...: Emecé, 1989 . Botterill, Steven. “Mysticism and Meaning in Dante's Paradiso.” Dante for the New Millennium . Ed. Teodolinda Barolini and H. Wayne Storey. New York: Fordham University Press, 2003 . 143 -51. Chiarenza, Marguerite Mills. “The Imageless Vision and Dante's Paradiso.” Dante Studies...

...Lina Steiner Realist Vision. By Peter Brooks. New Haven: Yale University Press, 2005. 242 p. University of Oregon 2007 BOOK REVIEWS/177 BOOK REVIEWS ALLEGORESIS...

... condamné précédé de Bug-Jargal . Paris: Éditions Gallimard, Collection Folio Classique, 1970 . Jackson, Robert Louis. “The Ethics of Vision I: Turgenev's `Execution of Tropmann' and Dostoevsky's View of the Matter” and “The Ethics of Vision II: The Tolstoyan Synthesis.” Dialogues with Dostoevsky...

... kompozitsii v proizvedeniiakh khudozhnikov-peredvizhnikov .” Vanslov and Rakova 193 -200. THE LAST SUPPER IN RUSSIAN DEBATES/23 INESSA MEDZHIBOVSKAYA On Moral Movement and Moral Vision: The Last Supper in Russian Debates...

.... As such, rather than an example of direct South-South comparison, cross-revolutionary Arab writing via Vietnam triangulated its critiques through the United States and European leftist movements, producing a model of literary production and revolutionary vision that was distinct from and critical of those...

...James Dawes Theoretical Perspectives on Human Rights and Literature . By Goldberg Elizabeth and Moore Alexandra Schultheis . New York : Routledge , 2012 . 302 p. Binding Violence: Literary Visions of Political Origins . By Fradinger Moira . Stanford : Stanford...

... to these reigning critical discourses by focusing on an instance where Hughes mined his experience as a translator to offer an ethical, albeit pessimistic, vision of black internationalism infused with a Marxist outlook and conveyed through poetic innovations of hybrid ethno-linguistic origin. Specifically, I argue...

... of the transcendental vision implied by a developmental process of world-history, Tagore proposed that literary language generates a notion of time that is radically finite because it is aligned with the human failure to achieve divine transcendence. More specifically, his essays stage truly secular, historical time...

... for, English dramatic works. This essay introduces Brandt and his intellectual milieu, demonstrating how and why he turned to Hamlet in an early investigation of revenge tragedy and political realism. From the dynamic plots to the histrionic style of performance, English drama offered Brandt a vision...

... intertextual threads connecting these three works that suggest that they might profitably be read as an evolving discussion regarding the opposition of culture and nature, the limits of the scientific perspective, the workings of power, and the viability of utopian visions. All three novels critique...

... especially, are a supplement (in the Derridean sense) to Meltzl's Eurocentric model. Martí's 1877 prospectus for a comparative American literature is more inclusive than Meltzl's Eurocentric model of “polyglottism,” and it offers a vision of global comparative literary and cultural studies that we ignore...

... by a money-ridden bourgeois society. It shows, in À la recherche du temps perdu , how the Baron du Charlus's masochistic desires are thwarted by working classes too sentimental about their social superiors to imitate the model of the Russian revolution: aristocracy will endure in France. In the visions...

.... The article concludes by considering how the imagery of “Lament over Belgrade” converges towards some of these four tropes of interlinguality in creating the poem's metalanguage. After exposure to the abysmal visions of the odd-numbered stanzas in his poem, in every even-numbered stanza Crnjanski retreats...

... of the necessary imaginative actions of struggling peoples whose desires at their best appear in visions of a transformed collective world. A defense of literature becomes, then, a defense of criticism and an illustration of its value as a necessary profession. University of Oregon 2010...

..., Nathaniel Hawthorne's “romance” The Marble Faun and William Dean Howells's Venetian Life , an account of his time as U.S. consul in Venice. This comparison highlights the variety of ways in which Anglo-American literary figures engaged with contemporary Italian politics in their visions of Italy—from...

... and non-Europe and associated with Walter Benjamin's dialectical image, the figure of the flâneur furnishes a comparative approach based on collision, encounter, and touch, rather than the mimetic, vision-based models of comparison that claim equivalence or commensurability. I detect a similar...

... of the object because they are both based on his memory and inspiration rather than a vision of reality. Humbert is seized by his own inspiration that has been derived from his illusion, Lolita, that does not necessarily represent the reality of the object, Dolores. These examples epitomize Nabokov’s view...

... and the translucent, aerial voice of a dream vision. The article concludes with a consideration of the different interpretative possibilities opened up by this juxtaposition of rhythm and sound in Heaney’s translation of Virgil’s katabatic narrative. RACHEL FALCONER The Music of Heaney’s...

..., and ambiguity about the future, loosely in the vein of Fredric Jameson’s linking of death to utopia and Walter Benjamin’s vision of “mortification.” Copyright © 2019 by University of Oregon 2019 ghost revolution affect theory utopia Juan Rulfo Те идеи, которые входят в сознание под огнем...

... Sloterdijk, Jacques Attali, Didier Anzieu, and Luce Irigary. These figures not only present a critique of vision as the dominant paradigm in Western thought, but also develop a positive alternative model of listening that offers the possibility of reintegrating modes of sensual perception excluded...