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Journal Article
Cultural Politics (2007) 3 (1): 123–132.
Published: 01 March 2007
...Julia Meltzer; David Thorne © BERG 2007 PRINTED IN THE UK 2007 Since 1999 The Speculative Archive has developed two bodies of work consisting of in stallation projects, photographs, and films. The first focused on state secrecy practices, memory, and history. Our current projects focus...
Journal Article
Cultural Politics (2009) 5 (1): 73–96.
Published: 01 March 2009
... philosophy and its consequent abasement of material, technological, and institutional forms of memory. This abasement of mnemotechnics, consistently associated with endlessness and consistently articulated in patriarchal terms, produces a specific complex of terms: the femininity of the archival ad infinitum...
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Published: 01 November 2021
Figure 2 İstiklal Avenue in the 1930s. Courtesy of Yapı Kredi Sellâhatin Giz Archive.
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Journal Article
Cultural Politics (2023) 19 (2): 241–260.
Published: 01 July 2023
.... The outraged reaction exhibited by politicians, audiences, and the national media reveal an unexplored archive of exchanges, miscommunications, and negotiations between, on one hand, a long list of hip-hop household names—including Jay-Z, Nas, Kanye West, Lil Wayne, and many others—who have incorporated...
Journal Article
Cultural Politics (2020) 16 (3): 415–417.
Published: 01 November 2020
... mediated by software, and putting forward an opportunity for “the mapping and representation of the complexity of science, which is usually covered over by positivist forms of science writing” (171–72). This is what she describes as an affective or “queer” imagining of the archive, a “playful contamination...
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Published: 01 November 2012
Figure 1 Recall , 2012. Archival digital print on Hahnemühle paper, 11.5 × 15.25 in. (Landscape based on The Hero Rustam Slays the Witch of the Cosmic Illusion , an illustration attributed to Qadîmî by S. C. Welch, from Firdawsī's Book of Kings , copied in Tabriz from Shâh Tahmâsp between
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Published: 01 November 2012
Figure 2 Stretch , 2009. Gouache on archival digital prints on Hahnemühle paper, 72 × 132 in., as six framed panels. (Angels derived from the School of Muhammad Siyâh Qalam, Tabriz, c. 1478–90, Library of the Topkapì Sarayì Museum, Istanbul, H. 2153, fol. 5v.) Image courtesy of the artist
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Published: 01 November 2012
Figure 3 Roam: Riding on Remorse , 2008. Gouache on archival digital print on Hahnemühle paper, 6 × 10 in. Collection of Mary Lou Arscott, Pittsburgh. (Camels based on illustration by Bihzâd for Nizâmî's Layli and Manjûn in 1493 Khamsa , British Library.) Image courtesy of the artist
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Published: 01 November 2012
Figure 4 Headlong , 2009. Gouache on archival digital print on Hahnemühle paper, 15 × 24 in. (Horsemen based on Firdawsī's Book of Kings manuscript copied in Tabriz for the Mongol íl Khân Abû-Sa‘id [r. 1317–35], Antiquités orientales, section islamique no. 7095, Musée du Louvre, Paris
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Published: 01 November 2012
Figure 5 Replenish , 2010. Gouache on archival digital print on Hahnemühle paper, 10 × 14 in. (Horse based on Khusraw Discovers Shirin Bathing in a Pool , from a Khamsa by Nizâmî, mid-sixteenth-century Safavid dynasty from Shiraz, Iran. Altered photograph of a bridge in Mosul, Iraq.) Image
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Published: 01 November 2012
Figure 6 Rocking Horse , 2010. Gouache on archival digital print on Hahnemühle paper, 12 × 13.5 in. (Horseman drawn from Horseman and Groom , attributable to Qadîmî Qazvin, c. 1560, Arthur M. Sackler Museum, Harvard University, no. 1958.62.2. Altered photograph of southern Iraq.) Image
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Journal Article
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018
... and was the first to produce work directly for the iPlayer platform. Using archival images to examine the present, his films produce counterintuitive connections and abrupt collisions that supplant the authority of narrative causality for a precarious network of associations and linkages. This article treats...
Journal Article
Cultural Politics (2016) 12 (3): 310–331.
Published: 01 November 2016
.... Aggregating these often separate historical lineages has the potential to enrich the disparate disciplinary knowledges that are bound together here, but there’s more at stake than historiography. These public squares, city walls, building facades, urban archives, and sandy stores where earthen materials...
Journal Article
Cultural Politics (2010) 6 (1): 85–92.
Published: 01 March 2010
...David Levine “Hopeful” is part of David Levine's larger project about unsolicited submissions. As presented in 2009 at Galerie Feinkost in Berlin and Cabinet in new York, it comprises the first phase of a multidisciplinary and multi-year project of gathering, analyzing, and archiving unsolicited...
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Journal Article
Cultural Politics (2023) 19 (2): 200–218.
Published: 01 July 2023
... texts delineate part of a framework for narrating endurance under capitalism, contributing to an archive of detachment from neoliberal narrativity. Capitalism's modes of violence are embedded in ordinary life and legitimized through a pervasive neoliberal ideology that espouses heroic individualism...
Journal Article
Cultural Politics (2019) 15 (3): 315–330.
Published: 01 November 2019
... analysis of archival materials and interviews with organizers of the EC and Black Student Union, I found that the EC organizers’ potentials for supporting revolutionary study were limited by their romanticizing of education, which was coconstituted with subscriptions to modernist imaginaries. Rejecting...
Journal Article
Cultural Politics (2014) 10 (3): 404–414.
Published: 01 November 2014
... University Press 2014 Anthropocene time capsule history photography archive Telling the time is not merely an announcement of the hour but also a calculation, a reckoning. Telling involves counting, recounting, and accounting; it requires a measure, a narrative, and an inventory...
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in Innis’s Infrastructure: Dirt, Beavers, and Documents in Material Media Theory
> Cultural Politics
Published: 01 July 2017
Figure 1 Innis in a canoe on the Peace River, 1924. Courtesy University of Toronto Archives
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Published: 01 November 2021
Figure 4 Beyoğlu following the pogrom of September 6–7, 1955. Courtesy of Tarih Vakfı Fatih Çoker Archive.
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Published: 01 November 2005
Figure 1 Leora Farber in collaboration with Strangelove , 2004–5 Aloerosa: In-sert 1m × 1m Ink-jet print on archival paper
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