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Godard

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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
... on media and warfare. This critique is organized around a study of the recent films of Jean-Luc Godard, which focus on the recurrence of the images of the mainstream culture industry and their transformation in wartime Sarajevo. It argues that Godard’s work is concerned with a cinema of cliché, following...
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Published: 01 March 2014
Figures 3 and 4 Godard includes footage of Palestinian fighters as well as excerpts from Hollywood Westerns in “Enfer” (“Hell”), the first third. Notre musique , 2004 . Screen shots More
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Published: 01 March 2014
Figure 5 Godard depicts Darwish meeting with an Israeli journalist in the lobby of the Sarajevo Holiday Inn. Notre musique , 2004 . Screen shot More
Journal Article
Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
...Figures 3 and 4 Godard includes footage of Palestinian fighters as well as excerpts from Hollywood Westerns in “Enfer” (“Hell”), the first third. Notre musique , 2004 . Screen shots ...
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Published: 01 March 2014
Figure 1 “Une petite fille de Fatah,” according to Godard’s voice-over, recites a poem by Darwish about Palestinian resistance. Ici et ailleurs , 1976 . Directed by Jean-Luc Godard, Jean-Pierre Gorin, and Anne-Marie Miéville. Screen shot More
Journal Article
Cultural Politics (2012) 8 (3): 413–427.
Published: 01 November 2012
... Alighieri's Divine Comedy , Jean-Luc Godard's Le mèpris , and Stanley Kubrick's 2001: A Space Odyssey . Kittler is concerned with the linkage of poetry, music, and sex from the Greeks to media- and computer-driven modernity. Why do our questions keep returning to Odysseus? The answer may be found in Jorge...
Journal Article
Cultural Politics (2012) 8 (3): 429–442.
Published: 01 November 2012
... narrative is one not of progress but of recursions, set forth in Friedrich Kittler's quirkily comic variant of Friedrich Nietzsche's monumental history: an anecdotal series of four snapshots or moments, namely, the Odyssey itself, Dante Alighieri's Comedia ( Comedy ), Jean-Luc Godard's Le mépris...
Journal Article
Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
... of Genres in the Films of Godard .” Enclitic 7 , no. 1 : 14 – 23 . Deleuze Gilles . 1989 . Cinema 2: The Time Image . Translated by Tomlinson Hugh Galeta Robert . Minneapolis : University of Minnesota Press . Espinosa Julio García . ( 1979 ) 2005 . “ For an Imperfect...
Journal Article
Cultural Politics (2012) 8 (2): 171–191.
Published: 01 July 2012
... in the world, the Casa Malaparte. In Jean-Luc Godard's Le mépris ( Contempt ), intermingled with these images of archaic timelessness are sudden flashes of violence ( Figures 1–2 ). An arrow through the throat of a murder victim. A car accident that sets the seal, at the end of the film, on the modern...
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Journal Article
Cultural Politics (2005) 1 (3): 331–338.
Published: 01 November 2005
... . LEMMY CAUTION: I refuse to become what you call “normal.” Jean-Luc Godard, Alphaville (1965) Questions of the panicked structures and spaces of the city are at the center of intellectual investigation across a variety of fields from cultural politics and architecture to cultural geography...
Journal Article
Cultural Politics (2020) 16 (1): 24–43.
Published: 01 March 2020
... violence. From the early days of Jean-Luc Godard to the time of Rachid Bouchareb “more than 850 films were produced about the Franco-Algerian war of decolonization” ( Blanchard 2012 : 11). In most of these films, as Pascal Blanchard (2012 : 13) noted, “l’arabe est d’abord un militant, et malgré l’angle de...
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Journal Article
Cultural Politics (2007) 3 (1): 35–50.
Published: 01 March 2007
... the intervention of non-American influences: expressionism in noir via European émigrés and in the 1960s the feeding back of early Hollywood films through the filter of postwar European cinema, most notably in the work of Jean Luc Godard. (Godard's own meditation on autodestruction, Week End , was released...
Journal Article
Cultural Politics (2012) 8 (1): 61–72.
Published: 01 March 2012
... me remind you of what a young man said on a reality TV show. He was asked what he wanted to do in the future. His response was: “I want to do celebrity.” He didn't want to become a Picasso, a Shakespeare, or a Godard. He wanted to “do celebrity.” And he had perfectly understood that celebration would...
Journal Article
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018
... Jean-Luc Godard’s assertion that the essay film is “a form that thinks” (quoted in Corrigan 2011 : 33) and submits the essay film as a tactical response to a surfeit of audiovisual media, to an era in which most of us have become both consumers and producers of a digital deluge. Against the threat...
Journal Article
Cultural Politics (2006) 2 (1): 97–114.
Published: 01 March 2006
..., forage! Be neither a One nor a Many, but multiplicities! Form a line, never a point! Speed transforms the point into a line. Be fast, even while standing still! Line of chance, line of hips, line of flight. Don't arouse the General in yourself! Not an exact idea, but just an idea (Godard). Have short...
Journal Article
Cultural Politics (2022) 18 (2): 208–226.
Published: 01 July 2022
... representation in which actors hold their bodies completely static to re-recreate the poses of various historical paintings. Pasolini most famously engages with the tableau vivant in his 1963 short film La ricotta , part of the anthology Ro.Go.Pa.G , which he made with Roberto Rossellini, Jean-Luc Godard...