Image
Published: 01 March 2016
Figure 7 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. Figure 7. Moral Hazard II: Eurostyle, 2012, detail. Hand-painted acrylic on paper collage. More
Image
Published: 01 March 2016
Figure 8 Moral Hazard II: Eurostyle , 2012, detail. Hand-painted acrylic on paper collage. Figure 8. Moral Hazard II: Eurostyle, 2012, detail. Hand-painted acrylic on paper collage. More
Journal Article
Cultural Politics (1 November 2012) 8 (3): 489–494.
Published: 01 November 2012
... combine digitally collaged and hand-painted warriors based on an illustration in Firdawsī's Shãhnãmeh , or Book of Kings . This poetic epic of nearly sixty thousand verses tells the mythical and historical story of Greater Iran from the creation of the world up through the Islamic conquest of Persia in...
Image
Published: 01 July 2018
Figure 3 Athena with a Criolla Mask, Mulata Body (Statue of the Republic with Original Models Superimposed) , author’s collage, 2017 Figure 3. Athena with a Criolla Mask, Mulata Body (Statue of the Republic with Original Models Superimposed), author’s collage, 2017 More
Image
Published: 01 March 2016
Figure 1 Creeping Ornamentalism: Vermont Covered Bridge , 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. Figure 1. Creeping Ornamentalism: Vermont Covered Bridge, 2012. Hand-painted acrylic on paper collage. Detail: approx. 36 × 24 in. More
Image
Published: 01 March 2016
Figure 2 Moral Hazard: The Low Road (Spitzer) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. Figure 2. Moral Hazard: The Low Road (Spitzer), 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
Image
Published: 01 March 2016
Figure 3 Moral Hazard: The Low Road (Edwards) , 2009. Hand-painted acrylic on paper collage. 72 × 14 in. Figure 3. Moral Hazard: The Low Road (Edwards), 2009. Hand-painted acrylic on paper collage. 72 × 14 in. More
Image
Published: 01 March 2016
Figure 6 Creeping Ornamentalism , 2012, detail, installation shot. Visual Arts Center of New Jersey, Summit, NJ, September–December 2012. Wall 1: Industry , 2012. Hand-painted acrylic on paper collage, mounted on foam board. 95 × 171 in. Left and right panels: the Koch brothers; center panel More
Image
Published: 01 July 2017
Figure 1 Rhunhattan Tearoom , September 2015, installation with acrylic painting and decal collage on ceramics, ink on paper, scent. Dimensions variable. This was a sensory feast of sight and smell referencing seventeenth-century spice wars. Botanical, cartographic, and archival imagery More
Journal Article
Cultural Politics (1 March 2016) 12 (1): 98–109.
Published: 01 March 2016
...Figure 4 Moral Hazard: The Cons , 2009. Hand-painted acrylic on paper collage. 72 × 28 in. Figure 4. Moral Hazard: The Cons, 2009. Hand-painted acrylic on paper collage. 72 × 28 in. ...
Journal Article
Cultural Politics (1 March 2018) 14 (1): 40–50.
Published: 01 March 2018
...Figure 1 L.Y.M. #1–151 , photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan Figure 1. L.Y.M. #1–151, photo-based collage, acrylic, resin on wood, 84.5 × 66 in., 1997–99. Private collection, Michigan ...
Journal Article
Cultural Politics (1 March 2009) 5 (1): 118–132.
Published: 01 March 2009
... the exhibition Collage: The Unmonumental Picture at the New Museum of Contemporary Art in New York. WACK! Art and the Feminist Revolution, the comprehensive, historical exhibition of international feminism and its legacy at P.S.1 Contemporary Art Center, Long Island City, included several of Spero’s...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 426–429.
Published: 01 November 2015
...”; instead, Denis’s cutting creates a “collage” resulting in “dissensus”—with this last term borrowed from Jacques Rancière and his notion of a “true political community” as one that “preserves ‘the solitude of being together’” (79), not subsuming entities into a predetermined unity but “leaving open the...
Journal Article
Cultural Politics (1 November 2007) 3 (3): 381–392.
Published: 01 November 2007
... into a humdrum game of cut and paste. Carrie Moyer, digital collage combining various 1970s graphic sources, including the masthead of “Off Our Backs!,” a lesbian-feminist newspaper. Carrie Moyer, digital collage combining various 1970s graphic sources, including the masthead of “Off Our Backs!,” a...