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rembrandt

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Journal Article
Comparative Literature (2003) 55 (2): 164–176.
Published: 01 March 2003
...CHRISTOPHER BRAIDER University of Oregon 2003 COMPARATIVE LITERATURE/164 REVIEW ESSAY CHRISTOPHER BRAIDER Rembrandt Agonistes Harry Berger, Jr., Fictions of the Pose: Rembrandt Against the Italian Renaissance. Stanford...
Journal Article
Comparative Literature (2002) 54 (1): 58–71.
Published: 01 January 2002
... on revisionist histories of early modern art and science in Evelyn Fox Keller or Griselda Pollock, Mieke Bal’s Reading Rembrandt (1991) associates with Renaissance visual culture. Though Petrarchism may have been an episodic inspiration of New World writing, Greene gives us little reason to believe...
Journal Article
Comparative Literature (2002) 54 (2): 97–126.
Published: 01 March 2002
... and the Pauline Ontology of Art in Caravaggio and Rembrandt.” Comparative Literature 51 ( 1999 ): 286 -315. Breitenberg, Mark. Anxious Masculinity in Early Modern England . Cambridge: Cambridge University Press, 1996 . Charlton, H.B. Castelvetro's Theory of Poetry . Manchester: Manchester University...
Journal Article
Comparative Literature (2008) 60 (2): 186–188.
Published: 01 March 2008
..., at the same time as it urged a more disciplined “imitation of nature” intended to distance it from the obvious artificiality of court and Church productions, neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also...
Journal Article
Comparative Literature (2008) 60 (2): 188–192.
Published: 01 March 2008
..., at the same time as it urged a more disciplined “imitation of nature” intended to distance it from the obvious artificiality of court and Church productions, neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also...
Journal Article
Comparative Literature (2008) 60 (2): 193–197.
Published: 01 March 2008
..., at the same time as it urged a more disciplined “imitation of nature” intended to distance it from the obvious artificiality of court and Church productions, neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also...
Journal Article
Comparative Literature (2008) 60 (2): 197–199.
Published: 01 March 2008
..., at the same time as it urged a more disciplined “imitation of nature” intended to distance it from the obvious artificiality of court and Church productions, neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also...
Journal Article
Comparative Literature (2008) 60 (2): 199–202.
Published: 01 March 2008
..., at the same time as it urged a more disciplined “imitation of nature” intended to distance it from the obvious artificiality of court and Church productions, neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also...
Journal Article
Comparative Literature (2008) 60 (2): 203–205.
Published: 01 March 2008
..., neoclassicism anathematized the brutally uncompromising naturalism associated not only with painters like Caravaggio and Rembrandt, but also with the unexpurgated Tacitean realism endemic to Jacobean Revenge tragedy, the Spanish comedia, and the French ba- roque stage of Hardy, Rotrou, or the younger Pierre...