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Art After Auschwitz: Responding to an Infinite Demand: Gustav Metzger’s Works as Responses to Theodor W. Adorno’s “New Categorical Imperative”
Cultural Politics (2014) 10 (3): 300–319.
This article has been cited by the following articles in journals that are participating in CrossRef Cited-by Linking.
- Elizabeth Fisher
British Art Studies (2022) (23)
Beckett, Adorno, and the hope for nothingness as something: Meditations on theology in the age of its impossibility
- Anna-Verena Nosthoff
Critical Research on Religion (2018) 6 (1): 35.