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Comparative Literature (2019) 71 (3): 314–332.
Published: 01 September 2019
... Romancero general , whose poems recount the adventures of various Muzas and Zaides, typical Muslim names, as well as the story of Boabdil, the last Muslim king of Granada, and his multiple notable knights. Other pieces represent popular spectacles of the frontier, several of which involved groups...
Comparative Literature (2008) 60 (1): 8–13.
Published: 01 January 2008
..., A Pioneer Historian of Spanish Literature.” Comparative Literature 5 (1953): 351-61. 2. “George Ticknor’s History of Spanish Literature: The New England Background.” PMLA 69 (1954): 76-88. 3. “Apuntes sobre los estudios del romancero en Alemania, anteriores a 1830.” Clavileño 5.30...
Comparative Literature (2021) 73 (4): 421–441.
Published: 01 December 2021
... that either stigmatized or idealized the “moor” and the Morisco ( 5 ). I particularly benefit from Fuchs’s parsing of these two reactions, the latter of which generated such forms as the romancero morisco . Susan Martin-Márquez’s Disorientations ( 2008 ) also helpfully tracks the larger historical trends...
Comparative Literature (2002) 54 (2): 127–144.
Published: 01 March 2002
... churches, convents, and private palaces, and shipped these coveted possessions back to France. The dis- covery of Golden Age art and literature (Velázquez, Murillo, Ribera, Zurbarán, Cervantes, Calderón, the romancero) and of Goya’s depictions of the picturesque and horrific created a fascination...
Comparative Literature (2007) 59 (4): 269–293.
Published: 01 September 2007
... and moriscos in romanceros, and this sort of appropriation can be found as easily in Quevedo as in Valle y Caviedes. However, I am convinced that there is more going on in these verses than a translatio from Old World lower caste mem- ber (moro, morisco) to New World lower caste member (negro, mulato...
Comparative Literature (2020) 72 (4): 377–405.
Published: 01 December 2020
... conclusions [ hurañas trabazones ], the entire work of Quevedo, of Milton, of Baltasar Gracián, but not the hexameters of Goethe or the coplas of the Romancero . (42) Ambiguously mixing praise and blame, Borges lauds the logical rigor of certain metaphors and figures even as he denigrates...