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art after Auschwitz

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Journal Article
Cultural Politics (1 November 2014) 10 (3): 300–319.
Published: 01 November 2014
... sense, is inextricably barbaric as a result of simply being after Auschwitz. Culture must acknowledge the finitude in its own ability to live up to an ethical demand in response to justice, whose arrival is infinitely deferred. In spite of this, culture, and art in particular, must not refrain from the...
Journal Article
Cultural Politics (1 March 2009) 5 (1): 27–62.
Published: 01 March 2009
... perspectives are probed: cultural politics ; cultural media histories ; the emotional excess ( jouissance, petit à ) of cultural politics; and the deep play mode of aesthetic judgement formed between the practical and ethical, between political economy and expressive art (including political drama), and...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 34–47.
Published: 01 March 2017
... cancel the reconciliatory element involved in this negation” (212). Suffering is resolved in its beautiful depiction, so that it may be acceptable; in The Aesthetic Dimension he says, after citing Auschwitz and the massacre of civilians at My Lai in the Vietnam war, “Art draws away from this reality...
Journal Article
Cultural Politics (1 March 2012) 8 (1): 61–72.
Published: 01 March 2012
... that there can be no writing after Auschwitz, no painting, no poetry. But Kafka said it before. His was a prophetic understanding of what would happen, irreversibly, to literature. Here we connect up with Deleuze and Guattari on the question of a minor literature, at the point where they connect with...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 163–183.
Published: 01 July 2015
.../richard-mosse-the-enclave-at-venice-art-biennale-2013 . Costa Mario . 1991 . “ Technology, Artistic Production and the ‘Aesthetics of Communication.’ ” Leonardo 24 ( 2 ): 123 – 25 . Didi-Huberman Georges . 2008 . Images in Spite of All: Four Photographs from Auschwitz . Chicago...
Journal Article
Cultural Politics (1 November 2005) 1 (3): 339–352.
Published: 01 November 2005
... earlier, which, like the accident, is only ever a miracle in reverse – in a word, a lay miracle. 5 Proof, if proof were needed after Auschwitz and Hiroshima, of the birth of philofolly and of the aesthetics of disappearance that has marked the whole of the past century. And so, the crisis in the...
Journal Article
Cultural Politics (1 November 2007) 3 (3): 327–356.
Published: 01 November 2007
... the standpoint of the exemplary victims of the century’s madness, the murdered Jews of Europe: the definition of the twentieth century as the age of that great collapse of civilization symbolized in such names as Auschwitz and Treblinka. Even were one empirically to bring to light the whole truth...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 207–231.
Published: 01 July 2012
... of the memoir industry and of the China-watching mind in general: the Great Proletarian Cultural Revolution. Thus Vera Schwarcz (1996) and Tu Wei-ming (1996) draw a straight line from Hitler, the Storm Troopers, and Auschwitz to the decades of Maoist rule and the Cultural Revolution in particular...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 361–375.
Published: 01 November 2015
... accuse Kittler of subscribing to Speer’s technologized top-down vision because it moves the analysis of the Third Reich firmly into the media-technological domain and thus away from questions related to politics, ideology, guilt, and the “Auschwitz-theoretical” aspects of the war that Kittler was...