Remember the Sixties? I do. Or, at least, I think I do. All that patchwork and long, straight hair. My first taste of “tofurkey.” There are palpable images of women offering me food as we warmed ourselves around a bonfire in Washington D.C. I was nine years old and, beyond the flaming oil drum, a column of shivering marchers from the 1969 Anti-War Demonstration trudged by. The next year my parents threw their two kids, dog and meager stash of possessions into the back of a utility van and fled Detroit for the Promised Land: Berkeley, California. I still have my copy of Mao’s “Little Red Book,” given to me at the local film co-op by some creepy, stringy man who distributed them like candy to all the young girls.
United Society of Believers
CARRIE MOYER IS A NEW YORK-BASED PAINTER AND A CO-FOUNDER OF THE RENOWNED PUBLIC ART PROJECT, DYKE ACTION MACHINE! HER PAINTINGS AND AGITPROP INTERVENTIONS HAVE BEEN WIDELY EXHIBITED BOTH NATIONALLY AND INTERNATIONALLY, INCLUDING SUCH VENUES AS PS1, THE PALM BEACH ICA, THE WEATHERSPOON, COOPER-HEWITT AND TANG MUSEUMS, SHEDHALLE (ZURICH), LE MAGASIN (GRENOBLE) AND THE PROJECT CENTRE (DUBLIN), AMONG OTHERS. MOYER TEACHES PAINTING AT THE RHODE ISLAND SCHOOL OF DESIGN (RISD).
Carrie Moyer; United Society of Believers. Cultural Politics 1 November 2007; 3 (3): 381–392. doi: https://doi.org/10.2752/175174307X226906
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