Search Results for pound

...Katerina Stergiopoulou This essay examines the translation theory and practice of Greek modernist poet Giorgos Seferis, focusing on his translation of Ezra Pound's first canto (itself a translation of the Odyssey 's Book 11). By looking at how Seferis handles effects and traces of translation...

...Paul Stasi Ezra Pound argued that it was impossible to think in only one language in the contemporary world. To this end he worked in The Cantos to create a world culture built on the comparison of works of “great value” from a variety of cultures. Pound's epic poem serves to displace the English...

... perspective, he offers a reading of American literary history through the “great trio” of Poe, Whitman, and Dickinson, through “Midwest modernists” such as William Vaughn Moody, and through his contemporaries — Frost, Lindsay, Lowell, Millay, Eliot, and Pound — who finally cast off any notion of derivation...

... the Tradition (à la Pound or Eliot), but neither can it simply deny, subvert, or pastiche it. To ask whether or not Beckett escapes into nihilism, to wonder if he finds a philosophically satisfactory solution to his rejection of a faith in reason, or to look for his synthesis of the Ancient dialectic he...

... a manipulable metaphor into a medium with the capacity to condition, or even implode, ideological projections” (145). The problem of time and history returns to the fore in the substantial chapter dedicated to Ezra Pound, which tracks his shifting perspectives on Venice from the first collection...

... (xix). So positions the modernist cultural productions and collaborations of these five white, Chinese, and African American writers and artists against the American literary tradition of orientalism perpetuated by canonical figures like Walt Whitman, Ralph Waldo Emerson, and Ezra Pound...

... . 23 – 107 . Print . Fenollosa Ernest . “The Chinese Written Character as a Medium for Poetry.” Modernism: An Anthology . Ed. Rainey Lawrence S. . Malden : Blackwell Publishing , 2005 . 99 – 112 . Print . Eliot T.S. Introduction . Selected Poems . By Pound Ezra...

.... Despite the Woolfs’ admonition that “her hands would always be covered with ink,” she pursued setting up a hand-printing operation in the Normandy farmhouse ( Cunard, These 8 ). Cunard bought an antique and massive Belgian Mathieu handpress for three hundred pounds from William Bird, who had operated...

... DOI 10.1215/00104124-3327622 Everyday Reading: Poetry and Popular Culture in Modern America. By Mike Chasar. New York: Columbia University Press, 2012. 302 p. Ezra Pound, never short on advice, once admonished artists to “consider the way of the scientists rather than the way...

... . Ithaca : Cornell UP , 1997 . Print . Pound Ezra . “Dante.” The Spirit of Romance . 1910 . London : Peter Owen , 1952 . 118 – 65 . Print . ———. “For T.S.E.” Sewanee Review, special issue on T.S. Eliot ( Jan-March 1966 ): 109 . Print . ———. “A Visiting Card” [1942...

...: Poetry and Popular Culture in Modern America. By Mike Chasar. New York: Columbia University Press, 2012. 302 p. Ezra Pound, never short on advice, once admonished artists to “consider the way of the scientists rather than the way of an advertising agent for a new soap” (qtd. in Chasar 126...

... – 112 . Print . Pound Ezra . “Rabindranath Tagore.” Fortnightly Review 93 . 555 ( Mar. 1913 ): 571 – 79 . Print . Radhakrishnan R. “Why Compare?” New Literary History 40 . 3 ( 2009 ): 453 – 71 . Print . Saussy Haun . “Exquisite Cadavers Stitched from...

... of World Literature 6 , no. 4 ( 2021 ): 479 – 508 . Étiemble Rene . Comparaison n’est pas raison: La crise de la littérature comparée . Paris : Gallimard , 1963 . Fenollosa Ernest . The Chinese Written Character as a Medium for Poetry a Critical Edition . Edited by Pound...

... been univocal” (4), he selects five representative writers: Ezra Pound, perhaps the best known modernist for his interest in China, manifested in The Cantos  and Cathay; the devoutly Catholic, conservative Paul Claudel, who chronicled his interest in China in four decades of verse plays, prose...

... been univocal” (4), he selects five representative writers: Ezra Pound, perhaps the best known modernist for his interest in China, manifested in The Cantos  and Cathay; the devoutly Catholic, conservative Paul Claudel, who chronicled his interest in China in four decades of verse plays, prose...

... been univocal” (4), he selects five representative writers: Ezra Pound, perhaps the best known modernist for his interest in China, manifested in The Cantos  and Cathay; the devoutly Catholic, conservative Paul Claudel, who chronicled his interest in China in four decades of verse plays, prose...

... been univocal” (4), he selects five representative writers: Ezra Pound, perhaps the best known modernist for his interest in China, manifested in The Cantos  and Cathay; the devoutly Catholic, conservative Paul Claudel, who chronicled his interest in China in four decades of verse plays, prose...

... been univocal” (4), he selects five representative writers: Ezra Pound, perhaps the best known modernist for his interest in China, manifested in The Cantos  and Cathay; the devoutly Catholic, conservative Paul Claudel, who chronicled his interest in China in four decades of verse plays, prose...

.... New art, in Lewis’s and Ezra Pound’s pronouncements, should aim to be “the point of maximum energy” ( Pound 153 ), to serve as a “battering ram that was all of one metal” against anything that lacks living energy and force ( Lewis, Rude Assignment 128 ). Art must reconceive itself as a material...

... the Channel with a study of Mallarmé’s translation of Tennyson and Yves Bonnefoy’s translations of Shakespeare, Keats, and Yeats. In addition to chapters on Ezra Pound and Samuel Beckett, she devotes a chapter to French translations of Virginia Woolf, one of the topics of an earlier critical collection...