Search Results for artist

Figure 4 Avatar of the artist as a child in Dysnovation . Courtesy of the artist. More

Figure 2 Rumah 1 (first house of ruangrupa), solo exhibition by street artist Bujangan Urban, 2001. More

Figure 1 Between Time , 2017. Acrylic on canvas, 84 × 84 in. Courtesy of the artist More

Figure 3 Bam Bam , 2013. Acrylic on canvas, 72 × 92 in. Courtesy of the artist More

Figure 3 Big Peepland , 2016. Oil on linen, 70×44 in. Courtesy of the artist More

Figure 5 Dreamland 14 , 2012. Acrylic on felt, 40×55 in. Courtesy of the artist More

Figure 2 Joy Garnett, Shade , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More

Figure 3 Joy Garnett, Beacon , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More

Figure 4 Joy Garnett, Arbor , 2014. Oil on canvas, 11 × 14 in. Courtesy the artist More

Figure 2 Still from Norwood (1984) © Patrick Keiller. Courtesy of the artist More

Figure 3 Still from The End (1986) © Patrick Keiller. Courtesy of the artist More

Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered More

Figure 4   Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif More

Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More

Figure 6   LOOKHERE , charcoal wall portraits of local Keralans by Australian artist Daniel Connell on the exterior of a local tea shop. During the Kochi-Muziris Biennale, the artwork was defaced by burnt coconut husks, an attack that was accorded some significance as a particularly localized More

Figure 8   The Ship of Tarshish , by the Indian artist Prasad Raghavan at Aspinwall House. The title alludes to a Hebrew biblical reference to a place or city between which there was trade by sea. The backdrop to the sculpture is the country's newest international container terminal More

Figure 11   Black Gold , installation of pottery shards by Indian artist Vivan Sundaram at Aspinwall House. The terra-cotta fragments used within this installation are recovered from the archaeological site at Pattanam, the site of the flooded ancient seaport of Muziris. The landscape produced More

Figure 13   Stopover , an installation of spice grindstones by Indian artist Sheela Gowda and Christoph Storz, at the dockside of Aspinwall House. The traditional grindstones were used domestically as part of the traditional preparation of spices but are now redundant, as housewives have moved More