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Jean-Luc Godard

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Journal Article
Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
...Rebecca Dyer; François Mulot Focusing on two films by Jean-Luc Godard that feature the work of the Palestinian poet Mahmoud Darwish, this essay analyzes the rhetorical effects of Godard’s choice to subtitle, translate, or speak over Arabic speech and highlights Godard’s decades-long working...
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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
... on media and warfare. This critique is organized around a study of the recent films of Jean-Luc Godard, which focus on the recurrence of the images of the mainstream culture industry and their transformation in wartime Sarajevo. It argues that Godard’s work is concerned with a cinema of cliché, following...
Journal Article
Cultural Politics (2012) 8 (3): 413–427.
Published: 01 November 2012
... Alighieri's Divine Comedy , Jean-Luc Godard's Le mèpris , and Stanley Kubrick's 2001: A Space Odyssey . Kittler is concerned with the linkage of poetry, music, and sex from the Greeks to media- and computer-driven modernity. © 2012 Duke University Press 2012 Homer The Odyssey alphabetization Dante...
Published: 01 March 2014
Figure 1 “Une petite fille de Fatah,” according to Godard’s voice-over, recites a poem by Darwish about Palestinian resistance. Ici et ailleurs , 1976 . Directed by Jean-Luc Godard, Jean-Pierre Gorin, and Anne-Marie Miéville. Screen shot Figure 1. “Une petite fille de Fatah,” according More
Journal Article
Cultural Politics (2012) 8 (3): 429–442.
Published: 01 November 2012
... narrative is one not of progress but of recursions, set forth in Friedrich Kittler's quirkily comic variant of Friedrich Nietzsche's monumental history: an anecdotal series of four snapshots or moments, namely, the Odyssey itself, Dante Alighieri's Comedia ( Comedy ), Jean-Luc Godard's Le mépris...
Journal Article
Cultural Politics (2012) 8 (2): 171–191.
Published: 01 July 2012
..., but the propensity to violence couldn't be put down to computer games. Things in that area were more complex.  Birgit Vanderbeke, Sweet Sixteen The landscape: mythic. The place: perhaps the most beautiful residence in the world, the Casa Malaparte. In Jean-Luc Godard's Le mépris ( Contempt...
Journal Article
Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
... filmmakers from this period. Perhaps the best-known proponents are Jean-Luc Godard, whose most radical films were made under the dictum “montage before the shooting, montage during the shooting, montage after the shooting,” and Dušan Makavejev, whose “reckless montage-mongering” led J. Hoberman (1998 : 33...
Journal Article
Cultural Politics (2005) 1 (3): 331–338.
Published: 01 November 2005
... . LEMMY CAUTION: I refuse to become what you call “normal.” Jean-Luc Godard, Alphaville (1965) Questions of the panicked structures and spaces of the city are at the center of intellectual investigation across a variety of fields from cultural politics and architecture to cultural geography...
Journal Article
Cultural Politics (2020) 16 (1): 24–43.
Published: 01 March 2020
... violence. From the early days of Jean-Luc Godard to the time of Rachid Bouchareb “more than 850 films were produced about the Franco-Algerian war of decolonization” ( Blanchard 2012 : 11). In most of these films, as Pascal Blanchard (2012 : 13) noted, “l’arabe est d’abord un militant, et malgré l’angle de...
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Journal Article
Cultural Politics (2007) 3 (1): 35–50.
Published: 01 March 2007
... that the rethinking of the road movie narrative is made possible through the intervention of non-American influences: expressionism in noir via European émigrés and in the 1960s the feeding back of early Hollywood films through the filter of postwar European cinema, most notably in the work of Jean Luc Godard...
Journal Article
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018