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photograph

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Image
Published: 01 December 2021
Figure 1. “Soon Ah Will Be Done.” Scene from Vive la France. Photograph by Eric Legrand. Courtesy of Mohamed Rouabhi. Figure 1. “Soon Ah Will Be Done.” Scene from Vive la France. Photograph by Eric Legrand. Courtesy of Mohamed Rouabhi. More
Image
Published: 01 December 2021
Figure 2. “Fight the Power.” Scene from All Power to the People! Photograph by Pascal Gély. Courtesy of Mohamed Rouabhi. Figure 2. “Fight the Power.” Scene from All Power to the People! Photograph by Pascal Gély. Courtesy of Mohamed Rouabhi. More
Image
Published: 01 September 2021
Figure 2. A photograph of a green paper Möbius strip by David Benbennick, March 14, 2005. From Wikimedia Commons, licensed under Creative Commons, Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0): creativecommons.org/licenses/by-sa/3.0/ . Figure 2. A photograph of a green paper Möbius strip More
Image
Published: 01 June 2022
Figure 2. Pondicherry thinnai as equalizing social space. Photograph courtesy of Mouhamed Moustapha. Figure 2. Pondicherry thinnai as equalizing social space. Photograph courtesy of Mouhamed Moustapha. More
Journal Article
Comparative Literature (2013) 65 (2): 200–219.
Published: 01 June 2013
... (1995), I contend that here, in the fictionalized framework of neocolonial Cameroon, the author addresses the racial implications of Barthes's idea of photographic “contingency,” anticipating American criticism of his work by more than a decade. Matalon treats the light captured in the photograph itself...
Journal Article
Comparative Literature (2009) 61 (1): 43–53.
Published: 01 January 2009
... photographs included in Austerlitz . Indeed, Austerlitz and Wittgenstein mirror each other in so many ways that a reader familiar with Ray Monk's biography of the philosopher and Wittgenstein's own work might suspect that Sebald lifted specific elements from these texts into his own. But Sebald's work also...
Journal Article
Comparative Literature (2021) 73 (2): 150–165.
Published: 01 June 2021
...Ada Smailbegović Abstract This article theorizes the edge between the land and the sea in Marianne Moore’s poetry and in Jeff Wall’s photograph “The Flooded Grave.” For these artists, the edge is constituted as an array of fluctuating temporal rhythms created by living organisms and dynamic abiotic...
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Journal Article
Comparative Literature (2011) 63 (4): 402–422.
Published: 01 December 2011
... into the future even as they revise the past. The visual archive of the plantation, then, as unvarying and stable as it may appear (Tara, say, or the Lyceum), is really a composite consisting of all the photographs and portraits of plantations produced and circulated for the past two centuries or so...
Journal Article
Comparative Literature (2007) 59 (3): 241–268.
Published: 01 June 2007
... . Heschel, Susannah. “Does Atrocity Have a Gender? Feminist Interpretations of Women in the SS.” Lessons and Legacies VI: New Currents in Holocaust Research . Ed. Jeffrey M. Diefendorf. Evanston, IL: Northwestern University Press, 2004 . 300 -321. Hirsch, Marianne. “Nazi Photographs in Post-Holocaust...
Journal Article
Comparative Literature (2013) 65 (2): 182–199.
Published: 01 June 2013
... on analyzing the discrete artwork, Barthes tries to achieve this oscillation himself in such texts as A Lover’s Discourse: Frag- ments (1977) and especially Camera Lucida (1980) by furnishing an overtly sub- jective analysis of moments of experience, phrases, photographs, and behaviors in order...
Journal Article
Comparative Literature (2016) 68 (4): 427–449.
Published: 01 December 2016
... colored plastic tape, its boundaries purport to repre- sent the furthest extension of space containing traces of the criminal act. The fixity of its borders is reinforced by the requisite photographic and verbal records of the crime scene and the measures taken against possible contamina- tion...
Journal Article
Comparative Literature (2021) 73 (2): 237–254.
Published: 01 June 2021
... and disorienting. The adjective and adverb offshore means “away from the shore,” “at sea,” “towards the sea,” or even “in or to another country,” while “in shore” points to a space or an object that can be either “situated, or carried on near or close to the shore.” 5 Asako Narahashi’s photographs play...
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Journal Article
Comparative Literature (2021) 73 (2): 131–149.
Published: 01 June 2021
... century beach.” In his 1884 decadent novel, Against Nature , J. K. Huysmans invites readers to imagine reproducing the beach experience by means of a few well-chosen props, including salt water, the smell of twine, a casino photograph, and a touristic guidebook ( 36 ). Today, Huysmans’s recipe has...
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Image
Published: 01 June 2022
Figure 1. The thinnai on the cover of Ari Gautier’s Le thinnai . Cantine Street, Pondicherry; demolished in December 2020. Photograph courtesy of Mouhamed Moustapha. Figure 1. The thinnai on the cover of Ari Gautier’s Le thinnai. Cantine Street, Pondicherry; demolished in December 2020 More
Image
Published: 01 September 2018
Figure 2. Jason Edward Lewis, still image from interactive work “What They Speak When They Speak To Me.” Photograph: Jason Edward Lewis, 2012. Reproduced with permission. Figure 2. Jason Edward Lewis, still image from interactive work “What They Speak When They Speak To Me.” Photograph: Jason More
Journal Article
Comparative Literature (2000) 52 (4): 291–320.
Published: 01 September 2000
... related scenario, that of the figurative re- molding of living and breathing human beings, as in Bernard Shaw’s late nineteenth-century play. 3 See Small and Levinson’s fruitful article about animated film (cartoons) and/as montage. 4 These inanimate forms might be considered both photographic...
Journal Article
Comparative Literature (2021) 73 (2): 184–208.
Published: 01 June 2021
... partner, in her book of materialist photographs, Métal (1928) ( Sichel 67–83 ). In short, the bridge joined a system of port infrastructures bearing the weight of European modernism’s preoccupation with the aesthetic forms of industrialization. As for the surprising appearance of the kite-skier...
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Journal Article
Comparative Literature (2008) 60 (3): 244–260.
Published: 01 June 2008
..., 1994 . Russek, Dan. “Verbal/Visual Braids: The Photographic Medium in the Work of Julio Cortázar.” Mosaic 37 . 4 ( 2004 ): 71 -86. Waters, Lindsay. “'The Cameraman and the Machine are Now One': Walter Benjamin's Frankenstein.” Mapping Benjamin: The Work of Art in the Digital Age . Ed. Hans...
Journal Article
Comparative Literature (2022) 74 (1): 144–146.
Published: 01 March 2022
..., Asia, and Latin America. Using previously unpublished archival materials, personal interviews, photographs, and a variety of critical sources, this monograph investigates how the second and the third world were mutually constitutive. Djagalov’s approach is characterized by depth of analysis of cultural...
Journal Article
Comparative Literature (2021) 73 (4): 385–402.
Published: 01 December 2021
...Figure 1. “Soon Ah Will Be Done.” Scene from Vive la France. Photograph by Eric Legrand. Courtesy of Mohamed Rouabhi. Figure 1. “Soon Ah Will Be Done.” Scene from Vive la France. Photograph by Eric Legrand. Courtesy of Mohamed Rouabhi. ...
FIGURES