...) of the House of ‘Imran . . . as a condition of their release.” According to the judge, the offenders would by doing so “learn forgiveness among religions and the love that Muslims have for Mary, instead of the ugly ideas which extremists sow in their minds.” 1 The incident that led to the young men's arrest...

...Naisargi N. Dave Abstract In this article, Naisargi N. Dave examines the relationship between animals and love in India, animals and love in multispecies anthropology, and between ethics and love more generally. She argues that ahimsa (nonviolence) and love share the characteristic of abnegating...

... a unique political arrangement (“two kings”) was expressed by courtiers, chroniclers, and poets in the language of a stylized fiction of love. The article tries to make meaning of the “two kings” problem by looking at a set of textual and visual materials and situates them within a context of “multilayered...

...Ziba Mir-Hosseini © 2007 by Duke University Press 2007 Negotiating the Forbidden: On Women and Sexual Love in Iranian Cinema Ziba Mir-Hosseini omen and sexual love are time-honored — but problematic — themes in Iranian cin- ema. Soon after the 1979 revolution...

..., an assault on the notion of “subjectivity” common to both the realist novel and Western psychological norms. It attacks not only the idea of monotheistic theologies but their very structure—the grammar of faith—and with it the spiritualization of all careor desire. Éden, Éden, Éden is a world without love...

... on the female body as a site of pain, friction, tension, love, maternality, and, more significantly, as a site where self and its other—both in terms of gender and ethnicity—encounter each other, Hedayat undermines visibility by way of pushing it across the borders of sight into the realms of visuality, haptic...

... of The Tale of the Rumi is filled with the sound of love or the beloved, be Reed (Nay Namih).7 it Shams or Husam al-Din, both of whom Rumi consid- The Tale of the Reed (Nay Namih)—the well known ered to have been united with the divine.8 Reynold A. opening thirty-five lines...

... an fulfi ofher work. criticism individual the in them locate and love, framework to imperial the to images these trace inimical as cultures African of stereotypes on ofBâ’s novel popularity rides the that Iargue article, this In unquestioned. work remain the of popularity...

... capitalist economy with ing to jail. For the sake of the family honor she has had strong feudal remnants. Willeman makes a cogent point to sacrifice her love for a young doctor. The film opens when he says that: with a chance encounter between Chandra, her husband For better...

...). The heroine’s discovery of her beloved’s falling for another mparative Stu woman drives her into a short frenzy, and she fi nds herself once again entangled with daily routines and in love with the city and her...

... ia Mansour Wisam .SeHsa zei,‘ Ezzedin, Hassan See 2. love. of poet the and is poet, women’s He the poets. as Arab poems. known contemporary widely love read of most the collection among first ranks He his published sixteen; of he age twenty...

... of Iran-Iraq war, can be said to have ancient antecedents in the country’s epic narratives, lyrical love odes, and mystical poetry. Such images as these differ from the more obvious proponents of martyrdom found...

... and dance as a high-­ranking courtesan (t a va’if    ). Her ghazals are love poetry in a courtly and sensual mode, but also contain couplets about mystical love, and each   ends with an invocation...

... In loving memory of Farideh Monadjem ings and the personage of the Bab. Typically the Shaykhi-Babis opposed the corruption of Shi‘ite doc- The Babi movement, established in 1844 in Shiraz, trine within Shi‘ite orthodoxy and had a strong Persia (Iran...

... South Asia Bulletin, volume 10 number 1,1990 labour of love and conviction,” as she says, and a great part of her success is attributable to the fact that she is an accom- plished English poet in her own right...

... in a script he refers to as Turki, or Turkish. 13 The terminology is unusual, and the exact meaning may remain locked in an archaic fourteenth-century usage, but the general sense is clear: he adapted a love story current (Da'ud speaks of it as gāi , or “sung”) in his milieu, formalizing...

... ‘Ibrat (d. 1795) an Urdu ( zaban-i Rehkta ) rendition of Jayasi's famous invention of a romance of Chittor's Raja Ratansen's love for Siṃhal Dvīp's Padmini. ‘Ibrat managed to finish a fourth of the text before he passed away. He titled it Marsiya-e Shama’ o Parvāna (Poem of Moth and Flame). After his...

... . . . we are more in the grip of indi- premise that the predicament of Western civilization can vidualistic ones, such as the craving for fame, the love of be traced to a search for metaphysical origins and the romantic love, and of course an obsession...

... among animals and humans is mitigated by the zeal with which a host of animal and human surrogate parents acknowledge his supremacy and compete for his love; his wolf mother Raksha confesses about the child she recognizes as alien: “‘Listen, child of man, I loved thee more than ever I loved my cubs...