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Deleuze

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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (2013) 9 (2): 144–157.
Published: 01 July 2013
.... The figural is the matrix of Lyotard's broader notion of philosophy but also the sign of Gilles Deleuze's conception of painting and Paul Valéry's essays on drawing. In this sense, the figural is a generic concept applicable to all reflection on the sensible that temporarily abandons the structuring power...
Journal Article
Cultural Politics (2013) 9 (2): 188–202.
Published: 01 July 2013
... theory is conducive to Gilles Deleuze and Félix Guattari's assertion that music “deterritorializes the refrain.” In A Thousand Plateaus , Deleuze and Guattari argue that music enacts a becoming-minority that is, by its expressive deterritorializations, subversive to conventions of the categorical...
Journal Article
Cultural Politics (2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed...
Journal Article
Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... on the part of the local Jewish community. A similar controversy sparked off by the film adaptation of the play Shadow of Angels by Daniel Schmid. During the film’s screening at the Cannes Film Festival the Israeli delegation walked out, while there was also rumor of censorship in France. Gilles Deleuze wrote...
Journal Article
Cultural Politics (2016) 12 (3): 339–354.
Published: 01 November 2016
... of Gilles Deleuze and Félix Guattari that inspires the work of Jane Bennett, Rosi Braidotti, Brian Massumi, Isabelle Stengers, Mark Hansen, and Jussi Parikka. In each, the care of the possible is based on experimentation and embrace of open-ended practice: collaboration rather than individual profit...
Journal Article
Cultural Politics (2016) 12 (3): 380–390.
Published: 01 November 2016
... studies—that have transformed the modes of knowledge production within the academic humanities and beyond. They are framed qualitatively by the neomaterialist, vital philosophy proposed by Gilles Deleuze’s Spinozism, based on the concepts of monism, radical immanence, and relational ontology...
Journal Article
Cultural Politics (2007) 3 (1): 95–122.
Published: 01 March 2007
... , which we distinguish as intensification along a preexisting trajectory, parading as more substantive and radical movement away from a preexisting trajectory. Deploying Deleuze's (2004) terms we are, we suggest, in thrall to representation of the same at the expense of repetition of difference. Our...
Journal Article
Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
.... Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis of highly...
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Journal Article
Cultural Politics (2021) 17 (1): 80–91.
Published: 01 March 2021
... of technology and its implications on information societies, the article frames the enquiry within the parameters of Martin Heidegger's and Gilles Deleuze's deliberations on the ways in which technology is brought to bear on the biopolitical imaginary of a population. The technological rationality...
FIGURES
Journal Article
Cultural Politics (2005) 1 (1): 101–118.
Published: 01 March 2005
...: Rethinking the Public Sphere in Transnational Technoculture ,” Public Culture 13 (2) : 243 – 65 . Deleuze G. ( 1992 ), “ What is a dispositif? ”, in Ewald F. (ed.) Michel Foucault Philosopher , New York : Routledge , pp. 159 – 68 . Deleuze G. ( 1995 ), Negotiations, 1972...
Journal Article
Cultural Politics (2015) 11 (2): 296–300.
Published: 01 July 2015
... a term first coined by Noys himself in The Persistence of the Negative (2010) as an attempt to qualify a certain direction of post-structuralist politics put forward in the 1970s, especially in three keys texts: Gilles Deleuze and Félix Guattari’s Anti-Oedipus ([1972] 1983), Jean-François Lyotard’s...
Journal Article
Cultural Politics (2011) 7 (2): 311–320.
Published: 01 July 2011
...Seb Franklin References Chun Wendy Hui Kyong . 2006 . Control and Freedom: Power and Paranoia in the Age of Fiber Optics . Cambridge, MA : The MIT Press . Deleuze Gilles . 1995 . Negotiations . New York : Columbia University Press . Galloway Alexander R...
Journal Article
Cultural Politics (2014) 10 (1): 92–104.
Published: 01 March 2014
... experience” (2007 [2005]: 11). Profoundly inspired by Gilles Deleuze and Félix Guattari’s (1983 , 1987 ) dynamics of desire, Agamben presents his complex dialectic—in other words, the processes by which subjects are constituted—as a field of tensions in which prepersonal and already individuated forces...
Journal Article
Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
... to Cinema 2: The Time-Image , while on the topic of “the electronic image,” Gilles Deleuze ([1985] 2013 : 272)—the typecast optimist and proud exponent of the aleatory powers of the image—echoes Baudrillard when explaining how this new “numerical image coming into being” is complicit with information...
Journal Article
Cultural Politics (2007) 3 (3): 357–380.
Published: 01 November 2007
... qualifies it – with Gilles Deleuze’s notion of “pli,” or fold, in mind ( Deleuze 1993 ) – as “explicitation.” 5 “World history” is a discursive invention of the second phase. In the third phase man is beyond history (WIK: 247). The monstrous becomes a qualification of a posthistorical world, i.e...
Journal Article
Cultural Politics (2020) 16 (3): 367–386.
Published: 01 November 2020
.... ” What better example of the systematic erasure of the nonhuman agency of wine’s materiality, within the implicit complicity between capitalism and deterritorialization (see Deleuze and Guattari 1980 )? Both AOC and brand ideologies, which in his documentary Mondovino Nossiter (2004) sets...
Journal Article
Cultural Politics (2019) 15 (2): 184–201.
Published: 01 July 2019
..., and virtual money constitute the new game in town, is reminiscent of what Gilles Deleuze (1995) has diagnosed as “control society.” Today, Deleuze argues, factories tend to be replaced with businesses, politics with continuous opinion polling, and critique with continuous digital assessment. Turning...
Journal Article
Cultural Politics (2022) 18 (2): 247–263.
Published: 01 July 2022
....” Even the “concept,” as Gilles Deleuze and Félix Guattari (1994: 10–11) used to complain, is perverted in this political culture and put in the service of advertisement industry with a view to commodifying creativity. How can one put a distance to this increasing banalization and stultification? Where...
Journal Article
Cultural Politics (2018) 14 (3): 304–326.
Published: 01 November 2018
.../people/adam-curtis-on-the-dangers-of-self-expression . Davis Clive . 2004 . “ The Power of Bad Television .” National Review , October 21 . www.nationalreview.com/2004/10/power-bad-television-clive-davis . Dean Jodi . 2016 . Crowds and Party . London : Verso . Deleuze...