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theatrical

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Journal Article
Comparative Literature (2004) 56 (1): 99–102.
Published: 01 January 2004
...Geoffrey Baker Stage Fright: Modernism, Anti-Theatricality, and Drama. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. University of Oregon 2004 BOOK REVIEWS/99...
Journal Article
Comparative Literature (2023) 75 (1): 89–110.
Published: 01 March 2023
... and across sensory planes: from French to English, from words on the page to theatrical performance; from verbal to visual and sensory experience. The correspondences between Not I and “Voyelles” are not only directly intertextual, however, but conceptual. Beckett draws particularly on two Rimbaudian...
Journal Article
Comparative Literature (2012) 64 (1): 1–32.
Published: 01 March 2012
... not be the drama of a nation; (2) that organic form is not superior to mechanic beauty; (3) that tragedy is a theatrical rather than a poetic art; (4) that not only the naïve but the sophisticated aspects of ancient theater have value; and (5) that the passions are dramatic units of crucial significance to early...
Journal Article
Comparative Literature (2015) 67 (1): 79–93.
Published: 01 March 2015
...Kathryn Wichelns Marguerite Duras's 1962 theatrical adaptation of Henry James's short story offers a feminist alternative to Eve Sedgwick's famous interpretation. The precise elements that for Duras reveal James's interest in “feminine” forms of expression also are significant for queer theoretical...
Journal Article
Comparative Literature (2004) 56 (1): 102–104.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt...
Journal Article
Comparative Literature (2004) 56 (1): 105–107.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt...
Journal Article
Comparative Literature (2004) 56 (1): 107–109.
Published: 01 January 2004
... BOOK REVIEWS STAGE FRIGHT: MODERNISM, ANTI-THEATRICALITY, AND DRAMA. By Martin Puchner. Baltimore and London: The Johns Hopkins University Press, 2002. 234 p. Martin Puchner’s Stage Fright: Modernism, Anti-Theatricality, and Drama is, among other things, an ambitious attempt...
Journal Article
Comparative Literature (2015) 67 (4): 394–414.
Published: 01 December 2015
... Moods: Paranoia, Trauma, and Melancholy, 1790–1840 . Baltimore : The Johns Hopkins UP , 2005 . Print . Puchner Martin . Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes . Princeton : Princeton UP , 2006 . Print . ———. Stage Fright: Modernism, Anti-Theatricality...
Journal Article
Comparative Literature (2000) 52 (4): 363–366.
Published: 01 September 2000
... than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet...
Journal Article
Comparative Literature (2000) 52 (4): 366–369.
Published: 01 September 2000
..., thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet/dramatist— necessarily involves...
Journal Article
Comparative Literature (2000) 52 (4): 369–372.
Published: 01 September 2000
... than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art—or, in the sense of the Poetics, the art of the poet...
Journal Article
Comparative Literature (2000) 52 (4): 372–376.
Published: 01 September 2000
..., and indicated that these two factors were of lesser importance than plot, character, thought, and diction, he was setting the stage for a discourse that has spanned centuries, one that continues to be productive of aesthetic and theoretical debate. Aristotle’s message seems obvious: theatrical art...
Journal Article
Comparative Literature (2016) 68 (4): 450–453.
Published: 01 December 2016
... at least since Hobbes, the subject owes its very name to its subjection to “the dominion of a sovereign” (61). Once emancipated from that dominion, the “affected grace” of the modern subject no longer reflects the sovereign mercy, but is instead validated by the “crafted innocence” of the theatrical...
Journal Article
Comparative Literature (2012) 64 (1): 110–112.
Published: 01 March 2012
... of Chicago Press, 2009. xxiii, 285 p. This publication must surely establish Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999) and Death...
Journal Article
Comparative Literature (2012) 64 (1): 112–115.
Published: 01 March 2012
... Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999) and Death by Drama and Other Medieval Urban Legends (Chicago: University of Chicago...
Journal Article
Comparative Literature (2012) 64 (1): 115–117.
Published: 01 March 2012
... Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999) and Death by Drama and Other Medieval Urban Legends (Chicago: University of Chicago...
Journal Article
Comparative Literature (2012) 64 (1): 117–119.
Published: 01 March 2012
... Jody Enders among the leading theatrical theo- rists of the twenty-first century. Her previous books, most recently Medieval Theater of Cru- elty: Rhetoric, Memory, Violence (Ithaca: Cornell University Press, 1999) and Death by Drama and Other Medieval Urban Legends (Chicago: University of Chicago...
Journal Article
Comparative Literature (2014) 66 (3): 277–300.
Published: 01 September 2014
... in the sixteenth and seventeenth centuries was as much taken up with ritual and festive perfor- mances as fifth-century Athens, albeit in rather different forms. Ritualized cere- monies, public spectacles, and theatrical performances shaped, to a great extent, the political life of the early modern period.1...
Journal Article
Comparative Literature (2010) 62 (1): 89–92.
Published: 01 January 2010
... and politics along two related fronts. First, the book traces the history of the appropriation — or expropriation — of the theatrical metaphor that Kottman takes to be at the heart of the political philosophies of Plato and Hobbes and thus of Western political theory gen- erally. Second, it articulates...
Journal Article
Comparative Literature (2010) 62 (1): 92–95.
Published: 01 January 2010
... — of the theatrical metaphor that Kottman takes to be at the heart of the political philosophies of Plato and Hobbes and thus of Western political theory gen- erally. Second, it articulates a counter-version of a politics of the scene, one that recovers what Kottman discerns to be theater’s elemental relation...