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cinema

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Published: 01 July 2008
Figure 2 Cinema screen, flight crew briefing room. Figure 2. Cinema screen, flight crew briefing room. More
Journal Article
Cultural Politics (1 July 2017) 13 (2): 177–193.
Published: 01 July 2017
... cinema. Not only was he involved in every major postcolonial film, whether as a screenwriter, a scriptwriter, or even as an actor, but he single-handedly directed more than half a dozen films, each of which enjoyed wide national and international acclaim. His debut film, Man of Ashes , dramatizes the...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed and...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 263–278.
Published: 01 November 2016
... us to think the relationship between cinema and space and offers a geography of absence as the precondition for the imagination of a new space. The article shows how this framework informs Keiller’s visual grammar, including his emphasis on a deliberate scarcity of gestures and the invisibility of...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 299–324.
Published: 01 November 2009
... displacement of class struggle in cinema. Class struggle, according to Žižek, represents the social Real, in the Lacanian sense. By focusing on the Lacanian Real, as opposed to the Imaginary or the Symbolic, Žižek accomplishes what early film theorists were only too eager (but unable) to develop: a...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 275–286.
Published: 01 November 2014
...Sean Cubitt Ecocritical work on media has developed from a genre criticism of nature-themed films to address cinema, TV, and media arts more broadly as articulations of the human-natural relation and its mediation through technologies. Embracing the environmental impacts of product life cycles...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 165–188.
Published: 01 July 2011
... Real. Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 289–310.
Published: 01 July 2011
... notions of the Cold War with their local/regional anxieties of modernization, self-identity, and Western encroachment. © BERG 2011 PRINTED IN THE UK 2011 spy films Cold War cultural studies intertextuality transculturalism in cinema Asian spy films It is now not uncommon to read the Hollywood spy...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 426–429.
Published: 01 November 2015
... Trouble Every Day , often cited as an exemplar of this director’s “cinema of the senses,” as showing how “the Other from the ‘developing’ world remains subjected to the First World neo-colonialist eager to frenetically produce and consume” (130). In this way, the sensory experiences in and of the film are...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 70–91.
Published: 01 March 2014
... Godard’s representations of Palestinians as well as the most famous poet from the region are significant because they demonstrate Godard’s continuing commitment to political cinema and to challenging what he sees as one of the last vestiges of colonialism on the planet. 3 Godard’s use of Darwish’s...
Journal Article
Cultural Politics (1 July 2010) 6 (2): 200–206.
Published: 01 July 2010
... American cinema, and contributes to narratives about the mechanisms and processes of official constructions for the notions of “enemy” and “ally” alike. Song of Russia #25 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #25 2005, oil on canvas...
Journal Article
Cultural Politics (1 July 2008) 4 (2): 155–160.
Published: 01 July 2008
...Figure 2 Cinema screen, flight crew briefing room. Figure 2. Cinema screen, flight crew briefing room. ...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 417–420.
Published: 01 November 2015
...). As for Bacon, Martin’s contends that “[Lynch’s] cinema is structured, like Bacon’s work, around erotically charged encounters within a single room” (82) and that both artists are fascinated by human flesh and its relation to dialectics of eroticism and trauma. The chapter finishes with a surprisingly...
Journal Article
Cultural Politics (1 March 2010) 6 (1): 49–64.
Published: 01 March 2010
...Philip Drake; Andy Miah © BERG 2010 PRINTED IN THE UK 2010 Celebrities are a ubiquitous aspect of contemporary Western culture. Although the phenomenon of celebrity itself predates the twentieth century, the rise of the modern mass media – popular newspapers, cinema, radio, and television, and...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 23–34.
Published: 01 March 2007
... others to bear on specific cultural forms in which intersections of velocity and power are manifest. The importance of speed within these highly charged sites of engagement – the cinema of the New Hollywood, contemporary fiction, media cover age of electoral politics, and writings in the burgeoning...
Journal Article
Cultural Politics (1 July 2010) 6 (2): 133–156.
Published: 01 July 2010
... first instantiated in gramophone technology (but to become so central to modernity as cinema), and digital communications and media are discussed. In La Technique et Le Temps 3. Le Temps du Cinéma et la Question du Mal-être (Technics and Time 3: The Time of Cinema and the Question of Ill-being...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
... both national identities (e.g. propaganda, the symbols of patriotism, national cinema movements) as well as a sense of global community ( Hjort and McKenzie 2000 ; Lisle 2003 ). However, Miller et al.’s claim is different: they suggest that Hollywood film currently affects global politics explicitly...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 222–233.
Published: 01 July 2015
....” The first is the link he establishes between war and cinema ( Virilio 1989 , 2005 ). This link is historical, technological, and economic in its scope and requires setting out to better grasp the role played by the pixel in Virilio’s wider reading of contemporary media. Virilio’s (1989) founding...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 193–214.
Published: 01 July 2005
... chain over a period of years. So for example Broadcasting & Cable reported on Feb 4, 2002, “AOL Time Warner nets The WB, TNT and TBS Superstation will pony up at least $75 million for New Line Cinema's Lord of the Rings: The Fellowship of the Ring and two upcoming sequels,” observing that New...