Search Results for surrealism

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... magic to name a creative method that circumvents artistic originality and the means-and-end logic of technique. This generalization of magic as aesthetic concept contributed to surrealism’s ethical-political project in the early 1930s, which positioned itself against a bourgeois art complicit...

... short fiction, Matalon uses the elevated Hebrew of Barthes in translation as a surreal device of linguistic and narrative estrangement from the Israeli-Palestinian conflict and from the predictable script of an Israeli journalist's visit to a mourning family in Gaza. Parodying Barthes's discovery...

... formalistischen Charakter der Realismustheorie.” Schmitt 309 -17. Breton, André. Manifestoes of Surrealism . Trans. Richard Siever and Helen R. Lane. Ann Arbor: University of Michigan Press, 1972 . Buddensieg, Tilmann. “Architecture as Empty Form: Nietzsche and the Art of Building.” Kostka...

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started before Breton with Apollinaire and Cocteau. In addition, she contends that those “excluded” from the group such as Roger Vitrac...

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... Press, 1999. 155 p. With The Genres and Genders of Surrealism, Annette Shandler Levitt offers a new, ex- panded view of surrealism. In her estimation, André Breton’s canonical position as “le pape du surréalisme” needs to be seriously questioned since, according to Levitt, surreal- ism started...

... readers with Césaire’s blackness and situate him among a network of sympathetic artists in exile. This strategic curation, Bulson argues, both integrates Césaire into surrealism and identifies that surrealism with the gathering energies of anticolonial struggle in Africa and the Caribbean (186...

... is thus quite unusual among the isms of the early twentieth century: from the start it was applied externally by critics and scholars rather than being adopted by artists and thinkers themselves (as was the case for futurism , surrealism , cubism , vorticism , etc.). It seems the association...

... Sédar Senghor engage with the work of the primitivist French writer Paul Morand in key early essays of the negritude movement, I offer an additional source for negritude’s primitivism—beyond the familiar interlocutors of surrealism and European ethnology—in order to unpack some of the tensions...

... instrumental in illus- trating how Bloomsbury was less insular than originally thought by identifying connec- tions with French Surrealism as well as the French writers associated with the Nouvelle Revue française. In the section cleverly entitled “Object Lessons,” Caws draws notable fi li- ations between...

... the early 1990s, Caws has been particularly instrumental in illus- trating how Bloomsbury was less insular than originally thought by identifying connec- tions with French Surrealism as well as the French writers associated with the Nouvelle Revue française. In the section cleverly entitled “Object...

... the early 1990s, Caws has been particularly instrumental in illus- trating how Bloomsbury was less insular than originally thought by identifying connec- tions with French Surrealism as well as the French writers associated with the Nouvelle Revue française. In the section cleverly entitled “Object...

... instrumental in illus- trating how Bloomsbury was less insular than originally thought by identifying connec- tions with French Surrealism as well as the French writers associated with the Nouvelle Revue française. In the section cleverly entitled “Object Lessons,” Caws draws notable fi li- ations between...

... and poetry to the ideals of humanism destroyed by industrialization and the violence of imperialism ( Wilder ). Negritude adopted primitivism either in the form of surrealism or Africanism because it believed that the philosophical claims made for the primitive by European writers would provide the space...

... to close, in 1928. Surrealism, whose fi rst manifesto appeared in the same year that Martín Fierro [the magazine] was founded, received only cursory mention in a few notes. [. . .] The moderate nature of the Argentine avant-garde is responsible for these attitudes. Ideological barriers prevented...

... is driven by the mysterious disappear- ance of the protagonist, Anton Voyl, whose friends then set out to find him. In a frantic narrative filled with surreal happenings and implausible coincidences, the novel unfolds with one unexplained and seemingly arbitrary death or disappear- ance after another...