... . Theogony . Translated by Caldwell Richard S. , Focus Information Group , 1987 . House Veronica . Medea’s Chorus: Myth and Women’s Poetry Since 1950 . Peter Lang , 2014 . Howe Florence . Introduction . No More Masks! An Anthology of Poems by Women , edited by Howe...

...Elizabeth M. Holt Voices Revealed: Arab Women Novelists, 1898–2000 . By Shaaban Bouthaina . Boulder : Lynne Rienner Publishers , 2009 . ix, 227 p . © 2011 by University of Oregon 2011 BOOK REVIEWS A TRANSNATIONAL POETICS...

... for the missing body give[s] way to an intellectual desire for formal cohesion and wholeness that comes from accepting the material fact of absence” (5). A logic of compensation is therefore at work. In both ancient Rome and medieval northwestern Europe, “synecdoches of a corporate body . . . deliver...

... . . . an erotic desire felt by the individual for the missing body give[s] way to an intellectual desire for formal cohesion and wholeness that comes from accepting the material fact of absence” (5). A logic of compensation is therefore at work. In both ancient Rome and medieval northwestern Europe...

... on their behalf)? “Only women can compose,” says Miraji in an essay on poetics. But, here, Sappho does not compose in her own solitude. Rather, her mahfil (audience and friends) compose her: making poetry is not a solitary craft; lyric is deeply social, and this sociality is Miraji ’s call to his fellow...

... and the privileges resulting from it, begins to crumble on a night of drinking during which Mustafa recites, “in a clear voice and with an impeccable accent” (13), a fragment of English poetry: Those women of Flanders Await the lost, Await the lost who will never leave the harbour They await the lost whom...

... to represent diverging kinds of thought. In The Nightingale’s Burden , Cheryl Walker demonstrates how American poets in the eighteenth century such as Mercy Warren and Elizabeth Rowe adopted the name Philomela, arguing that “from the very beginning this women’s tradition in American poetry has been...

... that poetry is central to cultural life (as former U.S. poet laure- ate Robert Pinsky did with his Favorite Poems Project database in the late 1990s). And we might expect the juxtaposition of, say, H.D.’s exemplary Imagist “Oread” and Anne Camp- bell’s sentimental “And So Are You” in Doris Ashley’s...

....’” Langland, The Mystics and the Medieval English Religious Tradition: Essays in Honour of S.S. Hussey . Ed. Phillips Helen . Cambridge : D. S. Brewer , 1990 . 11 – 30 . Print . ———. “Ethics and Interpretation: Reading Wills in Chaucer's Legend of Good Women.” Studies in the Age of Chaucer...

... . “ History Gasps: Myth in Contemporary Irish Women’s Poetry .” In Poetry in Contemporary Irish Literature , edited by Kenneally Michael , 43 : 99 – 113 . Studies in Contemporary Irish Literature; Irish Literary Studies . Gerrads Cross, UK: Colin Smythe , 1995 . Mentz Steve . Ocean...

... poetry age studies I grow old . . . I grow old . . . I shall wear the bottoms of my trousers rolled. —T. S. Eliot, “The Love Song of J. Alfred Prufrock” THE FOLLOWING ARTICLE investigates the topos of literary senescence in the early work of the American Yiddish modernist Yankev Glatshteyn...

... way in which the main character is. This is why the typical reader knows that K. is not a real character and at the same time cannot help speculating about the plausibility of K.’s sexual arousal, his obstinacy, and his fights with bureaucrats. Such speculation takes place because works...

... way in which the main character is. This is why the typical reader knows that K. is not a real character and at the same time cannot help speculating about the plausibility of K.’s sexual arousal, his obstinacy, and his fights with bureaucrats. Such speculation takes place because works...

... way in which the main character is. This is why the typical reader knows that K. is not a real character and at the same time cannot help speculating about the plausibility of K.’s sexual arousal, his obstinacy, and his fights with bureaucrats. Such speculation takes place because works...

... way in which the main character is. This is why the typical reader knows that K. is not a real character and at the same time cannot help speculating about the plausibility of K.’s sexual arousal, his obstinacy, and his fights with bureaucrats. Such speculation takes place because works...

... way in which the main character is. This is why the typical reader knows that K. is not a real character and at the same time cannot help speculating about the plausibility of K.’s sexual arousal, his obstinacy, and his fights with bureaucrats. Such speculation takes place because works...

... . Oakland, CA : PM Press , 2012 . da Silva Denise Ferreira . Toward a Global Idea of Race . Minneapolis : University of Minnesota Press , 2007 . Davis Angela Y. “ Women and Capitalism: Dialectics of Oppression and Liberation .” In The Black Feminist Reader , edited by James Joy...

... the perspective of a modern Hebrew poet and Orientalist scholar, Elhanan Yehuda Kron, who travels from Palestine to Berlin to pursue his research on the Islamic origins of Jewish mysticism. Through Kron 1 s experiences in Berlin in the 1930s, the novel calls attention to how the origin of modern secular Hebrew...

...Thomas R. Hart The Flight of Icarus: Artisan Autobiography in Early Modern Europe. By James S. Amelang. Stanford: Stanford University Press, 1998. ix, 497 p. University of Oregon 2000 BOOK REVIEWS/179...

...). WOMEN & THE RISE OF THE VERNACULAR/55 who is “[s]eule en tes faiz ou royaume de France” (“unique through your accomplish- ments in the kingdom of France Le Franc wrote of her that “elle fut Tulle et Cathon:/Tulle, car en toute eloquence/Elle eust la rose et le bouton,/Cathon aussy en sapience...