1-20 of 78 Search Results for

Deleuze

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Cultural Politics (1 November 2014) 10 (3): 333–353.
Published: 01 November 2014
...Phillip Roberts In Cinema 1 and Cinema 2 , Gilles Deleuze posits a huge change in the nature of cinematic time in the postwar years. In “Postscript on the Societies of Control,” he also claims to identify a change in power relations and control strategies that takes in a number of other media...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 144–157.
Published: 01 July 2013
... figural is the matrix of Lyotard's broader notion of philosophy but also the sign of Gilles Deleuze's conception of painting and Paul Valéry's essays on drawing. In this sense, the figural is a generic concept applicable to all reflection on the sensible that temporarily abandons the structuring power of...
Journal Article
Cultural Politics (1 July 2013) 9 (2): 188–202.
Published: 01 July 2013
... theory is conducive to Gilles Deleuze and Félix Guattari's assertion that music “deterritorializes the refrain.” In A Thousand Plateaus , Deleuze and Guattari argue that music enacts a becoming-minority that is, by its expressive deterritorializations, subversive to conventions of the categorical...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 219–238.
Published: 01 July 2011
...Julian Reid What are the politics of Gilles Deleuze's study of cinematic modernity? In film studies, the discipline that formally assumes cinema as its object, Deleuze's concepts have been used to explore the processes by which national identities have been historically constructed and...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 95–122.
Published: 01 March 2007
... , which we distinguish as intensification along a preexisting trajectory, parading as more substantive and radical movement away from a preexisting trajectory. Deploying Deleuze's (2004) terms we are, we suggest, in thrall to representation of the same at the expense of repetition of difference. Our...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 165–188.
Published: 01 July 2011
... Real. Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 339–354.
Published: 01 November 2016
... philosophy of Gilles Deleuze and Félix Guattari that inspires the work of Jane Bennett, Rosi Braidotti, Brian Massumi, Isabelle Stengers, Mark Hansen, and Jussi Parikka. In each, the care of the possible is based on experimentation and embrace of open-ended practice: collaboration rather than individual...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 380–390.
Published: 01 November 2016
... studies—that have transformed the modes of knowledge production within the academic humanities and beyond. They are framed qualitatively by the neomaterialist, vital philosophy proposed by Gilles Deleuze’s Spinozism, based on the concepts of monism, radical immanence, and relational ontology. They not...
Journal Article
Cultural Politics (1 March 2005) 1 (1): 101–118.
Published: 01 March 2005
... rapidly emerging is enabled by discourses and practices that are coupled with specific technologies, as well as by complex movements of populations and economic reorganizations. At the heart of Empire rests an analysis that derives not from Marx but from Foucault and Deleuze. Hardt and Negri...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 296–300.
Published: 01 July 2015
... in fact a term first coined by Noys himself in The Persistence of the Negative (2010) as an attempt to qualify a certain direction of post-structuralist politics put forward in the 1970s, especially in three keys texts: Gilles Deleuze and Félix Guattari’s Anti-Oedipus ([1972] 1983), Jean-François...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 311–320.
Published: 01 July 2011
.... Parikka Jussi and Sampson Tony D. , Cresskill, NJ : Hampton Press , 2009 , ISBN 978-1-57273-916-1 © BERG 2011 PRINTED IN THE UK 2011 There is little doubt that Gilles Deleuze's concept of the control society has played a substantial role in shaping scholarly discourse on new media and...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 391–393.
Published: 01 November 2016
... “dismantling the face” ( Deleuze and Guattari 1987 : 188) to argue that facelessness offers new (and desirable) ways of relating to the self and to others. There are two basic assumptions in contemporary face-processing research: (1) that a face identifies a person, and (2) that a face conveys internal...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 92–104.
Published: 01 March 2014
... individual experience” (2007 [2005]: 11). Profoundly inspired by Gilles Deleuze and Félix Guattari’s (1983 , 1987 ) dynamics of desire, Agamben presents his complex dialectic—in other words, the processes by which subjects are constituted—as a field of tensions in which prepersonal and already individuated...
Journal Article
Cultural Politics (1 November 2007) 3 (3): 357–380.
Published: 01 November 2007
... Deleuze’s notion of “pli,” or fold, in mind ( Deleuze 1993 ) – as “explicitation.” 5 “World history” is a discursive invention of the second phase. In the third phase man is beyond history (WIK: 247). The monstrous becomes a qualification of a posthistorical world, i.e. a totality that allows neither...
Journal Article
Cultural Politics (1 November 2017) 13 (3): 309–313.
Published: 01 November 2017
... antisocial networks of Facebook’s indivisible and invisible mutations and continuous state of change (the main thesis in Deleuze 1992) : neither the contemporary state nor the contemporary business—which are, incidentally, increasingly difficult to distinguish from each other—can do without surveillance...
Journal Article
Cultural Politics (1 March 2012) 8 (1): 157–162.
Published: 01 March 2012
... slippage that many scholars in the past made by, for instance, eagerly equating the Internet with Gilles Deleuze's “rhizome.” Namely, these equations assume that the rhizome is a neatly liberatory entity (or at least liberatory “in potential”) that is distinct and can be mobilized in separation from...
Journal Article
Cultural Politics (1 July 2019) 15 (2): 184–201.
Published: 01 July 2019
... society depicted in The Circle , a society in which metric power, algorithmic governmentality, and virtual money constitute the new game in town, is reminiscent of what Gilles Deleuze (1995) has diagnosed as “control society.” Today, Deleuze argues, factories tend to be replaced with businesses...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 304–326.
Published: 01 November 2018
... be seen to provide what Gilles Deleuze called a “symptomatological picture” of the present (1998: xvii). This means that, instead of being symptoms of the filmmaker’s own auteurism (as tends to be the focus of conventional writing on the essay film), the aesthetics and storytelling logic of Curtis’s...
Journal Article
Cultural Politics (1 November 2013) 9 (3): 377–380.
Published: 01 November 2013
...: “Anthropological Spaces”); 3. Jean Baudrillard (“Media Places”); 4. Marc Augé (“Non-Places”); 5. Paul Virilio (“Speed Space”); 6. Gilles Deleuze and Félix Guattari (“Space and Becoming”); 7. Bruno Latour (“Common Spaces”); and 8. Étienne Balibar (“Spatial Fictions” or “Fictional Spaces”: fortuitously, the contents...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 23–34.
Published: 01 March 2007
... the increased prominence of Virilio's work has been to throw into sharp relief the importance of velocity for the political thought of other major continental theorists, including Jean Baudrillard (especially 1994; see Kroker 1992 ; Wilbur 1994 ; Gane 2000 ; Vasseleu 2003 ), Gilles Deleuze and...