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cinematic space

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Journal Article
Cultural Politics (1 July 2011) 7 (2): 165–188.
Published: 01 July 2011
... stable, uneventful, homely space of the US. In some ways he is a cinematically archetypal masculine hero – insular, impassive, brave, taciturn. His constant smoking connotes this ( Figure 6 ); the very first image of him is a medium close-up of his head and hands, one holding a cigarette. At the same...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 263–278.
Published: 01 November 2016
... the cinematic apparatus. By withdrawing from the production of the image, Keiller suggests that the absence of a sign always functions as the sign of an absence. © 2016 Duke University Press 2016 Patrick Keiller spatial fiction Henri Lefebvre absence cinematic space The works of...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed and...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 177–193.
Published: 01 July 2017
... trauma of child molestation and the collapse of filial relations as well as the emergence of a new generation of men who seek to recast filial and familial relations beyond blood ties and familial limitations. This same cinematic pursuit is further developed in his later films with striking consistency...
Journal Article
Cultural Politics (1 July 2008) 4 (2): 155–160.
Published: 01 July 2008
... cinematic space. Figure 6. Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space. An institutional half-life persisted after the airfield closure in March 2006. Third World War...
Journal Article
Cultural Politics (1 March 2016) 12 (1): 66–82.
Published: 01 March 2016
... work, Freud suggests that the luxurious excess of pleasure, hyperpleasure beyond this or that incarnation of pleasure, resides in the endless repetition of pleasure we find in the experience of addiction, which eventually leads the user to overdose into luxurious space where the user dissolves into a...
Image
Published: 01 July 2008
Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space. Figure 6. Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was More
Journal Article
Cultural Politics (1 November 2015) 11 (3): 417–420.
Published: 01 November 2015
... the most remarkable locations in contemporary culture” (1) and that “to examine Lynch’s cinematic architecture . . . is to encounter familiar spatial forms reworked in radical new ways” (6). This latter premise, of course, is essentially Lynch’s standard thematic project. Just as his films typically...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 145–161.
Published: 01 July 2015
... of a century of immunological science. 2 Morphological science therefore produces not merely snapshots but what in cinematic terms can be described as “traveling shots” of the continuous development of immune functions. An immune system consists of so-called innate and adaptive immunity. The...
Journal Article
Cultural Politics (1 July 2014) 10 (2): 151–162.
Published: 01 July 2014
... archetypal developer-speculative suburbia, at the edge of the New Town of Milton Keynes. It can be seen as an under-acknowledged cauldron of information-processing experimentation, a cinematic cypher, and a prism through which we can view British senses of wartime, class, transatlantic power, stunted...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 293–309.
Published: 01 November 2016
... gaping holes a visible imprint of human activity on the earth’s surface. Narratives about the mines, as Rosalind Williams (2008 : 4) argues, offer a vision of an artificial and technological world, “a prophetic view of our environmental future.” Whether viewed from space by means of Google Earth or...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 201–209.
Published: 01 July 2015
... Telecommunicative technologies are rapidly changing how we see and perceive the present and the past. For decades Paul Virilio has been at the forefront of debates on the impact of this technology on real-time consciousness and space-time consciousness and more generally on the pervasive nature of this technology...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 246–259.
Published: 01 July 2015
... perception occurring through life in the “oppressive technological environment,” in the experience of the “the unknown quantity” articulated in Unknown Quantity ( Virilio 2002 : 29), and through “the construction of techniques” and “constructed space” ( Virilio 1991 : 21). Writing at the end of the 1990s...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 210–221.
Published: 01 July 2015
... solipsistic space and creates the effect of infinite depth, which empties him or her of all content. In the process I suggest that the screen transforms the viewer into a “techno-body” possessed by a fragmented, fractured self that I explore through reference to Ronald David Laing’s (2010) work on...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 222–233.
Published: 01 July 2015
... technology. This extends beyond the production of new representations of space, such as the aerial view or thermal imaging, and the interpretation of such images in a military context. Cinematic techniques developed as part of military reconnaissance were paramount in producing a new aesthetics subsequently...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 21–39.
Published: 01 March 2014
... months sifting through the material. The gargantuan task was then completed by director Kevin Macdonald and editor Joe Walker, who reduced and composed the material into a ninety-minute film. The premiere of Life in a Day was an instant success, and what started out as a cinematic experiment turned...
Journal Article
Cultural Politics (1 March 2009) 5 (1): 139–144.
Published: 01 March 2009
...Michael H. Goldhaber The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle Beller Jonathan Lebanon, NH Dartmouth College Press 2006 332 + xiii $35/£20.50 PB ISBN 1584655836 © BERG 2009 PRINTED IN THE UK 2009 Are technological changes...
Journal Article
Cultural Politics (1 July 2009) 5 (2): 265–270.
Published: 01 July 2009
... Māori, and he situates New Zealand filmmaking practices within a wider global economy of Hollywood-dominated cinematic production. As Martens implies when he provides a historical overview, the legacy of colonization still haunts contemporary modes of representing Māori. Not only this, the geopolitics...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
... interventions – but America cannot remain unchanged by its involvement in the global realm. Nor, for that matter, can Hollywood. As such, we want to situate Black Hawk Down in the context of what Aida Hozic calls “Hollyworld,” an imagined and all-too-real space where cinematic projections of “America” and...