... Cultures . 3 vols. London and New York: Routledge, 2000 . Bate, Jonathan. The Genius of Shakespeare . Basingstoke and Oxford: Picador, 1997 . Benjamin, Walter. “The Task of the Translator.” Trans. Harry Zohn. The Translation Studies Reader . Ed. Lawrence Venuti. London and New York: Routledge...

...Christopher Braider The Persistence of Allegory: Drama and Neoclassicism from Shakespeare to Wagner. By Jane K. Brown. Philadelphia: University of Pennsylvania Press, 2007. xii, 292 p., 21 unlisted ills., including frontispiece. University of Oregon 2008 Baxandall, Michael. Painting...

... not yet been plotted. The purpose of this essay is to stake out some parameters for such a study by establishing Homer's Iliad as an exemplary text. I then extend my inquiry into the relationship between doubt and portrayals of subjectivity and to two plays, Sophocles' Philoctetes and Shakespeare's...

...Raphael Lyne Reading Shakespeare's Will: The Theology of Figure from Augustine to the Sonnets. By Lisa Freinkel. New York: Columbia University Press, 2002. 384 p. University of Oregon 2005 COMPARATIVE LITERATURE/178 BOOK REVIEWS...

... ): 228 -39. ____. The Sirens' Song: Selected Essays . Ed. Gabriel Josipovici. Trans. Sacha Rabinovitch. Brighton: The Harvester Press, 1982 . Bloom, Harold, et. al. Deconstruction and Criticism . New York: Continuum, 1979 . Booth, Stephen. Shakespeare's Sonnets. New Haven: Yale University...

..., Douglas. Drama and the Market in the Age of Shakespeare . Cambridge: Cambridge University Press, 1992 . Burckhardt, Jacob. The Civilization of the Renaissance in Italy . 1860 . Trans. S.G.C. Middlemore. London: Penguin, 1990. Capell, Edward. Notes and Various Readings to Shakespeare . 2 vols...

...Andrew Barnaby This essay explores the mutual implication of Shakespeare's Hamlet and Freudian psychoanalysis as works of mourning. More particularly, it takes up how both the play and a series of Freud's writings — from early letters to Fliess to the Interpretation of Dreams to “Mourning...

...Hunter Dukes Abstract Philomela holds a privileged place in Euro-American poetry. Tracking the nightingales in Ovid, Marie de France, Gascoigne, Shakespeare, Milton, Coleridge, and Elizabeth Barrett Browning reveals a new dimension of an old trope. Frequently paired with images of architectural...

... of Shakespeare's ensuing reputation, or via the Anglocentrism of today's translation markets in which the global economic power and language skill of the Anglo-American majority — English — have such powerful effects. © 2012 by University of Oregon 2012 Works Cited Apter Emily . “Untranslatables...

... capacity to render visible the erratic and ultimately realistic behavior of sovereigns and subjects alike. © 2016 by University of Oregon 2016 Hamlet Shakespeare Reception Dutch Literature Geeraardt Brandt Machiavelli Works Cited Belleforest François de . Le Cinquiesme Tome des...

... lauro.'” Modern Language Notes 86 ( 1971 ): 1 -20. ____. Petrarch's Lyric Poems: The Rime Sparse and Other Poems . Cambridge and London: Harvard University Press, 1976 . Dubrow, Heather. Captive Victors: Shakespeare's Narrative Poems and Sonnets . Ithaca and London: Cornell University...

...: University of California Press, 1966 . 81 -97. Calderwood, James L. “Coriolanus: Wordless Meanings and Meaningless Words.” Coriolanus: Critical Essays . Ed. David Wheeler. New York: Garland, 1995 . 77 -91. Cavell, Stanley. Disowning Knowledge: In Six Plays of Shakespeare . Cambridge: Cambridge...

... Catherine . The Subject of Tragedy. Identity and Difference in Renaissance Drama . London : Routledge , 1985 . Print . Bosteels Bruno . Badiou and Politics . Durham : Duke UP , 2011 . Print . Cartelli Thomas . Marlowe, Shakespeare, and the Economy of Theatrical Experience...

... history is contiguous with biological evolution. A full-fledged Humanity appears to be a shifting target in Herder, because human beings continually expand their outlooks and strive toward greater perfection. In Shakespeare Herder provides an example of an artist whose works encompass the most...

... University of Michigan, Ann Arbor COMPARATIVE LITERATURE/270 PRAGMATIC PLAGIARISM: AUTHORSHIP, PROFIT, AND POWER. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. Shakespeare’s Romeo and Juliet follows the narrative of Arthur Brooke’s Romeus and Juliet (1562...

..., AND POWER. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. Shakespeare’s Romeo and Juliet follows the narrative of Arthur Brooke’s Romeus and Juliet (1562) with remarkable fidelity, tracking Brooke scene by scene and character by charac- ter, except for Mercutio, who...

... of Michigan, Ann Arbor COMPARATIVE LITERATURE/270 PRAGMATIC PLAGIARISM: AUTHORSHIP, PROFIT, AND POWER. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. Shakespeare’s Romeo and Juliet follows the narrative of Arthur Brooke’s Romeus and Juliet (1562) with remarkable...

..., the development of the proprietary sentiment in such authors as Shakespeare BOOK REVIEWS/193 and Jonson” (Author’s Due, p. 82). Yet the relationship between these volumes is close, and there is no sharp bifurcation in the methods deployed...

...- teenth century in tracing “the campaign for property in invention and in literary works,” Ben Jonson and Possessive Authorship is focused on “the literary history internal to that campaign, the development of the proprietary sentiment in such authors as Shakespeare...

...- teenth century in tracing “the campaign for property in invention and in literary works,” Ben Jonson and Possessive Authorship is focused on “the literary history internal to that campaign, the development of the proprietary sentiment in such authors as Shakespeare...