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Journal Article
Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
... of the neoliberal subject. Now resembling the pattern hunters of speculative finance, the active spectator of political modernist cinema is today compromised by the new conditions of volatility, instability, hyperindividualism, and privatization that demand the same cognitive labor. In exploring how neoliberal...
Journal Article
Cultural Politics (2021) 17 (2): 212–227.
Published: 01 July 2021
...Amelie Berger Soraruff Abstract French philosopher Bernard Stiegler inscribes himself in the tradition of critical theory. In this respect, the influence of Adorno and Horkheimer has been crucial to the development of his own understanding of cinema. Yet Stiegler reproaches his predecessors...
Journal Article
Cultural Politics (2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed...
Journal Article
Cultural Politics (2017) 13 (2): 177–193.
Published: 01 July 2017
... cinema. Not only was he involved in every major postcolonial film, whether as a screenwriter, a scriptwriter, or even as an actor, but he single-handedly directed more than half a dozen films, each of which enjoyed wide national and international acclaim. His debut film, Man of Ashes , dramatizes...
FIGURES
Journal Article
Cultural Politics (2020) 16 (1): 24–43.
Published: 01 March 2020
... waiting to be rescued. To this end, French cinema reproduces the cultural and political hegemonies of imperial centers as French filmmakers continue to possess a larger margin of interpretation/manipulation of the past and selectively conceal certain historical encounters with colonialism while making...
FIGURES
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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (2009) 5 (3): 299–324.
Published: 01 November 2009
... displacement of class struggle in cinema. Class struggle, according to Žižek, represents the social Real, in the Lacanian sense. By focusing on the Lacanian Real, as opposed to the Imaginary or the Symbolic, Žižek accomplishes what early film theorists were only too eager (but unable) to develop...
Journal Article
Cultural Politics (2014) 10 (3): 275–286.
Published: 01 November 2014
...Sean Cubitt Ecocritical work on media has developed from a genre criticism of nature-themed films to address cinema, TV, and media arts more broadly as articulations of the human-natural relation and its mediation through technologies. Embracing the environmental impacts of product life cycles...
Journal Article
Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
... in historicity, negativity, and presence, and flag its potentially authoritarian impulses, this essay seeks to reframe Bazin's ontological project as a question of cinema's sense (rather than its essence) to mobilize a different set of conclusions that may in fact prove to restore faith in the digital image...
Journal Article
Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
.... Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis of highly...
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Journal Article
Cultural Politics (2016) 12 (3): 263–278.
Published: 01 November 2016
... to think the relationship between cinema and space and offers a geography of absence as the precondition for the imagination of a new space. The article shows how this framework informs Keiller’s visual grammar, including his emphasis on a deliberate scarcity of gestures and the invisibility...
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Journal Article
Cultural Politics (2011) 7 (2): 289–310.
Published: 01 July 2011
... with their local/regional anxieties of modernization, self-identity, and Western encroachment. © BERG 2011 PRINTED IN THE UK 2011 spy films Cold War cultural studies intertextuality transculturalism in cinema Asian spy films It is now not uncommon to read the Hollywood spy action genre...
Journal Article
Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
... Godard’s representations of Palestinians as well as the most famous poet from the region are significant because they demonstrate Godard’s continuing commitment to political cinema and to challenging what he sees as one of the last vestiges of colonialism on the planet. 3 Godard’s use of Darwish’s...
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Journal Article
Cultural Politics (2015) 11 (3): 426–429.
Published: 01 November 2015
... . Cinema and Sensation: French Film and the Art of Transgression . Edinburgh : Edinburgh University Press . Beugnet Martine . 2008 . “ The Practice of Strangeness: L’Intrus—Claire Denis (2004) and Jean-Luc Nancy (2000) .” Film-Philosophy 12 ( 1 ): 31 – 48 . Galt Rosalind . 2014...
Journal Article
Cultural Politics (2010) 6 (2): 133–156.
Published: 01 July 2010
..., and distribution via online video-sharing sites, the Timelines project attempts to provide a means for the enhancement of critical production on and around film and digital cinema. This fosters the cultural redoubling of technical shifts so that the new movement in personal video production might not simply double...
Journal Article
Cultural Politics (2022) 18 (2): 208–226.
Published: 01 July 2022
... , 2019 . https://plato.stanford.edu/entries/arendt/ . Durafour Jean-Michel . 2017 . “ Cinema Lyotard: An Introduction .” In Jones and Woodward 2017: 17 – 30 . Jones Graham , and Woodward Ashley , eds. 2017 . Acinemas: Lyotard's Philosophy of Film . Edinburgh : Edinburgh...
Journal Article
Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... in film scholarship committed to identifying the conscious activities employed by audiences to process a narrative rationally and emotionally. Yet cognitivist ethics dictates the conversation on cinema and ethics in very narrow parameters aiming to produce a sense of apolitical consensus. Some cognitivist...
Journal Article
Cultural Politics (2005) 1 (2): 165–192.
Published: 01 July 2005
... Politica, Michael Ryan and Douglas Kellner argue that the ideological power of Hollywood cinema derives from “creating an illusion that what happens on screen is a neutral recording of objective events, rather than a construct operating from a certain point of view” ( 1988 : 1). This “certain point...
Journal Article
Cultural Politics (2010) 6 (1): 49–64.
Published: 01 March 2010
... Cinema and Female Spectatorship . London : Routledge . Street J. 2002 . “ Bob, Bono and Tony: The Celebrity As Politician .” Media, Culture and Society 24 ( 3 ): 433 – 41 . Turner G. 2004 . Understanding Celebrity , London : Sage . Turner G. Bonner F...
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