Why do narratives of Muslim women find a large audience in the European cultural market? In particular, stories that portray Muslim women as victims of patriarchal traditions buttress the notion of liberal freedom that excludes these women pitied for their lack of agency. This essay explores a recent German theater performance (Black Virgins, 2006) that poses itself against such victimization stories. The analysis of the performance shows, however, that the subjectivity of Muslim minority women is framed by their ability to unveil in speech and talk freely about sexuality.
The text of this article is only available as a PDF.
© 2012 by Duke University Press
2012
Issue Section:
Veiled Constellations
You do not currently have access to this content.