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Journal Article
Comparative Literature (2010) 62 (3): 228–245.
Published: 01 June 2010
... that follows examines four competing emplotment scenarios
and four possible temporal shapes for the resolution of the corresponding enig-
mas of the protagonist and of Russia. The first is the radically accelerated time
of the crime or the great deed, anchored in the hero Raskolnikov himself; corre...
Journal Article
Comparative Literature (2023) 75 (3): 327–347.
Published: 01 September 2023
..., with a candle that could enable him to read, but he demonstrably elects not to do so, just as in later scenes he scatters his open books before him to pretend to read while really his mind is in stasis ( Yu, “Nights” 21 ). His books are about as useful to him as Raskolnikov’s, covered in a thick layer of dust...
FIGURES
Journal Article
Comparative Literature (2014) 66 (2): 186–207.
Published: 01 June 2014
... of Christianity in Dosto-
evsky’s fiction are at once easily noticeable and simple: his characters and his read-
ers are mostly offered the intercession of an iconic image (see Jackson, Dostoevsky’s
Quest): Raskolnikov and Sonia silently reading the “eternal book” together, the
icon with the depiction...
Journal Article
Comparative Literature (2007) 59 (4): 294–314.
Published: 01 September 2007
... explicitly represents its protag-
onist Raskolnikov as confronted by a number of narrative-ideological options:
his friend Razumikhin’s path of independent and sober common sense, Svidrig-
ailov’s dissipation and eventual suicide, Luzhin’s pragmatic careerism, Sonya’s
Christological self-sacrifice...
Journal Article
Comparative Literature (2016) 68 (1): 75–95.
Published: 01 March 2016
..., but Mulcahy here seems to have confused him with
Raskolnikov.
Although the only Dostoevsky novel Mulcahy refers to explicitly is The Brothers
Karamazov, Mulcahy’s deeper affinities are with the Underground Man, and his
most profound connections are with the characters of the novel then known...
Journal Article
Comparative Literature (2011) 63 (2): 225–227.
Published: 01 June 2011
... the Western form of ego that Balzac describes
and Raskolnikov embodies” (150), and in Anna Karenina, “answering the French novels of
adultery [Dumas, Flaubert, Zola] with Rousseau and the Gospels, Tolstoy reinfuses idealism
into the realist novel, which he felt had become increasingly naturalistic” (208...
Journal Article
Comparative Literature (2011) 63 (2): 227–230.
Published: 01 June 2011
... the Western form of ego that Balzac describes
and Raskolnikov embodies” (150), and in Anna Karenina, “answering the French novels of
adultery [Dumas, Flaubert, Zola] with Rousseau and the Gospels, Tolstoy reinfuses idealism
into the realist novel, which he felt had become increasingly naturalistic” (208...
Journal Article
Comparative Literature (2011) 63 (2): 230–234.
Published: 01 June 2011
... the Western form of ego that Balzac describes
and Raskolnikov embodies” (150), and in Anna Karenina, “answering the French novels of
adultery [Dumas, Flaubert, Zola] with Rousseau and the Gospels, Tolstoy reinfuses idealism
into the realist novel, which he felt had become increasingly naturalistic” (208...
Journal Article
Comparative Literature (2018) 70 (4): 392–407.
Published: 01 December 2018
... in “the most hideous dreams” and “oppressive recollections” (5: 139). In Crime and Punishment (1868) Raskolnikov goes about his crime in a semi-hypnotic trance, haunted by a vaguely defined “former past,” which surges upward in his nightmares and which he tries to stifle in the waters of the Neva, “in some...
Journal Article
Comparative Literature (2000) 52 (1): 53–71.
Published: 01 January 2000
... narration remained on the fantastic far side of his fantastic
realism. That is why in his later novels Dostoevsky either creates characters
that embody another character’s double (Svidrigailov for Raskolnikov’s, for
example), or he assigns the double to a character’s hallucination (Ivan
Karamazov’s...
Journal Article
Comparative Literature (2019) 71 (1): 64–85.
Published: 01 March 2019
... by any man, old and sick and frightened of dying, whereas to put yourself in the mind of Raskolnikov or the Idiot you need a particular mentality and, to tell the truth, to be slightly mad. ( Lienhardt and Philipponnat 151 ) Némirovsky’s admiration for Tolstoy is well documented in excerpts from...
Journal Article
Comparative Literature (2013) 65 (1): 101–122.
Published: 01 March 2013
... with Othello? Would we like our Mary to read the New Testament
temple against temple with Raskolnikov? Would we like our sons to marry Emma Rouault, Becky
Sharp or La belle dame sans merci?
(Selected Letters 215)
Furthermore...
