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Patrick Keiller

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Journal Article
Cultural Politics (1 November 2016) 12 (3): 263–278.
Published: 01 November 2016
...Daniele Rugo A recurring feature of Patrick Keiller’s work is the lack of human presence and activity. Throughout his films, Keiller delivers a vision of England as a desert island, depopulated and unoccupied. Scrutinizing Keiller’s early shorts and feature-length films, this article argues that...
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Published: 01 November 2016
Figure 2 Still from Norwood (1984) © Patrick Keiller. Courtesy of the artist Figure 2. Still from Norwood (1984) © Patrick Keiller. Courtesy of the artist More
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Published: 01 November 2016
Figure 3 Still from The End (1986) © Patrick Keiller. Courtesy of the artist Figure 3. Still from The End (1986) © Patrick Keiller. Courtesy of the artist More
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Published: 01 November 2016
Figure 4 Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist Figure 4. Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist More
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Published: 01 November 2016
Figure 5 Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist Figure 5. Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist More
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Published: 01 November 2016
Figure 7 Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist Figure 7. Still from Robinson in Ruins (2010) © Patrick Keiller. Courtesy of the artist More
Journal Article
Cultural Politics (1 November 2013) 9 (3): 377–380.
Published: 01 November 2013
... The processes of ecology are not mocked. —Gregory Bateson, Steps to an Ecology of Mind In Patrick Keiller's (2010) Robinson in Ruins , a film set against the backdrop of the current global financial crisis, the narrator describes the film's eponymous antihero, Robinson, visiting the local...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 275–292.
Published: 01 July 2015
... exist. 13 Patrick Keiller’s film London (1994) is an excellent visual example of how the camera lens lingers on life’s daily bricolage, using urban spaces to evoke the plasticity of aesthetic feeling. 14 The relevance of Lyotard’s work The Inhuman: Reflections on Time (1992) lies in...