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Comparative Literature (2012) 64 (1): 73–92.
Published: 01 March 2012
...A. Sean Pue Modernist Urdu poet N.M. Rashed's Iran men ajnabi ( A Stranger in Iran , 1957), published ten years after the partition of British India, describes the experiences of an Indian Muslim soldier in the British Indian Army occupying Iran during World War II. Rashed's narrator searches in...
Comparative Literature (2008) 60 (4): 331–354.
Published: 01 September 2008
... weeping and covering of his eyes: As she spoke these words, her father who for long had appeared bloodthirsty and more savage than a tigress, was suffused with tears and covered his eyes with his garment, and condemned both him- self and his rash vow. The priest...
Comparative Literature (2001) 53 (4): 389–403.
Published: 01 September 2001
Comparative Literature (2002) 54 (3): 215–228.
Published: 01 June 2002
...” perspective, reason and intelligence can make anything happen; there is no chaos, and life is inherently logical. Alter-Leb desires to see the world and sets sail. Whereas in Defoe and Campe leaving home, while rash, is nevertheless culturally acceptable in an age of “indi- vidualism” (Watt 165), in...
Comparative Literature (2010) 62 (1): 55–67.
Published: 01 January 2010
... on the wall, a neighbor’s friendliness, and, ﬁ nally, those hills which broke out in a deadly rash” (204–05). In describing Cincinnatus’s walks, Nabokov caricatures those in Pellico’s mem- oir. The Italian writer recalls that “[I]n early days there [at the Spielberg Fortress] it was arranged...
Comparative Literature (2011) 63 (3): 291–306.
Published: 01 September 2011
... masculinity comes fully into play. Archilde mocks his pathetic prize and Louis reacts angrily to what he takes to be a challenge to his masculinity. Catharine then scolds Louis for his rashness, further emasculating him. But before they can come to an understanding of what being a Salish man now means...
Comparative Literature (2012) 64 (1): 33–48.
Published: 01 March 2012
... l’art des vers atteindre la hauteur,” the Soame/Dryden translation begins with a direct address: “Rash Author, ‘tis a vain presumptuous Crime / To undertake the Sacred Art of Rhyme.” Soame/Dryden drop the proper name, Parnasse, but retain its sense with the adjective “Sacred.” Right poets...
Comparative Literature (2016) 68 (3): 274–295.
Published: 01 September 2016
... medieval literature as an act of wise self-governance and civic virtue. Although Boccaccio regularly introduces his famous women by tracing their lin- eages, he gives extra emphasis to Portia’s, and, by linking Portia’s suicide to Cato’s, presents it not as a rash act propelled by erotic desire but as...
Comparative Literature (2011) 63 (2): 142–160.
Published: 01 June 2011