...ANN PEARSON Allen, Graham. Intertextuality . London: Routledge, 2000 . Barthes, Roland. Image—Music—Text . Trans. Stephen Heath. London: Fontana, 1977 . Beck, John. “Reading Room: Erosion and Sedimentation in Sebald's Suffolk.” Long and Whitehead 75 -88. Broich, Ulrich, ed...

...NINA PELIKAN STRAUS What does W.G. Sebald mean by the doubling of his character Jacques Austerlitz with Ludwig Wittgenstein, a “poetic” philosopher who, although of Jewish ancestry, had little to say about the fate of the Jews during the Nazi period? Sebald's initiation of the reader...

... of the classic Sebaldian narrator, a wanderer who discreetly relays the stories of the people and places he is privileged to encounter. Although Sebald does not use the phrase, steps of this sort, unpurposed yet unerring, are made with what is commonly known in German as somnambule Sicherheit : the legendary...

...Jessica Dubow; Richard Steadman-Jones This essay takes a particular image in W.G. Sebald's novel Austerlitz and traces the hidden web of literary, theoretical, scientific, and philosophical allusion that informs it. At a crucial point in the narrative, when the protagonist is on the verge...

... , 2013 . Gumbrecht Hans Ulrich . Atmosphere, Mood, Stimmung: On a Hidden Potential of Literature . Redwood City, CA : Stanford University Press , 2012 . Hofmann Michael . “ A Chilly Extravagance .” In The Emergence of Memory: Conversations with W. G. Sebald , edited by Schwartz...

..., and Mexico City, remains very much in keeping with the spirit of his study and its insistence on provid- ing a “flashing sense” of meaning rather than constructing artificially totalizing argu- ments. Ending with an account of the wanderings of the narrator of W.G. Sebald’s The Rings of Saturn...

...—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she ar- gues, generate styles or tactics of cosmopolitanism: naturalness, triviality, evasion, trea- son, mix-up, and vertigo. Walkowitz...

... the strong claim that “there is no critical cosmo- politanism”—a cosmopolitanism that scrutinizes its own methods of transnational cri- tique—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she...

...—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she ar- gues, generate styles or tactics of cosmopolitanism: naturalness, triviality, evasion, trea- son, mix-up, and vertigo. Walkowitz...

...—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she ar- gues, generate styles or tactics of cosmopolitanism: naturalness, triviality, evasion, trea- son, mix-up, and vertigo. Walkowitz...

...—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she ar- gues, generate styles or tactics of cosmopolitanism: naturalness, triviality, evasion, trea- son, mix-up, and vertigo. Walkowitz...

...—“without modernist practices” (18). Through narrative strategies, Joseph Conrad, James Joyce, Virginia Woolf, Kazuo Ishiguro, Salman Rushdie, and W.G. Sebald, she ar- gues, generate styles or tactics of cosmopolitanism: naturalness, triviality, evasion, trea- son, mix-up, and vertigo. Walkowitz...

.... Philadelphia: University of Pennsylvania Press, 2006 . Schott-Falksohn, C. “Das Nicherchen des Tyrannen; Sibylle Knauss' Roman: “Evas Cousine.” Neue Zürcher Zeitung 1 Feb. 2001 : 64 . Sebald, W.G. Luftkrieg und Literatur . Munich: Carl Hanser Verlag, 1999 . ____. On the Natural History...

... dealing with the Nazi past, only excuses. Discuss.” Web. < Aghring.blogspot.com > Leeds University . PDF . 8 Jan. 2007 . Sebald W.G. On the Natural History of Destruction . New York : Modern Library , 2004 . Print . Schmidt Thomas E. “Erlauschte Vergangenheit...

... and Hans Trausil. London: The Grey Walls Press Ltd., 1946 . ———. Sonnets to Orpheus . Trans. Edward Snow. New York: North Point Press, 2004 . Santner, Eric. On Creaturely Life: Rilke, Benjamin, Sebald . Chicago: U of Chicago P, 2006 . Silverman, Debora L. Art Nouveau in Fin-de-Siècle France...

... with photography; see Brunet and Nachtergael ). This evolution is all the more surprising, since the work by Sebald, which has definitely acted as a key catalyzer, was not unprecedented. Previous attempts however, such as Rodenbach’s 1892 Bruges-la-Morte or Breton’s Nadja ( 1928 ), did not produce...

... and dialogicity, Eskin neglects what should have been a basic ques- tion: why poetry? What distinguishes a poetic  from a merely literary  affair? For example, could a reading of a prose text by W. G. Sebald not have yielded similar conclusions about the staging of life in literature? It seems...

... and dialogicity, Eskin neglects what should have been a basic ques- tion: why poetry? What distinguishes a poetic  from a merely literary  affair? For example, could a reading of a prose text by W. G. Sebald not have yielded similar conclusions about the staging of life in literature? It seems...

...  affair? For example, could a reading of a prose text by W. G. Sebald not have yielded similar conclusions about the staging of life in literature? It seems that the assumption of poetic exceptionalism book reviews / 311 prevents...

... and dialogicity, Eskin neglects what should have been a basic ques- tion: why poetry? What distinguishes a poetic  from a merely literary  affair? For example, could a reading of a prose text by W. G. Sebald not have yielded similar conclusions about the staging of life in literature? It seems...