Search Results for production of art
1-20 of 475 Search Results for
production of art
Comparative Literature (1 December 2014) 66 (4): 420–437.
Published: 01 December 2014
...Christoph Prang Umberto Eco's novel The Name of the Rose provides a distinctive example of what has been called semiomimesis : the creative appropriation and exploitation of narrative moments within semiotic theory for the production of art. This essay defines what constitutes this type of art by...
Comparative Literature (1 September 2016) 68 (3): 332–350.
Published: 01 September 2016
...Marco Alexandre de Oliveira By exploring the ubiquity of Bashō's frog haiku in Brazil as the naturalization of a poetics of nature and the ideographic sign, this essay traces distinct affinities between the arts of Zen and concrete poetry, in both theory and practice. It begins by observing the...
Comparative Literature (1 January 2010) 62 (1): 22–40.
Published: 01 January 2010
... Narratives: A Way to Figure Out Raoul de Cambrai and Its Role in the Lyrics of Bertran de Born.” Olifant 8 ( 1980 ): 3 -28. Watkin, William. “Melancholia, Revolution, and Materiality in the Work of Julia Kristeva.” Paragraph 26 ( 2003 ): 86 -107. LUKE SUNDERLAND The Art of...
Comparative Literature (1 September 2004) 56 (4): 365–367.
Published: 01 September 2004
... substantive unity of the dramaturgical exemplars of the classical corpus. Braider’s productive thesis is set out in the title, which refers to Arthur Danto’s ground- breaking work on aesthetic historicity, The Transfiguration of the Commonplace: A Philosophy of Art. In that study, Danto argues that...
Comparative Literature (1 March 2007) 59 (2): 183–189.
Published: 01 March 2007
...Christopher Braider The Frame of Art: Fictions of Aesthetic Experience, 1750-1815. By David Marshall. Baltimore: The Johns Hopkins University Press, 2005. 259 p. University of Oregon 2007 Hume, David. “The Sceptic.” Essays Moral, Political, and Literary . Ed. Eugene F. Miller...
Comparative Literature (1 June 2013) 65 (2): 246–249.
Published: 01 June 2013
...Stefano Evangelista Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity . By Goldhill Simon . Princeton and Oxford : Princeton University Press , 2011 . viii, 352 p . © 2013 by University of Oregon 2013...
Comparative Literature (1 September 2005) 57 (4): 352–353.
Published: 01 September 2005
...Thomas R. Hart Lethe: The Art and Science of Forgetting. By Harald Weinrich. Translated by Steven Rendall. Ithaca and London: Cornell University Press, 2004. vi, 254 p. University of Oregon 2005 COMPARATIVE LITERATURE/352 BOOK...
Comparative Literature (1 March 2001) 53 (2): 170–172.
Published: 01 March 2001
...Steven Jaron On Trust: Art and the Temptations of Suspicion. By Gabriel Josipovici. New Haven and London: Yale University Press, 1999. x, 294 p. University of Oregon 2001 COMPARATIVE LITERATURE/170 BOOK REVIEWS ON TRUST: ART...
Comparative Literature (1 March 2014) 66 (1): 71–94.
Published: 01 March 2014
... body’s proclivity to subjective formalization, the human being is the only animal that is born unfixed.Truth , in this sense, is the set of all the productions of a faithfully subjectivated body. There are four possible truth-procedures or realms —love, politics, arts, and science —in which...
Comparative Literature (1 September 2010) 62 (4): 336–360.
Published: 01 September 2010
... of the nineteenth and throughout the twentieth century, of a global system of production, reception, and translation of novels. The second model— the novelization of the global —focuses on the production of images of a globalized world as they are constructed in specific novels. My examples are...
Comparative Literature (1 September 2012) 64 (3): 300–315.
Published: 01 September 2012
...Arturo Arias This article explores the emergence of Central American-American discursive and performance poetic art that, written bilingually and occasionally incorporating Portuguese or an indigenous language, has been present in the United States since the mid-1980s, but bloomed in the first...
Comparative Literature (1 December 2016) 68 (4): 459–461.
Published: 01 December 2016
... leads him to propose, according to Israel, “an affective temporality of repetition, and emanation, through the figure of the spiral,” a way of seeing productivity alongside —even through — the failures of history and art to enact anything like progress. Spirals itself points us to “a possible...
Comparative Literature (1 January 2002) 54 (1): 91–93.
Published: 01 January 2002
...Nicola Luckhurst Bloomsbury and France: Art and Friends. By Mary Ann Caws and Sarah Bird Wright. Oxford: Oxford University Press, 2000. xviii, 430 p. University of Oregon 2002 COMPARATIVE LITERATURE/72 BOOK REVIEWS DREAMING BY...
Comparative Literature (1 January 2011) 63 (1): 111–115.
Published: 01 January 2011
... production and thereby the empirically confirmed organs of cre- ativity (whether managed by fakers or original producers), we risk not just being conned but also not knowing the reality of art and by extension who we as a community of read- ers are. Critical approaches wherein production is “occluded by...
Comparative Literature (1 June 2014) 66 (2): 208–226.
Published: 01 June 2014
...José Felipe Alvergue This article explores the art and poetics of Chilean born Cecilia Vicuña in the contemporary context of indigenismo, while simultaneously questioning the capacity of ethnopoetics to fully engage the political, cultural, and social reaches of transnational aesthetics in the...
Comparative Literature (1 December 2012) 64 (4): 339–355.
Published: 01 December 2012
... an effort to make their dynamic a productive one — first by treating the interaction of mise en abyme and allegory as analogous to the relation of part to whole in the hermeneutic circle, and then by relating texts as metaphors of production processes to texts as metonymically resulting from those...
Comparative Literature (1 September 2010) 62 (4): 361–375.
Published: 01 September 2010
... concretion of the art object from the fungibility associated with the commodity under the exchange relations characteristic of market society.15 Indeed one of the key aspects of Pound’s literary production is a defense of the “ontology of objects” that, according to John Guillory, has separated the...
Comparative Literature (1 December 2016) 68 (4): 408–426.
Published: 01 December 2016
...Karen Grumberg This essay argues that the gothicism of Lea Goldberg's play ba'alat ha-armon ( The Lady of the Castle , 1956) undergirds its key concern: the role time plays in the encounter between art and reality, poetry and ideology. I compare key signifiers of gothic spatiality and temporality...
Comparative Literature (1 June 2010) 62 (3): 246–261.
Published: 01 June 2010
... production of Ruskin's architectural treatise was informed by a number of contemporary contexts. These include Ruskin's own frustration with the effects of the Austrian occupation on Venice and his awareness of the conflict between pro- and anti-Austrian parties in the city in the aftermath of the 1848...
Comparative Literature (1 June 2017) 69 (2): 181–200.
Published: 01 June 2017
... perception brought on by the development of the metropolis. What is the effect of the crisis in terms of reading and writing for Benjamin? What happens to the responsibility of art? More specifically, which genres and modes are apt 1) to help the city-dweller adapt to perceptual changes and 2) to clear the...