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theory of pleasure

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Journal Article
Comparative Literature (2011) 63 (4): 423–437.
Published: 01 December 2011
... of the Author,” S/Z, “From Work to Text,” “Theory of the Text,” and The Pleasure of the Text. In Barthes’s view, what we read is always “a tissue of quotations” drawn from other texts. As a result, “the writer can only imitate a gesture that is always anterior, never original” (Image-Music-Text 146...
Journal Article
Comparative Literature (2023) 75 (4): 476–502.
Published: 01 December 2023
... to be an error of an unsuccessful communicative act. paolopellecchia.ge@gmail.com Copyright © 2023 by University of Oregon 2023 Giacomo Leopardi John Locke langue des calculs theory of pleasure analogy If it is true, as Kristeva maintains, that “every language theory is predicated...
Journal Article
Comparative Literature (2023) 75 (3): 308–326.
Published: 01 September 2023
... in the text of Lucretius’s De rerum natura ( On the Nature of Things ). Tracing philological debates that have surrounded Lucretius from the Renaissance onward, this article argues that Lucretius’s poetic theory of interlinked atomic and textual swerves and the philological history that has mediated them were...
Journal Article
Comparative Literature (2018) 70 (4): 369–391.
Published: 01 December 2018
..., when Freud writes in 1914, a period that finds him highly invested in the intricacies of metapsychology and well underway toward stabilizing a theory of the death drive, that music cannot evoke pleasure, one must pause and look closely at the implications of this statement and how it plays out...
FIGURES
Journal Article
Comparative Literature (2002) 54 (1): 58–71.
Published: 01 January 2002
... that register capitalism’s growing grip on metropolitan as well as colonial mentalities. The ultimate horizon of her investigations is the rise of the modern novel, which—she argues—fuses the positivist ambitions of scien- tific discourse with the pleasures of aesthetically imagined rather than methodical...
Journal Article
Comparative Literature (2008) 60 (3): 290–294.
Published: 01 June 2008
...Thomas Pfau Romantic Theory: Forms of Reflexivity in the Romantic Era. By Leon Chai. Baltimore: The Johns Hopkins University Press, 2006. xx, 283 p. University of Oregon 2008 BOOK REVIEWS SURPRISED IN TRANSLATION. By Mary Ann Caws...
Journal Article
Comparative Literature (2008) 60 (3): 297–300.
Published: 01 June 2008
... painter Roger Fry, who “never traveled without a volume of Mallarmé’s poems” (45). Surprised in Translation is in the genre of the translations that she praises, with its rich intertextuality, unpredictable organization, and generous nods to a wide variety of translators, theories, and critics, some...
Journal Article
Comparative Literature (2008) 60 (3): 288–290.
Published: 01 June 2008
... painter Roger Fry, who “never traveled without a volume of Mallarmé’s poems” (45). Surprised in Translation is in the genre of the translations that she praises, with its rich intertextuality, unpredictable organization, and generous nods to a wide variety of translators, theories, and critics, some...
Journal Article
Comparative Literature (2008) 60 (3): 295–297.
Published: 01 June 2008
..., theories, and critics, some of whom might be surprised to fi nd themselves on the same page. She implicitly suggests that both translators and read- ers of translations should not shut the door on anything that might prove useful, even if it is unfashionable. Surprised in Translation is truly...
Journal Article
Comparative Literature (2001) 53 (2): 170–172.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 172–174.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 175–176.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 177–178.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 178–180.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 181–182.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 183–185.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 185–188.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2001) 53 (2): 189–192.
Published: 01 March 2001
... (pleasure, pain) is a particular fact that prompts me to claim (universally) that others ought to have the same feeling—despite my lack of a concept (empirical) or reason (moral) that could justify the claim. As Cascardi says, Kant’s account of aesthetic judgment concerns not works of art...
Journal Article
Comparative Literature (2009) 61 (1): 93–95.
Published: 01 January 2009
... in Latin America. Houston: Rice UP, 1995. Young, Robert. Colonial Desire: Hybridity in Theory, Culture, and Race. London: Routledge, 1995. UNWANTED BEAUTY: AESTHETIC PLEASURE IN HOLOCAUST REPRESENTATION. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p...
Journal Article
Comparative Literature (2009) 61 (1): 90–93.
Published: 01 January 2009
... in Latin America. Houston: Rice UP, 1995. Young, Robert. Colonial Desire: Hybridity in Theory, Culture, and Race. London: Routledge, 1995. UNWANTED BEAUTY: AESTHETIC PLEASURE IN HOLOCAUST REPRESENTATION. By Brett Ashley Kaplan. Urbana, Chicago: University of Illinois Press, 2007. 215 p...