1-20 of 27 Search Results for

chan

Sort by
Image
Published: 01 November 2022
Figures 8–10 Chinese School Lessons , first exhibited at Chan Hampe Galleries (Singapore) in 2012, is a series that takes as its focus the Chinese school students’ activism and the educational reforms affecting Chinese medium schools in Singapore during the 1950s and 1960s. Courtesy More
Image
Published: 01 November 2009
Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photographs: Tuyen Nguyen. Courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Paul Chan, “Initial drawing for what it might look like” (2006). Pencil and charcoal on paper, 9 × 11 inches. Courtesy of the artist and Greene Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 March 2017
Figure 1 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York More
Image
Published: 01 March 2017
Figure 3 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York More
Image
Published: 01 March 2013
Figure 1   Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 ×  1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York More
Journal Article
Cultural Politics (2014) 10 (2): 182–193.
Published: 01 July 2014
...Mark Featherstone In this article, I explore the significance of Chan Koonchung’s recent dystopia, The Fat Years , in the context of contemporary Chinese capitalism. In the first section of the article, I outline the plot of Chan’s novel before situating it in relation to classic Western dystopias...
Journal Article
Cultural Politics (2009) 5 (3): 326–333.
Published: 01 November 2009
...Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. ...
FIGURES | View All (7)
Journal Article
Cultural Politics (2022) 18 (3): 418–429.
Published: 01 November 2022
...Figures 8–10 Chinese School Lessons , first exhibited at Chan Hampe Galleries (Singapore) in 2012, is a series that takes as its focus the Chinese school students’ activism and the educational reforms affecting Chinese medium schools in Singapore during the 1950s and 1960s. Courtesy...
FIGURES | View All (8)
Journal Article
Cultural Politics (2020) 16 (2): 214–232.
Published: 01 July 2020
....” This deep vernacular web (DVW hereafter) can be understood to include comments spaces, discussion forums, and other minimally governed regions at “the bottom of the Web” ( Reagle 2015 ). 1 Associated above all with an ever-expanding network of “chan” boards, the DVW has so far remained relatively...
FIGURES
Image
Published: 01 November 2022
Figures 5–7 Mirrors within Mirrors (left) is a video installation first exhibited at Chan + Hori Contemporary (Singapore) in 2018. It is the first stage of a larger work in progress and is inspired by Akira Kurosawa's Rashomon. It employs a multiple-narrative structure that provides More
Journal Article
Cultural Politics (2016) 12 (2): 155–172.
Published: 01 July 2016
... .” London Review of Books 25 ( 3 ): 21 – 22 . Fowkes Maya Fowkes Reuben . 2012 . “ #Occupy Art .” Art Monthly 359 : 11 – 14 . Frankenberry Melissa Ruzic Tristan Chan Yannie . 2014 . “ Welcome to Occupy Central’s Umbrella Land .” HK , November 20 , hk-magazine.com...
FIGURES | View All (7)
Journal Article
Cultural Politics (2017) 13 (1): 81–100.
Published: 01 March 2017
... comment from the introduction noting how “*chans shoop pepe into all sorts of horrible images in the idea that they will ruin the meme for others,” is one iteration of this phenomenon. As the Pepe meme evolves and layers, it does not produce a more easily commodified product, it evolves toward the obscene...
FIGURES | View All (13)
Journal Article
Cultural Politics (2023) 19 (3): 374–391.
Published: 01 November 2023
.... As Nadine Chan ( 2022 ) and other scholars have argued, cinema has always been a handmaiden of the creation of colonies and empires, in which state building is tied to the formation of extractive plantation economies. Cinema has been a useful medium for states, recording and circulating the productive life...
FIGURES | View All (20)
Journal Article
Cultural Politics (2018) 14 (1): 1–19.
Published: 01 March 2018
... disobedience that combines street-theatre, festival, performance art and what might be descried as forms of non-violent warfare,” and including things like “carnivalesque humour” (2007: 123)—are easily co-optable by the alt-right Chan and meme culture. There is, in fact, nothing inherently radical...