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Image
Published: 01 July 2008
Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space.
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Journal Article
Cultural Politics (2016) 12 (3): 263–278.
Published: 01 November 2016
... of the cinematic apparatus. By withdrawing from the production of the image, Keiller suggests that the absence of a sign always functions as the sign of an absence. © 2016 Duke University Press 2016 Patrick Keiller spatial fiction Henri Lefebvre absence cinematic space The works of Patrick Keiller...
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Journal Article
Cultural Politics (2008) 4 (2): 155–160.
Published: 01 July 2008
...Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space. ...
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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
... wound” if he leaves in fifteen minutes. The colonel tells another soldier by his side, “He's not gonna make it,” and walks away. The soldier nods and, as the camera follows the colonel, the sound of a gunshot is heard. As a whole, this cinematic Baghdad is a space of abandonment in which...
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Journal Article
Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... dissensus. © 2020 Duke University Press 2020 Fassbinder cinematic ethics politics of representation Deleuze Badiou Rancière The ultimate aim of this article is to suggest a pathway that can make us think about the possibility of militant cinematic ethics that aspires not to create...
Journal Article
Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
... to place us in the presence of the pro-cinematic world in its objectivity. According to this reading, Bazin's most iconic essay, “The Ontology of the Photographic Image” ([1945] 1967 ), develops cinema's privileged relation to objectivity into a theoretical credo by insisting that the ontological...
Journal Article
Cultural Politics (2020) 16 (1): 24–43.
Published: 01 March 2020
... friendships. Without veering too much from established cinematic techniques of the Franco-Algerian war films, L’ennemi intime follows in the tradition that “persists in the representation of the former colony as an essentially French space” ( Austin 2009 : 117). Far from Men , on the other hand, makes...
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Journal Article
Cultural Politics (2022) 18 (2): 208–226.
Published: 01 July 2022
... be felt in toil and not in ecstasy? What kind of reality only makes itself known from nine to five? Jacques Rancière rejects Arendt's notion of the political realm as a public space for actions through which individuals reveal their individuality in the presence of equals. In contrast, Rancière sees...
Journal Article
Cultural Politics (2016) 12 (3): 293–309.
Published: 01 November 2016
... . Studios before the System: Architecture, Technology, and the Emergence of Cinematic Space . New York : Columbia University Press . Kumar Santosh Agarwal Shalu Jung Jae Pil . 2013 . “ Soft Error Issue and Importance of Low Alpha Solders for Microelectronic Packaging .” Reviews...
Journal Article
Cultural Politics (2021) 17 (2): 212–227.
Published: 01 July 2021
... or destructive, depending on how it is acted on. As the article concludes, Stiegler's pharmacology of cinema invites us to take part in our cinematic cultural becoming through the revival of the figure of the amateur. But it does so at the risk of cultural snobbery. While Stiegler does not condemn the cinematic...
Journal Article
Cultural Politics (2015) 11 (2): 145–161.
Published: 01 July 2015
... . Stiegler Bernard . 2011 . Cinematic Time and the Question of Malaise . Vol. 3 of Technics and Time , translated by Barker Stephen . Stanford, CA : Stanford University Press . Tauber Alfred I. 1994 . The Immune Self: Theory or Metaphor? Cambridge : Cambridge University Press...
Journal Article
Cultural Politics (2014) 10 (2): 151–162.
Published: 01 July 2014
... by archetypal developer-speculative suburbia, at the edge of the New Town of Milton Keynes. It can be seen as an under-acknowledged cauldron of information-processing experimentation, a cinematic cypher, and a prism through which we can view British senses of wartime, class, transatlantic power, stunted...
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Journal Article
Cultural Politics (2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed...
Journal Article
Cultural Politics (2015) 11 (2): 246–259.
Published: 01 July 2015
... the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning . Durham, NC : Duke University Press . Beller Jonathan . 2006 . The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle . Hanover, NH : Dartmouth College Press . Bifo Franco...
Journal Article
Cultural Politics (2017) 13 (2): 177–193.
Published: 01 July 2017
... the trauma of child molestation and the collapse of filial relations as well as the emergence of a new generation of men who seek to recast filial and familial relations beyond blood ties and familial limitations. This same cinematic pursuit is further developed in his later films with striking consistency...
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Journal Article
Cultural Politics (2005) 1 (2): 165–192.
Published: 01 July 2005
... of what Aida Hozic calls “Hollyworld,” an imagined and all-too-real space where cinematic projections of “America” and “the world” are produced, disseminated, contested and rearticulated, and where changes in the mode of production (e.g. increased foreign investment in Hollywood, the absorption...
Journal Article
Cultural Politics (2015) 11 (3): 417–420.
Published: 01 November 2015
... the most remarkable locations in contemporary culture” (1) and that “to examine Lynch’s cinematic architecture . . . is to encounter familiar spatial forms reworked in radical new ways” (6). This latter premise, of course, is essentially Lynch’s standard thematic project. Just as his films typically...
Journal Article
Cultural Politics (2015) 11 (2): 210–221.
Published: 01 July 2015
... in a solipsistic space and creates the effect of infinite depth, which empties him or her of all content. In the process I suggest that the screen transforms the viewer into a “techno-body” possessed by a fragmented, fractured self that I explore through reference to Ronald David Laing’s (2010) work...
Journal Article
Cultural Politics (2015) 11 (2): 222–233.
Published: 01 July 2015
... to the first, involves the specific focus on aesthetics running as a thread throughout his work on technology. This extends beyond the production of new representations of space, such as the aerial view or thermal imaging, and the interpretation of such images in a military context. Cinematic techniques...
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