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animation

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Published: 01 March 2013
Figure 1   Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 ×  1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York Figure 1 . Claudia Hart, The Swing, 2006. Three-channel animation, one of three More
Image
Published: 01 March 2013
Figure 4   Claudia Hart, Ophelia , 2008. Single-channel animation,10-minute 3D-animated loop, high-definition animation video-object or large-scale projected installation. Sound design by Claudia Hart. Courtesy the artist and bitforms gallery, New York Figure 4 . Claudia Hart, Ophelia, 2008 More
Journal Article
Cultural Politics (1 November 2015) 11 (3): 391–394.
Published: 01 November 2015
...Friedrich Kittler The paper provides a brief outline of the way in which the history of war redraws the boundaries between humans, animals (wild and domesticated), and machines. by permission of the rightsholder, Susanne Holl animals Friedrich Kittler war Right before our eyes, which...
Journal Article
Cultural Politics (1 July 2006) 2 (2): 159–192.
Published: 01 July 2006
... beyond zero-sum games; urban public goods and infrastructures; medical services and distributed care; animals and biodiversity and the need to pay attention to feedback that signals our inability to achieve perfect control and hence dependence on one another; (2) perspectival topoi: single-eyed stories...
Journal Article
Cultural Politics (1 March 2008) 4 (1): 73–99.
Published: 01 March 2008
... perfunctory language – whether as “information-rich data banks” or else animating the “fantasy of abundance” – and allow us to see them in a decidedly “political” way, as necessarily “incomplete” and thus eminently “rewritable” formations. This essay then concludes by examining the wider implications this...
Journal Article
Cultural Politics (1 March 2005) 1 (1): 51–74.
Published: 01 March 2005
... specific features of communicative capitalism in light of the fantasies animating them. The fantasy of abundance leads to a shift in the basic unit of communication from the message to the contribution. The fantasy of activity or participation is materialized through technology fetishism. The fantasy of...
Journal Article
Cultural Politics (1 March 2013) 9 (1): 86–94.
Published: 01 March 2013
...Figure 1   Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 ×  1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York Figure 1 . Claudia Hart, The Swing, 2006. Three-channel animation, one of three...
Journal Article
Cultural Politics (1 March 2015) 11 (1): 126–133.
Published: 01 March 2015
... usually to designate that powerful and seemingly fragrant portion of the day. In practice, understanding sunset in this sense is close to being an animal. The proof or mutual reinforcement of nightfall, of membership of those communities who appear at, or are active at, sundown, means that, say, hyenas...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 380–390.
Published: 01 November 2016
...+, indigenous people, animals and earth others—that occupy the slot of devalued difference in relation to the humanist normative standard. They embody difference as pejoration, and their differences get organized on a hierarchical scale of decreasing social and symbolic worth. These others become socially...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 287–299.
Published: 01 November 2014
... history, there have been diverse groups and cultures, informed by religious and moral dictates, who have reflected deeply on the relationship between eating and human-animal being in the world. These concerns, however, are now becoming mainstream. For middle-class populations of the Western world, and for...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 222–233.
Published: 01 July 2015
..., an animal spirit; it is the animal spirit of man: a pig-spirit, a buffalo-spirit, a dog-spirit, a bat-spirit…. This means that Bacon is pursuing a very special project as a portraitist: unmaking the face, rediscovering or pulling up the head beneath the face. Rediscovering the head beneath the...
Journal Article
Cultural Politics (1 November 2015) 11 (3): 407–411.
Published: 01 November 2015
... too human, for her—treatment of animals like the “Blackfish” orca Tilikum, to whom the book is dedicated.) To compensate for the lack of a more formal structure, each chapter is prefaced by an abstract composed of a list of keywords and keyphrases, but many of these, it seems, could easily be moved...
Journal Article
Cultural Politics (1 March 2009) 5 (1): 98–117.
Published: 01 March 2009
... animated exchange between a community of strangers, of others experienced as bodily movement, as affect, and as erotic energy or desire? AL: The ontological issue – how consciousness, other mammals, birds, fish, sequoia trees, molds exist – is involved in our descriptions of them. The world about us...
Journal Article
Cultural Politics (1 November 2012) 8 (3): 413–427.
Published: 01 November 2012
... Christian seafarers sail through the Strait of Gibraltar freely and without penalties. Dante's Ulisse is the first person who did not fear the Arabs. Because humans are not wild animals—not to mention Circe's pigs—he sails boldly past Sardinia, Spain, and Morocco, reaching the distant Atlantic, and turning...
Journal Article
Cultural Politics (1 November 2005) 1 (3): 257–278.
Published: 01 November 2005
... individual portion of a larger collective spirit. The individual soul is the phenomena , a manifestation of universal noumena. The spirit can move between, enter into, take possession of, and animate different bodies, and thus the material substance of the body, its consciousness, and its actions can be...
Journal Article
Cultural Politics (1 November 2006) 2 (3): 381–390.
Published: 01 November 2006
... response to the versioning of these events and others like them. It is an animation using the same set of 30 odd drawings, images that were shuffled and reshuffled. Subtitles were used in each version to redirect the viewers’ interpretation of each image. The different image/text combinations tell four...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 376–379.
Published: 01 November 2016
... Architectural Association. Commissioned by the Victoria and Albert Museum. Film and photography in collaboration with Toby Smith. Ceramics work in collaboration with the London Sculpture Workshop. Animation assistance from Christina Varvia. Photography: Toby Smith/Unknown Fields ...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 376–388.
Published: 01 November 2014
... German cultural techniques approach spawned by the Kittler effect is moving toward an intellectual domain that, especially in the United States, has been approached from a very different angle—namely, from a “posthumanist” mixture of deconstruction, postcybernetics, and critical animal studies (most...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 219–226.
Published: 01 July 2013
... of his work” ( Lyotard 2009a : 47). With his reference to the “painter's paw” ( Lyotard 2009c :189), Marcel Duchamp's derogatory term ( Tomkins 1965 : 24), Lyotard by contrast suggests that the painter-mind inhabits an animal state, the creative process precluding language and concept. Hence Appel is...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 326–333.
Published: 01 November 2009
... like” (2006). Pencil and charcoal on paper, 9 × 11 inches. Courtesy of the artist and Greene Naftali Gallery, New York. In November 2006, I visited New Orleans for the first time. Tulane University's art gallery was showing one of my animated projections and the art department invited me to...