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Journal Article
Cultural Politics (1 March 2015) 11 (1): 70–88.
Published: 01 March 2015
...Christina Larocco This article argues that late 1960s debates about the role of the citizen and the role of the audience were not only connected but also mutually constitutive. As President Richard Nixon praised the silent majority, and as the New Left group Students for a Democratic Society (SDS...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 193–214.
Published: 01 July 2005
...Sean Cubitt While production, text and audience have been extensively covered by media and cultural studies scholars, the study of distribution is in its infancy. This essay argues that the distributive moment of the media cycle – incorporating delivery to audiences, business-to-business...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
..., this article is equally interested in the film's production history and its reception by global audiences. While initial reactions to the film focused on its ideological commitments (e.g. racism, collusion between Hollywood and the Pentagon, post-September 11 th patriotism), these readings continually...
Journal Article
Cultural Politics (1 November 2005) 1 (3): 279–294.
Published: 01 November 2005
... fantasy.” The article concludes by examining the position of the audience in relation to this process. © BERG 2005 PRINTED IN THE UK 2005 The populations of affluent Western European countries are quick to assume that those outside the West are driven by a desire to gain entry to it and that, once...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 163–183.
Published: 01 July 2015
... the tensions of attraction and aversion that oscillate within the sublime. I argue that Mosse’s visual/aural strategies, by running counter to those programmed within the image supply chain dominated by mass-produced culture, set in motion jarring ambiguities that an uneasy audience must struggle with...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 289–310.
Published: 01 July 2011
..., Bobby Suarez, and explore how a global cinematic circularity shapes the creative and industrial aspects of Asian spy films. While Suarez made these films explicitly for a Western/regional audience, they also imported cinematic styles like blaxploitation and the Hong Kong kung fu genre, while also...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 19–33.
Published: 01 March 2017
...Sean Cubitt Glitches, formally artifacts of errors in electronic transmission like CD stutters or dead pixels, interrupt communication and distract audiences without wrecking the systems they occur in. Permanent irritants, they operate as irruptions of difference into the indifferent flux of...
Journal Article
Cultural Politics (1 March 2010) 6 (1): 49–64.
Published: 01 March 2010
... twenty-first century has not only increased the number of places in which celebrities can be seen and heard, but has also required media producers to compete with each other and with alternative leisure activities for the attention of fragmented audiences, an increasingly precious commodity. The rise...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 70–91.
Published: 01 March 2014
... has demonstrated his awareness of the impact of subtitles and other forms of translation on a given film’s subject matter and audience. As Ian Balfour writes in his brief analysis of Godard’s depictions and enactments of translations in Le mépris ( Contempt ; 1963 ), “We are used to thinking of...
Journal Article
Cultural Politics (1 March 2012) 8 (1): 121–137.
Published: 01 March 2012
... virtue of entertainment. I believe that, in most cases, the nationalist profile of turbo-folk was driven by economic opportunism: the performers saw a way to reach larger audiences in Serbia, just as today overt nationalism is jettisoned to garner broader regional appeal. Further, approaching turbo-folk...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 384–390.
Published: 01 November 2015
... for a performance of [Giacomo] Meyerbeer’s opera Le prophète . Never before had theater audiences, who following the introduction of the proscenium stage had to endure the chiaroscuro of smoky candles, enjoyed such bright and sharply contoured lighting effects. Projection, which in times of the...
Journal Article
Cultural Politics (1 March 2010) 6 (1): 65–84.
Published: 01 March 2010
... size of headline, the size of picture. Photography prompts refection on positionality – the relation of photographer to scene and hence audience to scene, observer to observed. Radio, film, and television prompt metaphors of temporality – sequence, syntagm, flow. Computerization and Internet sites...
Journal Article
Cultural Politics (1 March 2006) 2 (1): 127–132.
Published: 01 March 2006
... world are both sustained by, and serve to foster, forms of terrorism. If the events of September 11th brought urban terror home to Western audiences (including many academics), the essays collected and edited by Stephen Graham show how such high-profile spectacles are, in part, the product of often much...
Journal Article
Cultural Politics (1 July 2014) 10 (2): 239–249.
Published: 01 July 2014
... deserted “private” outside space with no passers-by, no audience and no public. The resulting documentation, a photograph of the performed slogan, was displayed in an art gallery café and on a number of commercial billboard sites in London. The typically deemed public space of the street is not necessarily...
Journal Article
Cultural Politics (1 March 2018) 14 (1): 40–50.
Published: 01 March 2018
... their products visually and to promote brand loyalty. Both corporate and street chemical “pushers” develop specific iconographies to create lifestyle-driven products. They brand the pills to target audiences’ tastes, desires, beliefs, and ideals. The shapes of my wall objects, ranging from twenty...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 48–57.
Published: 01 March 2017
... or prescriptive. You seem to leave “spaces” or weave “slippages” in your videos as entry points for viewers’ individual interpretations. Can you discuss the strategies you deploy to allow the audience to participate in the authorship of your videos? These strategies lead to questions concerning...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 129–131.
Published: 01 March 2017
... , Stanford, CA : Stanford University Press , 2015 , 72 pp, $12.99 paperback, ISBN: 978-0804795098 © 2017 Duke University Press 2017 Most English audiences have not yet heard of Byung-Chul Han. Erik Butler’s recent translations of The Transparency Society (2015) and The Burnout Society...
Journal Article
Cultural Politics (1 November 2006) 2 (3): 399–402.
Published: 01 November 2006
... different audiences that they are pitching to, particularly when it comes to questions concerning freedom of the press. Second, Miles states that Al-Jazeera has “broken the hegemony of the Western networks and, for the first time in hundreds of years, reversed the flow of information, historically from West...
Journal Article
Cultural Politics (1 November 2008) 4 (3): 375–390.
Published: 01 November 2008
... and appeal for audiences on both sides of the Atlantic. In the first season of Aaron Sorkin’s television drama The West Wing , broadcast a little more than forty years after the publication of George’s Two Hours to Doom , one of the story lines concerns the likelihood of a conventional war...
Journal Article
Cultural Politics (1 July 2016) 12 (2): 155–172.
Published: 01 July 2016
... because of its characteristic ability to turn substances into style.” The occupation arts might materialize a way out of the market by radically realigning the relations between arts and politics, authorship and audience, means and ends. These arts are not created to be sold, are not meant to be featured...