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Journal Article
Cultural Politics (1 July 2005) 1 (2): 215–232.
Published: 01 July 2005
...John Street Arts prizes have become an increasingly prominent part of the cultural landscape, influencing not only the careers of individual artists but also the policies of cultural industries and cultural institutions. Despite this, relatively little detailed attention has been given to the arts...
Journal Article
Cultural Politics (1 July 2014) 10 (2): 226–238.
Published: 01 July 2014
...Jonathan Harris This essay highlights post-1945 intertwined aesthetic and political radicalisms in the visual arts, drawing on key examples from the United States and Western Europe in the decades from the end of World War II to the present. It seeks to explore the complex relations between...
Journal Article
Cultural Politics (1 July 2018) 14 (2): 225–243.
Published: 01 July 2018
...John Beck; Ryan Bishop In North America, there are over one hundred programs and labs committed to collaborative experimentation in art and technology. This article examines the current prominence of art and technology labs in the context of the resurgence of collaborative practice in the arts, not...
Journal Article
Cultural Politics (1 March 2016) 12 (1): 49–53.
Published: 01 March 2016
...Giulia Zaniol © 2016 Duke University Press 2016 The online debate and art exhibition Brand Art Sensation was launched in 2015 in the United Kingdom, in London’s Fitzrovia, alongside a number of advertising billboards that questioned the connections between luxury branding, artist...
Journal Article
Cultural Politics (1 November 2017) 13 (3): 326–347.
Published: 01 November 2017
... radical cultural politics in terms of philistinism. For this purpose, it articulates a more positive, critical, and dialectical notion of philistinism and the destruction and hatred of art. It does so by looking into essential work done by Fredric Jameson in the early 1990s regarding the crucial presence...
Journal Article
Cultural Politics (1 March 2018) 14 (1): 135–137.
Published: 01 March 2018
...Rafal Niemojewski India’s Biennale Effect: A Politics of Contemporary Art , edited by D’Souza Robert E. Manghani Sunil , London : Routledge , 2017 , 277 pages, ₹1050 (hardback), ISBN 978-1-138-28133-2 © 2018 Duke University Press 2018 In the recent ArtReview.com op...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 277–298.
Published: 01 November 2009
... artistic scene as an interactive space between art and politics, between cultures and publics, participates in the elaboration of a bond between Muslims and Europeans, a bond not without elements of confrontation and violence. It is argued that while the statue violates the intimacy and piety of a Muslim...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 300–319.
Published: 01 November 2014
... sense, is inextricably barbaric as a result of simply being after Auschwitz. Culture must acknowledge the finitude in its own ability to live up to an ethical demand in response to justice, whose arrival is infinitely deferred. In spite of this, culture, and art in particular, must not refrain from the...
Journal Article
Cultural Politics (1 July 2016) 12 (2): 155–172.
Published: 01 July 2016
...Laikwan Pang This article explores the meanings of the arts produced in the 2014 Hong Kong Umbrella Movement, using a reinterpretation of Hannah Arendt’s political philosophy. It examines how these arts struggle with the tensions between politics and aesthetics. These arts are not only politically...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 158–169.
Published: 01 July 2013
... can detect an ethics of thought and commentary at work in these early writings, one according to which the thinker must somehow find a way to imbue his text with a libidinal intensity equal to or greater than the work of art in question. © 2013 Duke University Press 2013 Kienholz libidinal...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 239–248.
Published: 01 July 2011
... Phyllis Galembo is Professor of Art at the University at Albany, State University of New York. Her photographs have been exhibited widely, including at the Schomburg Center for Research in Black Culture, the American Museum of Natural History, and the Fashion Institute of Technology (all in New...
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Published: 01 March 2015
Figure 8 Eternal Return 3 , 2013. Acrylic on canvas, 50 × 67 in. Courtesy of the artist Figure 8. Eternal Return 3, 2013. Acrylic on canvas, 50 × 67 in. Courtesy of the artist More
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Published: 01 March 2015
Figure 9 Eternal Return 1 , 2013. Acrylic on canvas, 50 × 60 in. Courtesy of the artist Figure 9. Eternal Return 1, 2013. Acrylic on canvas, 50 × 60 in. Courtesy of the artist More
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Published: 01 March 2015
Figure 11 Eternal Return 2 , 2013. Acrylic on canvas, 50 × 63 in. Courtesy of the artist Figure 11. Eternal Return 2, 2013. Acrylic on canvas, 50 × 63 in. Courtesy of the artist More
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Published: 01 March 2010
all art is is rhythm (Kurt Schwitters) all energy is is motion to move is to love at all times there is change in all places all art is is rhythm (Kurt Schwitters). / all energy is is motion. / to move is to love. / at all times there is change in all places More
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Published: 01 July 2014
Figure 1 Freee Art Collective, Protest Drives History . Photo courtesy of the artists Figure 1. Freee Art Collective, Protest Drives History. Photo courtesy of the artists More
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Published: 01 July 2014
Figure 2 Freee Art Collective, Protest Is Beautiful . Photo courtesy of the artists Figure 2. Freee Art Collective, Protest Is Beautiful. Photo courtesy of the artists More
Journal Article
Cultural Politics (1 July 2014) 10 (2): 239–249.
Published: 01 July 2014
...Figure 1 Freee Art Collective, Protest Drives History . Photo courtesy of the artists Figure 1. Freee Art Collective, Protest Drives History. Photo courtesy of the artists ...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 254–271.
Published: 01 July 2012
...G. Roger Denson Susanne Slavick's Out of Rubble is an exhibition in a book that boldly epitomizes the new, globally nomadic curation of art representative of current concerns of the world's vital cultures, both ancient and modern. Although the motif of rubble is chosen by Slavick to index the...
Journal Article
Cultural Politics (1 November 2013) 9 (3): 296–312.
Published: 01 November 2013
...Robert E. D'Souza The Kochi-Muziris Biennale, the most recent global art biennale, was launched in Kochi in the state of Kerala, India, in 2012. This essay considers the “biennale effect,” locating it within India's recent history of radical political modernization and in the context of the state's...