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Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2011) 31 (3): 615–630.
Published: 01 December 2011
... a master and an apprentice. Drawing on ethnographic fieldwork conducted in Istanbul (during 2003 – 5), I examine contemporary interpretations of meşk as performances of history and memory directly engaged with musicians’ situatedness. Conflicting understandings of meşk within the distinctive discursive...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2017) 37 (2): 336–354.
Published: 01 August 2017
... Indian style. Eisenberg argues that Swahili musicians and audiences derive pleasure and meaning from Indian taarab 's paradoxical presentation of Indian sounds as Swahili expressions, and that this positions the genre as a vehicle for public reflection on Swahili ethnicity. Focusing on the voice...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2011) 31 (3): 569–587.
Published: 01 December 2011
... that Turkish Jewish religious musicians participated with their non-Jewish counterparts in sustaining at-risk, albeit changing, Ottoman cultural forms in the face of state and commercial cultural interests. © 2011 by Duke University Press 2011...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2011) 31 (3): 553–556.
Published: 01 December 2011
... in a variety of inclusive Singer, discusses two legacies: the practice of urban locations where Jewish and non- Jewish large- scale elite philanthropy and the physical musicians met, made music, and exchanged remains of Ottoman...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (3): 533–553.
Published: 01 December 2005
... of works on the greater foundation of musical cre- Medetov, Mukhamedzhan Seralin, Sabit ation. Only then can we expect the writing of Mukanov, and Alma Urazbaeva); Kazakh South Asia, Kazakh symphonies and operas.”22 The report professional musicians (Akimgerei...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2019) 39 (1): 96–110.
Published: 01 May 2019
... prescriptions. This sense of a proto-source, the “ur-poem,” permitted painters, musicians, and manuscript compilers to translate the nontext behind the text of the Sangitadarpana into new media. This essay was first presented at the workshop “Multilingual Locals and Significant Geographies before...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 501–502.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 503–504.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 504–505.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 505–506.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 507–508.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 508–510.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 510–511.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2005) 25 (2): 511–512.
Published: 01 August 2005
... Identity in Cultural Production (2001), edited computerized music has received among Ghanaians by Maria Eriksson Baaz and Mai Palmberg, this vol- (it puts local musicians out of work, is a cheap imi- ume is similarly centered on exploring the ways Af- tation...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2017) 37 (3): 570–587.
Published: 01 December 2017
... between communities of musicians (Schofield, If Music Be the Food of Love, 75). 34. Schofield s extensive research on musicians in Mughal India reveals a great mass of such mentions. See especially Schofield, Reviving the Golden Age Again, and Schofield, Chief Musicians to the Mughal Emperors. 35...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2000) 20 (1-2): 148–156.
Published: 01 August 2000
... and a col- Botswana, and was there until the early 1980s. In lection of short stories and has written a musical op- 1977 I attended the Festival of Arts and Culture era, “Milestones”, in collaboration with the jazz (FESTAC) in Nigeria, which was a very memorable musician Hugh Masekela.3 He...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2021) 41 (2): 194–204.
Published: 01 August 2021
... efficient devic[e] for diverting the soul away from material reality and directing it towards the Divine.” 23 Indeed, Pentecostal musicians are often understood to be “vessels” for the anointing of the Holy Spirit, allowing for the healing of believers' bodies and the receiving of divine blessings. 24...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2010) 30 (3): 574–582.
Published: 01 December 2010
...- class, linguistic, and ethnic lines. The hetero- tionalism. In contrast, the transnational reach geneity and transnationality of the jazz scene of the music via touring musicians, radio, and raised the question of concern over the direc- music expands the narrative to include loca- tion...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2022) 42 (1): 63–76.
Published: 01 May 2022
..., the album's producer, remembered that Jahasi accompanied ‘Ozeri to the studio one day in the late 1990s, but couldn't provide any other details. 33 As I was advised by another of her collaborators, moreover, ‘Ozeri often engaged in ad hoc collaborations with anonymous musicians, and this duet might simply...
Journal Article
Comparative Studies of South Asia, Africa and the Middle East (2022) 42 (2): 555–558.
Published: 01 August 2022
... for Sense” This light—who would deny it?—is not steady, it flares and flickers; yet it is the only light we have. —Hannah Arendt, The Origins of Totalitarianism While tuning instruments with double strings, like the Oud or the Buzuq, musicians listen carefully to make sure that both strings...