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theatrical

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Journal Article
Comparative Literature (2004) 56 (1): 99–102.
Published: 01 January 2004
...Geoffrey Baker Stage Fright: Modernism, Anti-Theatricality, and Drama. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. University of Oregon 2004 BOOK REVIEWS/99...
Journal Article
Comparative Literature (2012) 64 (1): 1–32.
Published: 01 March 2012
... not be the drama of a nation; (2) that organic form is not superior to mechanic beauty; (3) that tragedy is a theatrical rather than a poetic art; (4) that not only the naïve but the sophisticated aspects of ancient theater have value; and (5) that the passions are dramatic units of crucial...
Journal Article
Comparative Literature (2015) 67 (1): 79–93.
Published: 01 March 2015
...Kathryn Wichelns Marguerite Duras's 1962 theatrical adaptation of Henry James's short story offers a feminist alternative to Eve Sedgwick's famous interpretation. The precise elements that for Duras reveal James's interest in “feminine” forms of expression also are significant for queer theoretical...
Journal Article
Comparative Literature (2004) 56 (1): 105–107.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt to...
Journal Article
Comparative Literature (2004) 56 (1): 107–109.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt to...
Journal Article
Comparative Literature (2004) 56 (1): 102–104.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt to...
Journal Article
Comparative Literature (2012) 64 (1): 110–112.
Published: 01 March 2012
...: University of Chicago Press, 2009. xxiii, 285 p. This publication must surely establish Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999...
Journal Article
Comparative Literature (2012) 64 (1): 112–115.
Published: 01 March 2012
...: University of Chicago Press, 2009. xxiii, 285 p. This publication must surely establish Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999...
Journal Article
Comparative Literature (2012) 64 (1): 115–117.
Published: 01 March 2012
... DOI 10.1215/00104124-1539253 MURDER BY ACCIDENT: MEDIEVAL THEATER, MODERN MEDIA, CRITICAL INTENTIONS. By Jody Enders. Chicago: University of Chicago Press, 2009. xxiii, 285 p. This publication must surely establish Jody Enders among the leading theatrical theo- rists of the twenty-first...
Journal Article
Comparative Literature (2012) 64 (1): 117–119.
Published: 01 March 2012
... DOI 10.1215/00104124-1539253 MURDER BY ACCIDENT: MEDIEVAL THEATER, MODERN MEDIA, CRITICAL INTENTIONS. By Jody Enders. Chicago: University of Chicago Press, 2009. xxiii, 285 p. This publication must surely establish Jody Enders among the leading theatrical theo- rists of the twenty-first...
Journal Article
Comparative Literature (2016) 68 (4): 450–453.
Published: 01 December 2016
... theatrical audience (5). “Crafted innocence” is also an ambiguous pairing, since the modern subject is as little inno- cent as the audience is. Innocence “on the stage takes the form of a practiced oblivion where the presence of the spectators is concerned,” but it can only mask “a rift within a...
Journal Article
Comparative Literature (2014) 66 (3): 277–300.
Published: 01 September 2014
... modern times. On the contrary, the modern state that began to take shape in the sixteenth and seventeenth centuries was as much taken up with ritual and festive perfor- mances as fifth-century Athens, albeit in rather different forms. Ritualized cere- monies, public spectacles, and theatrical...
Journal Article
Comparative Literature (2015) 67 (4): 394–414.
Published: 01 December 2015
...-Theatricality, and Drama . Baltimore : The Johns Hopkins UP , 2002 . Print . Purinton Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie . Newark : U of Delaware P , 1994 . Print...
Journal Article
Comparative Literature (2000) 52 (4): 363–366.
Published: 01 September 2000
... than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet...
Journal Article
Comparative Literature (2000) 52 (4): 366–369.
Published: 01 September 2000
..., thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet/dramatist— necessarily involves...
Journal Article
Comparative Literature (2000) 52 (4): 369–372.
Published: 01 September 2000
... than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet...
Journal Article
Comparative Literature (2000) 52 (4): 372–376.
Published: 01 September 2000
..., and indicated that these two factors were of lesser importance than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical...
Journal Article
Comparative Literature (2010) 62 (1): 89–92.
Published: 01 January 2010
... politics along two related fronts. First, the book traces the history of the appropriation — or expropriation — of the theatrical metaphor that Kottman takes to be at the heart of the political philosophies of Plato and Hobbes and thus of Western political theory gen- erally. Second, it articulates a...
Journal Article
Comparative Literature (2010) 62 (1): 92–95.
Published: 01 January 2010
... the theatrical metaphor that Kottman takes to be at the heart of the political philosophies of Plato and Hobbes and thus of Western political theory gen- erally. Second, it articulates a counter-version of a politics of the scene, one that recovers what Kottman discerns to be theater’s elemental...
Journal Article
Comparative Literature (2010) 62 (1): 95–98.
Published: 01 January 2010
... Kottman’s A Politics of the Scene explores the intersection between theater and politics along two related fronts. First, the book traces the history of the appropriation — or expropriation — of the theatrical metaphor that Kottman takes to be at the heart of the political philosophies of Plato and...