Search Results for plagiarism

...Nathalie Bouzaglo Abstract This article explores the connection between modernismo , a literary movement that relied heavily on imitation and intertextuality, and accusations of plagiarism, copying, and appropriation. It contextualizes the analysis within a nineteenth-century legal moment in which...

...Mark Rose Pragmatic Plagiarism: Authorship, Profit, and Power. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. University of Oregon 2002 COMPARATIVE LITERATURE/268 BOOK REVIEWS AN ETHICS...

... literature by women in Cuba and Argentina leads these two writers to appropriate or invent their own during periods of increasing liberalization in their respective countries. At first glance, Portela and Moreno’s joyful gestures of what this essay conceptualizes as “creative plagiarism” appear to signal...

... University of Michigan, Ann Arbor COMPARATIVE LITERATURE/270 PRAGMATIC PLAGIARISM: AUTHORSHIP, PROFIT, AND POWER. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. Shakespeare’s Romeo and Juliet follows the narrative of Arthur Brooke’s Romeus and Juliet (1562...

... of Michigan, Ann Arbor COMPARATIVE LITERATURE/270 PRAGMATIC PLAGIARISM: AUTHORSHIP, PROFIT, AND POWER. By Marilyn Randall. Toronto: University of Toronto Press, 2001. xv, 321 p. Shakespeare’s Romeo and Juliet follows the narrative of Arthur Brooke’s Romeus and Juliet (1562) with remarkable...

... -88. Broich, Ulrich, ed. Intertextualität . Tubingen: Niedemeyer, 1985 . Dettmar, Kevin J.H. “The Illusion of Modernist Allusion and the Politics of Postmodern Plagiarism.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World . Ed. Lise Buranen and Alice M. Roy. Albany...

... of literary and cultural production as a series of falsifi cation, appropriation, and irreverent hybridization of heterogeneous texts and narratives. In the case of Kyriakidis, the text that best exemplifi es the idea of literary and cultural falsifi cation, or “plagiarism,” is “ Ο vς θα v v vας v...

...), the book reviews / 113 autonomy of the art object is rated over the creative process, and text is prioritized over document lead to blindness not insight. Eggert does not discuss plagiarism and textual appropriation, although this juncture in his argument would have been a good place to include...

... not discuss plagiarism and textual appropriation, although this juncture in his argument would have been a good place to include them, as one incident that emerged during my reading of his book attests. In a February 28, 2010 New York Times  article, we find the prize-winning German writer Helene...

...), the book reviews / 113 autonomy of the art object is rated over the creative process, and text is prioritized over document lead to blindness not insight. Eggert does not discuss plagiarism and textual appropriation, although this juncture in his argument would have been a good place to include...

..., or the Grail is replaced by a sound. The reader could be forgiven for feeling, at times, a little like Kafka, when appealed to by a deluded habitué of literary Prague by the name of Reichmann. This person believed that an essay he had written had been plagiarized in the local newspaper. As he relates...

... only a brief acknowledgment of Hoffmann’s most visually immediate “parodic plagiarism” of Sterne ( Large, “Derived Lines” 76 ): his reproduction of Trim’s flourish in a fragment composed some twenty years earlier ( fig. 4 ). Hoffmann’s squiggle offers an energetic new point of enquiry to Large ’s...

... authorship, this close relationship between proprietary and moral rights originates in the discourse of plagiarism, a word whose etymology (and first literary use, by the epigrammatist Martial) contains the now-forgotten metaphor of kidnapping. This same poet, “unrivalled in Roman literature” for his...

... in the discourse of plagiarism, a word whose etymology (and first literary use, by the epigrammatist Martial) contains the now-forgotten metaphor of kidnapping. This same poet, “unrivalled in Roman literature” for his “attention to the social, commercial, and material circumstance” (p. 124) of the poetry of his...

... in the discourse of plagiarism, a word whose etymology (and first literary use, by the epigrammatist Martial) contains the now-forgotten metaphor of kidnapping. This same poet, “unrivalled in Roman literature” for his “attention to the social, commercial, and material circumstance” (p. 124) of the poetry of his...

... in the discourse of plagiarism, a word whose etymology (and first literary use, by the epigrammatist Martial) contains the now-forgotten metaphor of kidnapping. This same poet, “unrivalled in Roman literature” for his “attention to the social, commercial, and material circumstance” (p. 124) of the poetry of his...

... of vicious accusations about Celan, claiming that he had plagiarized her husband’s poetry; Celan saw these accusations as not only an attack on himself, but also a symptom of lingering postwar anti-Semitism, feeding on the cliché of the Jewish artist as mere imitator rather than true creator...

... of vicious accusations about Celan, claiming that he had plagiarized her husband’s poetry; Celan saw these accusations as not only an attack on himself, but also a symptom of lingering postwar anti-Semitism, feeding on the cliché of the Jewish artist as mere imitator rather than true creator...

... of vicious accusations about Celan, claiming that he had plagiarized her husband’s poetry; Celan saw these accusations as not only an attack on himself, but also a symptom of lingering postwar anti-Semitism, feeding on the cliché of the Jewish artist as mere imitator rather than true creator...

... had plagiarized her husband’s poetry; Celan saw these accusations as not only an attack on himself, but also a symptom of lingering postwar anti-Semitism, feeding on the cliché of the Jewish artist as mere imitator rather than true creator. Eskin’s discussion of Celan focuses on the poet’s...