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Journal Article
Cultural Politics (2013) 9 (3): 296–312.
Published: 01 November 2013
...Robert E. D'Souza The Kochi-Muziris Biennale, the most recent global art biennale, was launched in Kochi in the state of Kerala, India, in 2012. This essay considers the “biennale effect,” locating it within India's recent history of radical political modernization and in the context of the state's...
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Published: 01 November 2013
Figure 1 Kochi-Muziris Biennale poster on a wall in Fort Kochi. The proclamation is an important marketing message, which had to work against much adverse publicity, reinforcing the positive message both locally and nationally that the organizers have managed to stage the first biennale
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Journal Article
Cultural Politics (2018) 14 (1): 135–137.
Published: 01 March 2018
...Rafal Niemojewski India’s Biennale Effect: A Politics of Contemporary Art , edited by D’Souza Robert E. Manghani Sunil , London : Routledge , 2017 , 277 pages, ₹1050 (hardback), ISBN 978-1-138-28133-2 © 2018 Duke University Press 2018 In the recent ArtReview.com op...
Journal Article
Cultural Politics (2009) 5 (1): 118–132.
Published: 01 March 2009
...Nancy Spero; Deborah Frizzell © BERG 2009 PRINTED IN THE UK 2009 Nancy Spero, Maypole/Take No Prisoners (detail) in situ , 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Nancy Spero, Maypole/Take No Prisoners (detail) in situ, 52nd Venice Biennale, 2007. Courtesy...
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Journal Article
Cultural Politics (2024) 20 (1): 136–154.
Published: 01 March 2024
...Ryan Bishop; Daniel Cid Abstract This visual essay explores the Catalan exhibition Following the Fish/Toppi jën wi at the Venice Architecture Biennale (2023). The exhibition concentrates on the various geopolitical, economic, and historical forces that have driven many sub-Saharan migrants to flee...
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Journal Article
Cultural Politics (2019) 15 (2): 223–243.
Published: 01 July 2019
... . Tsivopoulos Stefanos . 2015 . “ History Zero and Alternative Currencies: An Archive and a Manifesto, Greek Pavilion, Fifty-Fifth Venice Biennale .” Journal of Visual Culture 14 , no. 2 : 161 – 75 . Varoufakis Yanis . 2015 . “ Documenta in Athens Is like Rich Americans Taking a Tour...
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Journal Article
Cultural Politics (2015) 11 (2): 163–183.
Published: 01 July 2015
...Deborah Frizzell The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman...
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Journal Article
Cultural Politics (2022) 18 (2): 194–207.
Published: 01 July 2022
... (textile). Exhibition view at solo show new work, Kunstinstituut Melly, 2019–20. Photo by Kristien Daem. Developed during the lead-up to the 55th Venice Biennale in 2013, Biscotti ran a “dream workshop” within the women's prison on Venice's Giudecca Island. For half a year, Biscotti...
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Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail) in situ , 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York.
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Journal Article
Cultural Politics (2024) 20 (3): 442–456.
Published: 01 November 2024
... of war on Ukraine. The force of this insight must certainly inform the statement “Against the Logic of War,” which currently titles the fifth edition of the Kyiv Biennale (represented in a visual essay in Cultural Politics 20, no. 2; Haq and Cherepanyn 2024 ). As it travels across eight European...
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Published: 01 March 2009
Nancy Spero, Maypole/Take No Prisoners (detail), Italian Pavilion, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York.
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Journal Article
Cultural Politics (2020) 16 (2): 192–213.
Published: 01 July 2020
... biomorphic forms—seem to promise a contemplative existence. At the Hamburger Bahnhof and the Eleventh Gwangju Biennale the show home was presented sitting on an underlit chrome platform resembling a low stage. This spring-like base dramatically enhances the sense that to enter the installation is to enter...
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Published: 01 November 2013
Figure 6 LOOKHERE , charcoal wall portraits of local Keralans by Australian artist Daniel Connell on the exterior of a local tea shop. During the Kochi-Muziris Biennale, the artwork was defaced by burnt coconut husks, an attack that was accorded some significance as a particularly localized
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Journal Article
Cultural Politics (2024) 20 (1): 180–182.
Published: 01 March 2024
... Geoengineering was their contribution to the 2021 Venice Architecture Biennale How Will We Live Together , in the section called “As One Planet.” The exhibited version took the form of a five-by-five array, in which each of five geoengineering scenarios was represented vertically in a column of five strata...
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Published: 01 November 2013
with biennale posters and artists' murals—a timely reminder of recent changes. While the Kochi-Muziris Biennale has brought artworks and installations within the colonial buildings of the city, these same buildings were once the sites of Marxist protests against the propertied classes postindependence. While
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in When the Periphery Laughs: Humor and Locality in Contemporary Art from Greece and Bosnia and Herzegovina
> Cultural Politics
Published: 01 July 2019
Figure 4 Stefanos Tsivopoulos, History Zero , 2013. A film in three episodes, 2K, color, 5:1 surround sound, 34 min. Commissioned for the Greek Pavilion at the 55th Venice Biennale. Courtesy the artist.
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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 10 I dreamt that you changed into a cat . . . gatto . . . ha ha ha (2013). Compost sculptures and sixty-minute sound piece. View of the installation at Encyclopedic Palace, 55th Venice Biennale, Venice, 2013. Photo by Ela Bialkowska, Okno Studio.
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Journal Article
Cultural Politics (2022) 18 (3): 430–458.
Published: 01 November 2022
... before I went to ruangrupa. I would meet Reza and Ade throughout this time, and in 2008, I was invited by you (Ade) to participate the following year in the Jakarta Biennale. In 2009, then, I had a presentation in ruangrupa, and Ade invited me to come in—it was fast—and I did go to ruangrupa...
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Cultural Politics (2024) 20 (3): 458–471.
Published: 01 November 2024
..., to be honest. We have been involved, since the beginning, with the Biennale, Triennale, you name it. But for us, the most important thing of international events is that suddenly we are able to create other contexts of relations, and in that instance, we can also have passing or provisional access, at least...
Journal Article
Cultural Politics (2020) 16 (3): 322–339.
Published: 01 November 2020
... world, there are many different approaches and forms of art that sit alongside each other, but it would be a mistake to conflate them or draw too many comparisons. During the last decades, we have witnessed all kinds of works exhibited beside each other in the most important biennales and exhibitions...
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